Sentences with phrase «film is such a hit»

The film was such a hit, a sequel and a Broadway musical are both reportedly in the works.

Not exact matches

We know the film is onto such truths because it indicates that the very connection Llewyn likely draws between hitting the cat and passing by Akron is based on a factual error.
All the cars from the film have been recreated in incredible detail, and the format definitely lends itself to the drama and cinematography that made the movie such a hit with motorsport enthusiasts.
The new film on his life and career is set to hit cinema screens in 2017, featuring appearances from other F1 legends such as Emerson Fittipaldi, Sir Jackie Stewart and Mario Andretti.
2018-04-08 18:44 Ryan Gosling is a Canadian actor known for his film roles in hits such as The Notebook, Crazy, Stupid, Love and La La Land.
Ryan Gosling is a Canadian actor known for his film roles in hits such as The Notebook, Crazy, Stupid, Love and La La Land.
Overall, I will admit that the film was pretty hit or miss with a lot of the humor and jokes for me, but none of that ruined the fact that it was still a fun, colorful, and even quite nostalgic time for a fan of the books such as myself.
Though AKA Pablo was far from a hit, Rodriguez continued to be very much in demand for such comedy films as Miracles (1986) and Born in East LA (1987).
I imagine some folks at Marvel were worried if moviegoers would accept a miniature crime fighter with such a refreshingly uncool name — and the bizarre power of commanding ants — but the film was a critical and commercial hit, especially overseas.
It's such a hit or miss performance, within a hit or miss film, that it becomes more a curiosity than anything else.
The dominance of European cinema was in part moderated by Crime Scene, an especially creative and popular program, incorporating recent award - winners such as Polisse (Maïwenn, 2011) and Once Upon a Time in Anatolia (Nuri Bilge Ceylan, 2011) with the Brazilian hit Elite Squad: The Enemy Within (José Padilha, 2010) and the Congolese gangster film Viva Riva!
And that's not all that's arriving from the set of the film, as earlier today Alexa Vega (who has featured in Rodriguez's «Spy Kids» films) hit Instagram (via ComingSoon) to showcase her costume (such as it is) as KillJoy in the film.
There will be those few who will rally a cult following around such a cartoon - y movie although they will have to do so in DVD since the film is getting a very limited release before it hits the living room.
Its feature film business has been fueled by such recent successes as the blockbuster first installment of The Hunger Games franchise, The Twilight Saga Breaking Dawn — Part 2, Now You See Me, Kevin Hart: Let Me Explain, Warm Bodies, Snitch, Texas Chainsaw 3D, The Expendables 2, The Possession, Sinister, Arbitrage and Pantelion Films» breakout hit Instructions Not Included, the highest - grossing Spanish - language film ever in the U.S.
They don't need to be period pieces or intimate dramas (although that won't hurt), but they have to be in films that hit creative peaks such as «Room» or «The Revenant» («Beasts of No Nation» should have been one of those films, but more on that in a minute).
After the character was such a big hit in The LEGO Movie, it is no surprise that Batman gets his own film.
Such as it is, American is less about his professional career than his personal life, insofar as one can separate the two when considering so personally honest and hardworking a performer, and sans pandering to docu - hungry audiences, the film works equally well as an introduction for newcomers, a family reunion for longtime fans, and a miniature greatest - hits package for both.
Well, this awards season is apparently dedicated to giving bad coaches their day, what with such films as Whiplash and Foxcatcher hitting the scene.
Though the sequel has a new director and some new cast members, Deadpool 2 is unsurprisingly doubling down on what made the first film such a big hit, including jokes about exactly how big of a hit at the box office it was, as well as plenty of other fourth - wall - breaking moments.
Rob Zombie's films may be hit or miss (I still think that his take on Halloween gets unfairly shit on considering some of the other entries that came out of that franchise), but one thing that I've always appreciated about his work is that he never strays away from what makes him such a unique filmmaker — the dude always makes -LSB-...]
One such film opening in Kansas City this week, is Battle of the Sexes from Jonathan Dayton and Valerie Faris, the team behind the smash hit, Little Miss Sunshine.
It's not every day one encounters a catalog film hitting high definition with substantial new bonus features and this isn't a prestigious enough film to expect such great effort.
On the bright sight, it is good to see bloody films, such as Repo Man and Kick - Ass hit being release wide in America.
Normally, that would qualify a comedy film as a hit and such a total is both rare and robust for a live - action family film.
The sumptuously filmed classical drama will be a strong awards contender (for cinematography as well as foreign film) and could prove an art - house hit in North America, adding to such Amazon successes as Kenneth Lonergan's «Manchester by the Sea» (Roadside Attractions) and Asghar Farhadi's «The Salesman» (Cohen Media), which both won Oscars, as well as last year's Sundance acquisition, summer hit «The Big Sick» (Lionsgate), which earned an Original Screenplay nomination.
Maybe every 10 years, there's little blips of films, but I think it's as you say — because they're all in development for such a long time they all hit at a certain moment in the zeitgeist.
Yet, the film pulls and tugs at the heartstrings in such a stereotypical fashion — every pause and every beat hits the mark at the same point that every other tragedy does — and the contrivances built into the script (a white woman Oscar helps at the grocery store ends up being the one taking the cell phone video) overload an already loaded movie.
15) «The Dark Knight Rises» /» The Avengers» There seems to be a certain disproportionately noisy section of the internet that seem to think that picking between the hit superhero films of 2012 is like following a Glasgow football team or an American political party — you're either with Marvel or DC, and as such, you either like «The Avengers,» or «The Dark Knight Rises,» with the other automatically becoming the worst thing in the history of mankind.
From small roles in the likes of Oscar baity films, such as Zero Dark Thirty and, le sigh, Parkland, to larger roles in unsung indie hits Humpday and Safety Not Guaranteed, and simply as the reliably affable straight man, Pete, on The League, it's easy to admit that Duplass has got range.
So if you'd like a better idea of whatever this filming experience turned out to be, you can listen to some of Wiseau's greatest Room hits below, and then imagine Franco directing the likes of Seth Rogen, Bryan Cranston, and Sharon Stone — yes, they're all in The Disaster Artist — while attempting to create such a distinct, likely distracting impersonation.
Its feature film business has been fueled by such recent successes as the blockbuster first two installments of The Hunger Games franchise, The Hunger Games and The Hunger Games: Catching Fire, A Madea Christmas, Now You See Me, Kevin Hart: Let Me Explain, Warm Bodies, The Expendables 2, The Possession, Sinister, Roadside Attractions» Mud and Pantelion Films» breakout hit Instructions Not Included, the highest - grossing Spanish - language film ever released in the U.S.
Cassavetes» record had been hit and miss in prior efforts, but he has delivered well in films geared more toward women in such respectable efforts as The Notebook and My Sister's Keeper, which also featured a well - drawn out performance by Diaz in a lead role.
With such an incredibly talented cast, the film was sure to be a hit.
We've been hearing rumours for months about the possibility of the smash hit video game Bioshock getting a feature film adaptation, with names like Guillermo Del Toro even showing interest in directing such a project.
In terms of tone, John Michael McDonagh's first film shot outside in the United States feels a bit like the latest U.S. - based film turned in by his filmmaking brother, Martin McDonagh, Seven Psychopaths, another film that I compared to the post-Pulp Fiction clones that came out in the late 1990s, full of bloody violence, brash attitude, and peppered with jokey moments that play to the crowd, such as one of the characters musing on whether a mime will make a sound when he is hit with a car.
Both Fassbender and Mulligan turn in amazing performances and director Steve McQueen deserves kudos for not only making such a hard - hitting drama, but for having the bravery to not cut the film to an R which could have killed its integrity.
Two of his films, Alien and Blade Runner, have become such cult hits and are loved by many that when he announced he would be making a brand new sci - fi film that would be a tie - in to Alien, people went nuts.
It's so exciting to hear that McPhail's film has finally been slated for release, and doubly so given that this one was such a hit out of last year's Fantastic Fest.
It's still a bit puzzling why the studios would opt to open such an action - heavy film a week after Rogue One hit theaters, but here we are.
The question is this: how do you take such a tale from its hit play version and transform it for film?
My hope is it becomes a big hit because it's such a beautiful film.
Hardy's buzz is such that if only more people had seen this amazing one - man - show from director (and Oscar - nominated screenwriter) Steven Knight, we'd say it would have a good chance of landing a nomination for real, but it's a really minuscule film, and Hardy himself has two more higher profile movies due to hit before the year is out («The Drop» and «Child 44»).
Jordan Peele's film hit such a nerve when it was released a year ago because it spoke to a black experience in America that was fraught, insidious, and under threat.
While drugs are a major motif in the film, it is ultimately about not fitting in, which is probably why it has become such a hit with young people.
The film is directed by Roland Emmerich who has graced the big screen with such hits and misses like Independence Day, 2012, The Day After Tomorrow, Universal Soldier, Star Gate, and Godzilla.
When Nick Osborne, film producer of such movies as Summit Entertainment's hit Remember Me which starred Robert Pattinson, investigated the traditional route to publication for his title Refuge, he found that the options before him weren't taking his book where he wanted it to go and decided to put the skills that helped him become a successful film producer to use.
Even considering the cost of installing the equipment for recording in the studio, then installing it in their theatres so it could be used the film turned out to be such a huge hit that if made a profit of over 2 million dollars and that was when a million was a lot of money.
In addition to mainstays such as Spider - Man, the full roster of heroes from the hit 2012 film The Avengers are featured prominently, with the cast of 2014's Guardians of the Galaxy being added as well.
In this TateShots interview filmed at the artist's New York apartment, Andre discusses how materials are a natural part of his life, and looks back at when his work hit the headlines, recalling criticism such as «you can't make art out of bricks».
Their songs, including the hit Light & Day / Reach for the Sun, have been featured in television appearances and film soundtracks, such as American Idol, Scrubs, Austin City Limits, Eternal Sunshine of the Spotless Mind, Thumbsucker, and Murderball.
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