The dark humor in
this film keeps up the pace of the film.
Not exact matches
Nuclear scientist Nicole Kidman and maverick intelligence officer George Clooney team
up to stop the bad guys, and Leder
keeps the
film moving at a breathless
pace.
The pair
keep the
film moving at a fast enough
pace to
keep the audiences from coming completely bored with the
film, even if Goold's script can't seem to
keep up with the tension created by Franco and Hill.
This
film, by contrast, starts off very briskly and
keeps the
pace up more consistently.
Quality music, especially live performances, pop -
up in the perfect spots and really
keep a fluid
pace to the
film.
This is especially the case when Infinity War has to move on to another story or character beat in order to
keep up the
film's brisk
pace and wrap
up in a reasonable amount of time.
Con artist
films always work best, when they are short and sweet, played at a
pace almost too quick for the audience to
keep up with.
The
film sped along at such a
pace that I was struggling to
keep up.
Not only has he
kept up his blistering
pace of pushing out a movie a year, but this time he's really delivered two
films, only loosely connected by jangling neurosis.
But the
film never lingers, and aside from running about ten minutes too long,
keeps the
pace up and the locations ticking over.
Welcome to the Punch sets itself
up as a rather conventional genre
film, but where the writing may lack a depth of character or thematic weight it's more than made
up for in terms of sensory - appealing thrills and a hyped
up rhythm that
keeps things moving along at an appropriately rapid
pace.
The conversation cadence throughout the
film is offbeat, but it's here that the rat - a-tat-tat dialogue
pacing really pushes the viewer to
keep up.
The director that made Thank You For Smoking, Juno, and
Up in the Air switches gears with his new
film, Labor Day, which slows down its
pace and trades charismatic and quirky characters for flawed and heartfelt ones, while
keeping solid performances from the cast.
The
film whizzes along at a tremendous
pace fuelled with a fizzy - pop - drinking - child's energy ripping through its riotous shenanigans and comedy capers with the right balance of set -
ups, gags,one - liners and slapstick to
keep things rollicking along
Not to disappoint, this
film also features such time - honored classic clichés like the killer that seemingly is able to
keep pace with someone running full speed while he is merely walking briskly (just once I'd like to see a psychopath who drives everywhere), the scared teen bumping into someone they think is the killer when it clearly is a coat rack, the killer that insists on using some odd instrument of death when a gun would do the job ten times more efficiently, and the ending that sets
up the sequel should this one prove a financial success.
Its simplicity and slow
pacing keep it from holding
up as well as some of the studio's other works from this period, but fans of the
film will be glad to see its comfortable appeal is still there, just as sure as Burl Ives» goatee is.
Movie audiences of today may find the
film slow as there isn't a lot of action or fast
paced scenes to
keep up with the short attention spans of today.
The entire
film takes place on one night, so there is a nice against - the - clock backdrop that
keeps up the
pace, even as the
film flits from the North Pole to Toronto to the Pacific Ocean to Africa and, finally, to England.
«As digital technology makes filmmaking more accessible and opens new ways to distribute
films, the industry is trying to
keep up with the
pace of change.
In addition, the
film presents some great food for thought about our current system of building codes and zoning regulations, which hasn't seemed to
keep up with the
pace of alternative building innovations.