Sentences with phrase «film knowing nothing»

If you chose to watch this new film knowing nothing about it, and were asked to guess its country of origin, it would take the unlearned among us no more than 30 seconds to guess correctly.

Not exact matches

Here's the actual scoop, if you're not yet in the know: We are making a film of Much Ado About Nothing at our house over the next couple of weeks.

Anyone with a working brain and watched the attack knows it had nothing to do with a film.

I knew nothing about the chemicals industry and the oil industry before I saw the films, and in fact, of course, I still know nothing.

In the film Toback, who has known the fighter for 23 years, intersperses footage from the days when Tyson seemed scared of nothing with clips from an emotional interview done while Tyson was undergoing drug and alcohol treatment last year.

I never cared about the «agenda» behind the the film... I knew nothing about the filmmakers when coming to this blog.

And that's it honestly, nothing too special about his childhood but what we do know is that somewhere down the line he fell in love with film.

The ending isn't much of a secret, unless you know absolutely nothing about the history of Alcatraz, but it is a suspenseful film nonetheless.

[spoiler, unless you've seen the TV ads and trailers and know absolutely nothing whatsoever about the film]

I watched this film, knowing nothing about it and having not even seen a trailer and I'm glad, because I had no expectations of it and it left it unpredictable.

Goodman's film, while stressing Timothy McVeigh's virtually one - man show in accumulating the needed materials for a bomb which he detonated on the Alfred P. Murrah Federal Building, spends almost half of its ninety - eight minutes giving the backdrop — not way back to third - party structures like the anti-Catholic Know Nothing movement of 1855 but stretching to the mischief - making of two of McVeigh's forefathers.

Know nothing about this film when you go to see it.

Mr Pleasence most definitely steals the show throughout this film no doubt, Welsh as usual is nothing more than eye candy in a tight white jumpsuit.

The quality of a film that's based on a true story has nothing to do with the fact that the true story was incredible or not because there's no way of knowing if everything's true unless you're the character it's based on.

The unexpected answer to that is nothing you could either know or guess, even if you've seen hundreds off science - fiction films, because it's something you've never heard of before: the Shimmer, to be precise.

I don't know why this film is labeled a comedy since it has nothing to laugh about.

Let me begin with a brief summary, based on the film because I know nothing about the reality.

Knowing next to nothing about the film, it wasn't really a priority for me to check out, especially since it kept conflicting with other films I was trying to check out.

But upon further reflection, I'm not sure how much of that reaction was due to the fact that I could still recite almost all of the film in my head (much of the dialogue is the same), that I will always love its songs (except for the new ones, which added nothing), and that Condon knows his way around a lavish musical.

And I still know next - to - nothing about how the film plays out.

If you're excited for the film and want to know absolutely nothing else about the story until it hits theaters, then be careful what you read over the next few weeks.

When Green presented his third film, «Undertow» (2004), in Toronto, Roger knew that he was in the presence of «a great filmmaker,» and admitted that nothing he could write could convey «the poetry and beauty» of the film.

As I haven't read the Newberry Award - winning Kate DiCamillo novel on which the film is based, hard to know whether to accuse this adaptation of fidelity or whitewash — but at the risk of judging a book by its cover, the artist's rendering of India Opal on the trade paperback hints at the latter by virtue of looking nothing like the Aryan ideal that is Robb.

Now, knowing nothing about the film, I went into...

Admittedly, this viewer knew nothing of Ms. Ferguson prior to the film, as her best known work as come on TV's «The White Queen».

Nothing rivals the famous «Serpentine» gag, of course, but there's enough hilarity packed into Andrew Bergman's script that it's surprising the film isn't better known.

Accepting the World Cinema documentary directing prize, «Winnie» helmer Pascale Lamche pointedly said her film was «for those who know that history is not made by great men» — a sentiment echoed by one of the U.S. doc winners, «Step» director Amanda Lipitz, when she said, «These girls show that nothing is impossible when you surround yourself with a group of powerful women.»

This movie is bad enough for non-techies as a thriller, but if you know anything at all about computers the film is nothing less than a brutal assault of stupidity on all of your senses of such magnitude, the government should also crack down on MGM for releasing it.

At the time, many of us knew nothing about the director other than the fact that he'd made a monster movie that was more than a monster movie but since then, he's become a recognizable name (at least among film fans) and the announcement of a new project brought much joy to my heart.

Shockingly, I've been hearing nothing but good things about this film from my insiders who are in the know.

Outside of its TIFF write - up I knew next to nothing about Raw, French director Julia Ducournau's «coming of age cannibalism» film...

The film is at its best when it's about these two opposites getting to know each other by talking about absolutely nothing.

The number of actors going to waste here is embarrassing: Jennifer Aniston, who has nothing to do as Bruce's long - suffering girlfriend; Philip Baker Hall, wandering around like he's on break from a better film; Sally Kirkland, who comes and goes so quickly you hardly know she's there; and Freeman, continuing his seemingly endless parade of roles he's far too good for.

If you're not a fan and know nothing of the characters, the film will be a difficult slog.

The film's centerpiece, in which the two come together over a lip - sync rendition of Jefferson Starship's «Nothing's Gon na Stop Us Now», is as crowd - pleasing a moment as any you'll see on screen this year and a testament to the fact that no matter how much Maggie and Milo can dig their claws into one another they will always have a bond that no one can manage to break or fully understand.

This was a film I went into knowing next to nothing about.

I knew pretty much nothing about the film prior to seeing it on the opening night of the festival.

If nothing else, this list confirms what we've long known, that Marvel Studios has plans to release three superb superheroes films a year until the end of time.

Thor: Ragnarok star Tessa Thompson has lined up her next film role, and it's sounding pretty classy: Variety reports that Thompson has agreed to star in a film about well - known jewel thief Doris Payne, who stole hundreds of thousands of dollars worth of jewelry over her multi-decade career, using nothing but quick...

The truth is, we have yet to watch the extended version of the film (it's eight minutes longer, and if we knew where those eight minutes were, we'd go straight to them), but if the deleted scenes in the Special Features section on the Blu - ray are any indication, the makers of «Horrible Bosses» left nothing in the bag, as it were.

For the purposes of this review, I decided to put my own personal prejudices aside (as much as I can anyway), and pretend I know nothing about Paris Hilton or Jason Mewes (Clerks II), treating this film like any other that I might happen to see on a daily basis with no - name stars.

I knew nothing about this film going into an early preview, 101 mins later I left the cinema doing karate kicks and chops down the street.

As long as you know that you're going to see plot elements, story backgrounds, and characters similar to other, better films, you will be in the right frame of mind to enjoy Doom strictly as b - movie entertainment and nothing more.

And then there's «The Blackcoat's Daughter,» a film I walked into at TIFF at the last minute (where it was called «February»), knowing almost nothing about it.

I personally am shocked that the film is nominated for a screenplay award and supporting actress (nothing against Melissa McCarthy because she is an awesome) but if that's all Hollywood needs from a script is a bunch of women fighting like 8 year olds and pooping in the street, please let me know and I will have my brothers write you up a screenplay in a few hours.

I don't know about you, but I for one am quite pleased to see David Gordon Green direct a film that appears to have nothing to do with marijuana or explosions.

Tomorrow: Yorgos Lanthimos, whose Dogtooth placed at # 25 on The Dissolve's list of the decade's best films so far, returns to Cannes — in Competition this time — with The Lobster, about which I know absolutely nothing.

What I do know is that firstly, the film has nothing to do with the 1995 Cindy Crawford movie of the same name, and secondly, the trailer is now online over at Yahoo!

The box set's excellent making - of documentary makes it clear that the people who made this film went into the project knowing next to nothing about their subject.

Watching this film, particularly during its first hour but later, too, one gets the impression of a director who knows the script has nothing to offer her but the central relationship of Ana and Christian.