Sentences with phrase «film language of»

The Hays Code likely saved American from censorship and forced generations of filmmakers to create a creative film language of symbol and innuendo to tell stories.

Not exact matches

Best foreign language film of the year «The Broken Circle Breakdown» Belgium «The Great Beauty» Italy * WINNER «The Hunt» Denmark «The Missing Picture» Cambodia «Omar» Palestine

An Arab - American civil rights organization also asked director Clint Eastwood and actor Bradley Cooper to denounce hateful language directed at U.S. Arabs and Muslims after the release of the film.

In that polemical film, based on the book he wrote of the same title, Navarro argues in racially tinged language that China is bent on global domination and is a threat to the US akin to the Soviet Union during the Cold War.

Miramax picked up Children of Heaven for distribution, and it was nominated for a best foreign language film Oscar in 1998.

Yet as several of the interviewees point out, critics in the West read too much into Iran's «poetic» film language.

It has sold over 150 million copies, been translated into dozens of languages and reached an even wider audience with the film trilogy.

At its worst, this strategy of translation does to the language of Psalms what colorization does to a fine black and white film, as when «Let your mercy come to me, that I may live» becomes the saccharine «Shower my life with tenderness» (119:77).

While classification freed directors to use explicit language in marvelous films like Platoon and Something Wild and has allowed films like Out of Africa and Children of a Lesser God to explore the complex nature of human sexuality, it has also given us a series of slasher films — Friday the 13th, with its many parts; The Texas Chainsaw Massacre, parts one and two — and films like Brian DePalma's artistically significant but deplorably explicit Body Double.

As early as the spring of 1980, the ministry began dubbing the film's sound track into other languages to take the cinematic Jesus abroad.

The gospel account looms behind every scene in the lengthy midsection of the film, an unfilmable story, written in poetic, metaphorical, passionate, committed language.

The film grossed more than $ 600m when it played in cinemas in the US, and became thehighest grossing non-English language film of all time.

Despite all modern advances, however, in this book I will reserve the use of «language» for speech, ignoring the language of gestures, mime, and film.

The organization has translated the film into hundreds of languages and has screened it in some of the most remote locations on earth in with their missions work.

This is my favorite quote of the chapter... maybe even the whole book: «If we're more opposed, for instance, to what we take to be «bad language» and nude scenes and films about gay people than we are to people being blown up, starved to death, deprived of life - saving medicine, or tortured, our offendedness is out of whack.»

I also draw upon my love of language, etymology, literature, history, film, and culture.

I think he tricks people because he's a 6» 4 quarterback who has watched film of Tom Brady and mimicked his body language.

Directed by Berlin - based filmmaker Felix Randau, the $ 4 million film is a fictional account of Ötzi's life, all in an invented language with no subtitles.

The book thoughtfully takes in the basics of identification and nomenclature before describing equipment, films and procedures in clear, precise language.

The problem of language in interactive cinema (4 June, p 50) reminded me of David Cronenberg's film eXistenZ.

Using archival footage, the film traces Nim's life with his human mentors as they teach him sign language and explore the limits of his ability to speak.

Luis Leiva and Vicent Alabau at the Polytechnic University of Valencia, Spain, were inspired by the film Blade Runner, in which characters use a street language called «Cityspeak», a mix of languages including Japanese, Spanish and German.

Whatever the case, French literature and later film strengthened the stereotype of the French language and culture being associated with love and romance.

the The author, who slapped away the star's butt grabs and laughed off his vulgar language on the set of 1985 TV film «Death of a Salesman,» still feels

Bollywood, formally known as Hindi cinema, is the Indian Hindi language film industry, based in the city of Mumbai (formerly Bombay), Maharashtra, India.

The Blu - ray includes a booklet containing Blixen's original story and a short but informative essay by frequent Criterion film commentator Mark Le Fanu, discussing the film's choice of language and locale, and contextualizing it among Scandinavian films of the era, and via Axel's personal history.

Though she appeared in director Adolfo Aristarain's Argentine - U.S. thriller The Stranger (1987), Roth eschewed an English - language career, instead starring in a range of Argentine films during the 1980s and 1990s.

These rules must always be followed because huge consequences could resultâ $» from the book, the outcome of an election, the syntax or spelling in a given language, etc; or, as in the film, something drasticâ $» the entire course of biological evolution.

Wisely, the film doesn't flash back to scenes of the torture, focusing instead on the power of memory and language to recreate pain.

And the actor's ability to quietly express a whole range of emotions with his body language and his eyes, is staggering — especially since, for much of the film, he's limping and covered in blood.

TREE OF LIFE is nothing short of a new film languagOF LIFE is nothing short of a new film languagof a new film language.

Also, this is one of the few English - language films to officer a meticulous recreation of the papal election process.

«The pleasure of this unique film comes in watching superb actors dine on Mamet's pungent language like the feast it is.»

Of course, there is pleasure in talky scenes à la Tarantino, but this Korean film, directed by Kim Ki - Duk, driven by body language and nuance, does so well without them.

I think this beautiful adaptation gets no justice, the melodic storytelling and dramatic performances don't seem out of place in this tragic film, it keeps to the Shakespearean roots by maintaining the language which in its form sounds poetic, the story has however been updated to suit

Agnieszka Holland's In Darkness is a familiar but stirring Oscar - season specimen (it's a foreign - language - film nominee) centering on a spontaneously righteous Gentile, Leopold Socha (Robert Wieckiewicz), who becomes a guardian angel for a small group of Polish Jews after the Nazis and their Ukrainian henchman have «liquidated» their ghetto.

The burial sequence exists only because Tarantino really likes The Vanishing, and it handles that element of the plot about as badly as that film's English - language remake.

One gets the sense that some of the monotony is purposeful, but that can also make it easy to drift from the words — especially when the visual language of the film is so fascinating.

I think this beautiful adaptation gets no justice, the melodic storytelling and dramatic performances don't seem out of place in this tragic film, it keeps to the Shakespearean roots by maintaining the language which in its form sounds poetic, the story has however been updated to suit today's audience.

Though boasting the creativity of a television episode, the short is presented in full Dolby 5.1 sound (with all the language options of the feature film, minus DVS) and cinema - ready 16:9 animation.

The only negatives is the strong language, an adult film for sure and that sometimes the flow of events is a little slow but when you start to relax the film always manage to suprise you.

That's an impressive feat, especially since 2015 could almost be considered a down year for the studio, since it secured just one Oscar nomination (for the acclaimed foreign - language film Son of Saul) after collecting 18 nominations the previous year.

Infinity War isn't a life - altering experience that changes the language of film, but it is an ass - kicking popcorn superhero flick that delivers the spectacle fans have waited years for.

There are so many complexities to the levels of understanding of the future and the way in which it is represented, that this film, for all its dullard sensibilities and lewd language, is as thought provoking as any film about dystopias and the erosion of our societal standards.

Jeunet, the imaginative French director behind such films as Amélie, Micmacs, and The City of Lost Children, turns to Reif Larsen's novel The Selected Works of T.S. Spivet as the source for only his second English - language feature (the first being Alien: Resurrection) and first shot in 3D.

It is both the source of her frustration — her struggles to speak up and assert herself in the film's earlier scenes — as well as a secret strength: She understands the language of this world, and watching her slowly take command is stirring.

Foreign - language films and documentaries are Kino Lorber's twin specialties, though this year it also released a trio of British dramas (which doesn't quite count as a foreign - language) from director Joanna Hogg: Archipelago, Unrelated, and Exhibition.

Directed by Peter Chelsom, this film is the English - language remake of Masayuki Suo's 1995 romantic comedy of the same name; the Japanese version earned a record - breaking 9.5 million dollars in United States box offices.

Not only is In the Fade Kruger's first film in her native language, it's also the most prominent onscreen role she has ever had; she appears in practically every scene of the film.

Even with the presence of a rare outright misfire (Third Person, from Crash director Paul Haggis), SPC managed to boost its already - high average Metascore by a few points last year, thanks to widely praised films like Mr. Turner (the year's # 2 drama, behind Boyhood), Leviathan (2014's best - reviewed foreign - language film), and Sundance hit Whiplash.