Sentences with phrase «film kept me interested»

On the one hand, the film kept me interested much better than its «dirty old man lusts after young lady» premise suggests.

His film kept our interest by coming back to one question: what is reality, and what only imagined?

Not exact matches

By that definition, expanding my own brand allows me to keep my first product — me — fresh and interesting to consumers while expanding my «product line» to include software, feature films, television, speaking engagements, etc..

Fairly decent film which isn't entirely original or well acted but the young cast do OK to keep you interested (especially the girls hehe).

Sylvester Stallone has made far better films than this, and here he delivers a painfully dull performance that simply doesn't do anything to keep you interested.

This is a better film than what most people say and it delivers effective chills with a good enough story to keep you interested till the end.

Overall this film is an interesting character study, but it kind of drags and it's mainly the stellar performances that keep it going and almost make up for it not being that compelling.

For its 3 1/4 - hour length Spielberg keeps this important themed film interesting, unsentimental, intelligent, accessible, morally astute, aesthetic, riveting and entertaining.

What is so engaging about the film is the way its director, Ki - duk Kim, manages to keep our interest intensely focused on the couple.

The main thing that keeps the film interesting is Fonda and Wanda Sykes, her wacky assistant.

Now I like the first Hoodwinked movie very much, and for a low budget CG film its very funny and keeps you entertained, so when I heard they were going to make a bigger budgeted 3 - D sequel I was interested, but the better CG doesn't add to how poorly this film was made, the CG may be better, but the lip synching is terrible and the voice acting isn't that good.

The acting is decent enough to keep you interested and the story is intriguing, but it misses a little something to make it a much better, more developed plot for the film.

It is as much a survival film as it is a war film, and there are some plot twists that keep it interesting.

The usual zombie carnage and violence is present, but with a couple of interesting new twists that keep the film fresh.

Still, the atmosphere and the acting keep the film interesting and the ending is actually kinda sweet.

It's an element of menace in keeping with the movie's otherworldly atmosphere; Holmer shoots these fits with suspense worthy of horror films, but she's not interested in shocks or viscera.

The cast make the film interesting and director Paul Weitz keeps the ball rolling in delivering the laughs.

A wonderful period film first and secondarily an interesting mystery - romance that keeps you guessing about the big questions until late in the narrative.

And though the storytelling leans toward the opaque, the film has a sense of authenticity and power that keep it interesting.

With that being said, I think more effort could have been put into the acting, while the plot is quite good and is really what keeps you interested in the film.

In one way it emphasized his desire to die, and how his life was kept in this one room, but it didn't make an interesting film.

To clue everyone in on some of the movies we've taken an interest in, here's our pick of the Top 10 films we're excited for, ones we're keeping an eye on and will be seeing at the earliest opportunity.

Hopefully this will keep him interested in returning to film once his next term is over.

The film will likely try to capture a large female audience while also keeping previous fans interested, but this is a stacked time frame for the film to hit.

Despite coming across as a glorified extra for the first half of the movie, Smith trusts her with a pretty good character and when the film begins to dip, Bishe keeps the audiences interested enough to stick around.

What's interesting is if Jackson has any desire to keep the films family - friendly after throwing in some casual beheadings in the first effort — how much will he indulge the intensity of the coming dragon and giant spider attacks?

While Freddy's Revenge isn't really in keeping with the first film in the nature of Freddy, whose powers seem to now come with the house, it still has an interesting premise and at least takes a direction that makes it less of a rehash of the first film than other slasher film sequels have been.

I'm not incredibly familiar with Warner Bros.» line of DC animated films, but they seem to do well and, at the very least, keep things interesting by introducing twists on the superheroes as in Gods and Monsters.

The film takes an interesting perspective on events, one that leaves enough ambiguity to keep viewers on their toes.

He is involved with some dangerous characters who at first seem like important plot factors; later, we suspect Wenders was just throwing in some film noir elements to keep up the interest before getting to his real story, which comes toward the end of this very long film.

The film has enough gore and effective genre elements to keep you interested and delivers something amusing on - screen.

In the interests of film criticism it may be productive to keep that in mind.

Attempting to keep the peace is Bilbo Baggins (Martin Freeman), whose self - protective mix of wonder, diplomacy, and dishonesty remain the most interesting character traits in these films.

At least this restraint keeps the film interesting.

What keeps the film interesting, though, is not Fox's «torn between two lovers» shtick, but her encounters with various other women.

Like Jolie, the writers also do a good job of compartmentalizing each piece of the story so that it feels like a fresh chapter with renewed interest, while also keeping the focus on the emotional / spiritual arc of Louis as a consistent throughline, so that the movie's climax (which is much more metaphoric and spiritual than literal) has significant impact and satisfies in an iconic and moving way that is hard for any film to pull off.

The film is more interested in keeping the audience laughing at its repetitive one - note gags that it fails to notice just how unfunny everything else is in the film.

It's always a struggle for a film based on a true story to keep its audience interested because we already know how it turns out.

The film does keep you interested, mostly.

You have to be able to keep the audience enthralled the entire way through, or they will otherwise lose interest, making the film dull, despite a few comedic moments.

I'm almost convinced that the makers of Convergence (also known on home video as Premonition) put subliminal messages during the showing of this film suggesting deep sleep, as I found it extremely difficult to not only keep interest in the movie but also to keep awake altogether.

In anyone else's hands this film would be a vapid product with the occasional violence and nudity to keep mild interest.

Sleek and scary, this bio-thriller has plenty of yuckiness to keep genre fans happy, but it layers in all kinds of interesting themes and character details to lift it far above most of these films...

Indeed, as an action - adventure film it does offer enough thrills to keep audiences interested, and in Edward Norton it has an antagonist with the potential to become a real threat to Cross / Bourne in future films, much like Brian Cox in Supremacy.

There are so many films coming out in 2018, but we've got our eyes on some of the biggest, most interesting, and peculiar ones that keep us checking for release dates and ticket pre-sales.

A throwback to the star - driven cinema of the Fifties and a reflection of our own fanatical interest in cults of personality, the film features transparent performances (with the exception of Don Cheadle, each performer in Ocean's Eleven is playing his - or herself), and the same kind of sadistic voyeurism that impels us to simultaneously deify and find fault with our favourite actors keeps our peepers glued to the screen as George Clooney, Brad Pitt, Matt Damon, Elliot Gould, and Carl Reiner revolve around one another in a loose heist intrigue intended to relieve Andy Garcia of both his millions and his girlfriend.

Clearly whatever of interest that has kept readers returning to King's books does not translate into the film, which is as banal and unfulfilling as any major studio film released this summer.

However, «The Hero» did a good job of keeping my interest throughout the film, largely credited due to Sam Elliott's performance.

Oscilloscope will be releasing the film sometime later this year, so keep on the lookout for it if you're interested in seeing it.

I don't know that I'm overly interested in this movie, but I do like to keep track of what films DB is going to be in.