Not exact matches
During the moments of greatest suspense, activity in the frontal parietal brain regions, which
are devoted to orchestrating attention, flared up in healthy participants and became increasingly intense until the end of the
film, when the boy nearly
hits the family maid with a
real bullet.
James Woods and Kathleen Turner
are sublime as Mr. and Mrs. Lisbon, Kirsten Dunst, Hanna R. Hall, Chelse Swain, A.J. Cook, and Leslie Hayman
are all really good as the Lisbon sisters, Josh Hartnett showed some
real star potential as Trip the love interest of Dunst's Lux, and Giovanni Ribisi
hits all the right notes and puts in fantastic work as the
film's narrator, conveying a great sense of both maturity and youthful wonder.
I wasn't sure if I'd enjoy a
film about suicide, and, though the
film does have its somber moments, it
's filled with good sequences, evidence of
real talent, and
hits a tone that makes it all work.
Yet, this new flick
is a lot better than some of the
real terrible CGI
films to
hit the screens, like «Doogal» and «Happily N'Ever After.»
The involvement of so many
real musical luminaries (in particular Aerosmith's Steven Tyler in a key rôle as himself, and Outkast's André Benjamin eating up his scenes as trigger - happy gangsta Dabu) may bring a certain postmodern edge to the proceedings, but it also goes some way to explaining the
film's gently - gently approach to the record industry — an industry which would
be unlikely to release its stars to a project that
was aiming to score any
real hits against it.
Though it practically qualifies as an original
film, taking little from Matheson's text and teleplay (including virtually nothing in the way of social commentary),
Real Steel is a tired and familiar production, hitting all the beats to tug at your heart strings but without real conviction or personal
Real Steel
is a tired and familiar production,
hitting all the beats to tug at your heart strings but without
real conviction or personal
real conviction or personality.
The Oscar - nominee (for Alexander Payne's «Sideways») returns to the multiplex after a part in the
hit religious
film «Heaven
Is for
Real» from last year, while having previous appeared in a mix of indie and studio projects that range from «George of the Jungle» to «Lucky Them» and even «Spider - Man 3.»
For all its good parts (and there
are lots of them),
Real Steel perhaps fails because it tries too hard to
be more than what it
is: a
film about giant remote - controlled robots
hitting each other.
It
's a new era for James Bond, the debut of Daniel Craig in the starring role, and on nearly every level, it
's a
real step in the right direction for this
hit - and - miss franchise, perhaps the best Bond
film since the 1960s (some might say since Goldfinger, but I also have a fondness for On Her Majesty
's Secret Service).
It
was the solo directorial debut of Jack Hill (whose Coffy and Foxy Brown both recently
hit Blu - ray from Olive), a low - budget
film that
was financed by
real estate developers who wanted to get into the movie business and got stuck in limbo for years when the producers went bankrupt.
But this week's competition
is facing her down with a
real buried gem, somebody only the mosy diligent of cineastes has heard of and whose
film adaptation of a serious difficult piece of theater just
hit theaters this past weekend... a Saoirse Ronan?
Not every conversation leads somewhere, but no second
is wasted — everything builds a complex yet tangible world.Sean Baker's previous
film was Tangerine, a surprise indie
hit filmed on iPhones and starring
real life transgender sex workers.
The first part of the
film allows us to get a
real feel for both Tracy and Brooke, but it
's the change of pace that occurs when the setting
hits a house in the wealthy area of Connecticut that
is most startling.
We know where the story
is headed — toward Oscar's death — and we know that this
real - life tragic «hook»
is the reason the
film got funded and made (and the reason it went on to become an art house
hit).
Additional bonus material on the final disc includes Eric Vespe's Butt - Numb - a-Thon greeting from 2011, the «Rivers of Gold» music video, a not - very - clever fake
hit piece on one of the dwarf actors «The
Real Adam Brown» and a touching tribute to cinematographer Andrew Lesnie, who passed away shortly after the
film was released.
So, one us asked, did making a movie about excessive drinking make the young cast feel like
hitting the bars for
real after a day of
filming, or did it have the opposite result, and
were the youthful thespians so tired of pretend - drinking that they had become a bunch of teetotalers?
«For
films that tick off all the boxes, it
's pretty clear there
's real audience interest right now, which
is exciting,» said David Linde, chief executive of production company Participant Media, which helped produce the Lionsgate
hit «Wonder» and Steven Spielberg
's awards contender «The Post.»
Hardy
's buzz
is such that if only more people had seen this amazing one - man - show from director (and Oscar - nominated screenwriter) Steven Knight, we'd say it would have a good chance of landing a nomination for
real, but it
's a really minuscule
film, and Hardy himself has two more higher profile movies due to
hit before the year
is out («The Drop» and «Child 44»).
The first
real departure from type for Breaking Bad's Aaron Paul, Sundance
hit Hellion
is a type of
film with roots dating back to Italian neorealism but
is ultimately insubstantial and unsatisfying.
Scary Movie 5 Might Really
Be Coming: It
's been over five years since Scary Movies 4
hit and rumors of a fifth
film first cropped up, but it looks as though the production
is finally firing up for
real.
But we think her fourth novel — with its of - the - moment 1920s setting and memorable portrayal of
real - life silent
film star Louise Brooks — could
be a breakthrough
hit.
Disney fans, rejoice: someone has created a
real - life version of the balloon house from the
hit film Up, and it
's flying over Australia.
As the second series of
real - world vehicles
hits the world of Rocket League, Fast and Furious
films are enjoying the limelight of a three year top selling title.
I»M JUST A SLAVE TO THE TRUTH; as His Hard -
Hitting New
Film Hits Cinemas, Director Steve McQueen Tells Julia Molony of the Traumatic
Real - Life Story Behind It Belfast Telegraph; January 11, 2014; Molony, Julia; 700 + words
Film by
film, Steve McQueen
is surely and steadily building a case for the crown of most important... as a reverential
film school graduate but as an already feted, Turner prize - winning video artist, whose vision had not yet
been blunted...