Not bad at all.this
film keeps you guessing in ways you never do a lot in horror films.Rob Zombie directs theses actors like I've never seen a horror director do before.this movie is truly amazing, people are calling it «terrible» I call it «good» it's the kind of horror film that actually deals with characters and not just pointless blood and guts.I felt like all these characters really did go through something, and this movie is truly just about them overcoming it.I don't consider this a horror film, I consider this a drama / horror film, cause that is what it is, and I love it.this mvie isn't just about a killer killing people, it actually deals with the people he's after anf even deals with himself at times, which I truly loved.Rob Zombie has proved to me again that he could direct.perfect seq...
There's a fantastic scene of game - playing in which Howard's misogyny is laid on the table, and
the film keeps us guessing as to just what his intentions or end game will be.
This film keeps you guessing as to exactly what it's up to with every scene (no film was more carefully plotted this year), and reveals its true intentions only very late in the game.
Not exact matches
Stir of Echoes is a good psychological horror
film that
keeps you
guessing till the every end.
The
film keeps Superman at a distance (if you had
guessed «They turn the Superman sequel into a Batman movie,» come on up and collect your winnings), and as such this doesn't give Cavill much to do.
The
film keeps the audience
guessing with twists and red herrings, and even when there is nothing left to discover, it remains an incredibly fun journey into a hauntingly beautiful land.
The
film's humor hits with absolute accuracy, and the twists and turns throughout
keep the viewer
guessing about which direction the next threat (or next comedic beat) is going to come from.
The story, about a man who is kidnapped and held captive for two decades and seeks revenge upon his sudden release, is very similar to the original, but just different enough to
keep fans
guessing; Lee has suggested that his
film has an even darker ending than Park's.
Director, Hany Abu - Assad crafts a fast - paced, compelling and carefully scribed
film with darkly engaging characters and a surprising story that
keeps you
guessing right to the end and leaves it open.
In this very odd world, many questions will be dying to be answered, and while most of them are, it is the true beauty that
keeps you
guessing when the
film concludes.
The
film just
keeps you
guessing.
The plot twists and turns and it
keeps you
guessing till the end, and that's what makes the
film good.
A wonderful period
film first and secondarily an interesting mystery - romance that
keeps you
guessing about the big questions until late in the narrative.
The
film legitimately
keeps the audience
guessing what lies ahead and is guaranteed to catch you off guard.
The performances were all very good, especially that of Gordon - Levitt, and if what you need is a
film that
keeps you
guessing rather than spoonfeeding you the same old stuff, this might fit the bill.
From there, the
film lives up to its misleading name in one major way: it's one big campaign of misinformation against the audience, attempting to
keep us
guessing as long as possible.
The
film becomes to reliant on
keeping you
guessing the next turn, that it forgets to tell its own story.
She's sexy and almost inscrutable in her intentions; like Finnick, Johanna
keeps you
guessing right until the end of the
film.
The mystery element of the
film wants to
keep us
guessing until the very end, but it means that when the
film closes, we haven't connected with anyone who isn't Gleeson, Reilly or the eventual killer (even there, more characterisation would have been appreciated).
Watching Hanna, it's easy to see why there was so much buzz around Seth Lochhead and David Farr's screenplay in the few years before the
film went into production; the story of the mysterious young warrior is structured in a way that immediately draws the viewer in, and
keeps us constantly
guessing as the details of her enigmatic past steadily come into... read more
He'll
keep you
guessing — as will his very fine
film — until the shocking final moments, and you will have plenty to discuss afterward.
«Ex Machina» is the rare
film that truly
keeps you
guessing, even when you think you know where it's going.
Although the
film's ultimate payoff feels a little too big, and too insufficiently explained, to justify all of the obfuscation that led up to it, the script
keeps the audience engaged and
guessing right up to the end.
The director
keeps us disoriented within the layer in which they're being held, never quite revealing what we're actually observing until late in the
film, and that lack of geography
keeps you
guessing around every corner.
But yet, there was some... quality to this
film remaining that managed to
keep me there, along with, I
guess, the other six people who were in my theater.
The first
film directed by screenwriter Alex Garland (28 Days Later, Never Let Me Go, Dredd), Ex Machina is not nearly as profound as it seems to think it is, but is still (mostly) very watchable and filled with enough strange and unexpected twists to
keep the viewer
guessing to the end.
At the
film's recent press day, Shyamalan and Blum discussed their creative partnership and the most surprising aspect of working with each other, why the scares in this
film are deceptively simple yet terrifying and original, how the mock documentary style format gave Shyamalan new cinematic tools for
keeping the audience
guessing, his directing style, what he was looking for in his young actors, why he cast experienced stage actors for the grandparents» roles, his collaboration with award - winning DP Maryse Alberti, how he recruited Oxenbould to shoot the chase sequence underneath the house, why he likes treating B genre movies like they're A dramas, and more.
The beneficiary would be Colin Firth, whose
film may have only a week's jump on Bridges» in the UK, but is a well - loved local stalwart; I'm
guessing the Limeys
keep it cosy.
The whodunit element is clever enough to
keep most audiences
guessing and the
film is definitely an intense thrill ride that will
keep the typical moviegoer on the edge of their seat.
The characters are entangled in unexpected ways, and the twists and turns throughout the game
kept me
guessing until the very end, when, in true
film noir style, the grand finale was revealed.
Each thing that comes out of his mouth is crazier than the one before, and he will
keep you
guessing throughout the
film.
Director Sidney Lumet - working from Kelly Masterson's screenplay - has infused Before the Devil Knows You're Dead with a complex, time - shifting structure that doesn't work quite as well as one might've hoped, though there's little doubt that it effectively
keeps the viewer
guessing through the majority of the
film's running time.
My
guess is the theatrical experience
keeps the audience in the
film's peculiar mindset a lot better.
Unfortunately, there are interesting twists and turns that are necessary in con / caper
films to
keep you
guessing and playing along.
Although a tad over-written (by screenwriter Guy Holmes in his first script sale), the serpentine plot is guaranteed to
keep you
guessing, while director Dorado and cinematographer Óscar Faura (The Orphanage, Julia's Eyes) ensure the
film is always beautiful to look at.
Densely plotted, if sometimes suffocatingly so, TV director Michael Pearce's feature
film debut
keeps you
guessing on matters of culpability right through to the closing exchange.
The
guessing game
keeps the audience hooked and the big scene at the end of the
film feels truly earned and exciting because it all comes full circle.
He loves to
keep the audience
guessing, paying deft homage to his favorite
films with a delicate affection that's as endearing as it is subtle.
A Most Violent Year: This gem is a
film about the merits versus moral compromise of the American dream, and a slow boil drama that
keeps you on edge for its full 125 minute running time because there is absolutely no
guessing what is coming next.
Perhaps O'Russell used the device to give her additional camera time (6) Amy Adams
kept me
guessing throughout the
film.
In
keeping with the current international style, Denis's
film is much slower and rather more obscure and somber than Ozu ever was The sense of light playfulness in Ozu, helped by the jazzy scores in so many of his
films, is almost entirely missing here, but that's OK, I
guess.
Like any good Hitchcock
film (or any good mystery, for that matter), Tell No One always
keeps you
guessing and never fails to surprise, all while continuously building an emotional foundation that makes the shocker ending feel like a shotgun to the chest.
«This is an explosive, character - driven
film, smartly told in a way that will
keep audiences
guessing throughout.
What makes this
film riveting is how it
keeps you
guessing not only whether John's scheme will succeed but whether or not Lara is guilty.
Michael Siglain, director, Creative Franchise, Lucasfilm, Disney Publishing Worldwide understands how Star Wars fans prepare — inviting the anticipation and speculation to begin while assuring us that «the filmmakers have a lot of surprises in store, and the hints and puzzle pieces in the publishing program will
keep fans
guessing until the
film opens.»