Sentences with phrase «film left theaters»

Its soundtrack has continued to top the charts months after the film left theaters.

Not exact matches

It's not often that one leaves a movie theater feeling speechless, but anyone on the right side of the culture wars who views the recent film Blast from the Past will find his jaw scraping the sidewalk» and not out of disgust.

One woman who saw the film said, «I left the theater feeling sick.

I was expecting more from this film based on the critical acclaim it garnered but left the theater disappointed.

It's a smart and emotion - filled film that will stay with you well after you leave the theater — and not many summer blockbusters can do that.

A sequel to the film was originally announced just months after Bertino's feature hit theaters, but it's taken nearly a decade for «The Strangers: Prey at Night» to arrive, a sort - of sequel that gleefully exists in the same universe as «The Strangers,» without being beholden to demands that it pick up precisely where the first film chillingly left off.

But I personally believe that's what the best films should do — make you think deeply, feel deeply, and leave the theater a changed person in some way.

It all boils into an ultimately wrenching conclusion where a most unlikely character sacrifices it all to save the group, but with a tantalizing hope that the third film will handle a character arc that had fanboys leaving the theater salivating at the prospect of a third film.

It's a film you can leave the theater with knowing you at least had a good time.

The film would open in US theaters three months after Hitchcock left this Earth, demonstrating quickly that the Master of Suspense's work would give him immortality, a fact that feels no less true thirty - five years later.

«I think Elio [the young man played Timothee Chalamet] will be a cinephile and I'd like him to be in a movie theater watching Paul Vecchiali's Once More,» a 1988 film about a man who falls in love with a man after he leaves his wife, which was the first French movie to deal with AIDS.

As a comedy, it might make you smirk or lightly chuckle on a couple of occasions, mostly due to a few low - scale, size - related sight gags, but it's doubtful you'll be quoting the film for any hilarious one - liners once you leave the theater.

Audience members cast ballots for films by depositing their ticket stubs as they leave the theater, or by entering their ticket numbers online.

And it's not just Catholics who have a visceral reaction: News footage filmed at movie theaters during The Exorcist's original theatrical run shows people, many of them women, leaving midway through the movie short of breath and clutching their chests.

The 54 - year - old director left a successful run in British theater and television to tackle a striking range of genres on film: horror, romantic comedy, family drama, thriller, dark comedy, among others.

And while it's an art that has already yielded our first magnum opus of the year, the 100 Most Anticipated Movies Of 2014, (and we should probably be awarded the rest of January off as a result) there's still a category of film we've left unmined: those movies that we saw and reviewed in 2013 at festivals or sneak screenings or parts foreign tha t won't be in theaters until 2014.

For those who enjoy a unique film experience rather than simply being spoon - fed the plot or just wanting to leave the theater with that warm fuzzy feeling.

The movie, which will be released in theaters tomorrow, also gripping leaves audiences questioning who it strong - willed characters are, and how their circumstances connect with the hit monster horror film, «Cloverfield.»

As I left the theater, wiping the tears from my face I wondered if I could do this film any justice with my review.

It's the first film in a long time that made me so angry to have completely wasted 129 minutes of my life that I left the theater seething.

In the end, what the film doesn't have in heart it makes up for in action and creative animation (I still get a kick out of seeing some of my son's more unique Lego pieces make an appearance, like Lego flames or the Lego shark), and you will certainly leave the theater with a smile on your face.

The film, starring Michael Eklund («Alcatraz,» «The Call»), Karoline Herfurth, Tómas Lemarquis and Rik Mayall, left a lot of sitting in the theater for a couple of minutes after the film ended.

Coming from the US, I take as much as I can from films that depict a culture I am unfamiliar with, but having the opportunity to discuss the technique and story of a French drama with someone who is more than familiar with the director's work and the social commentary surrounding a film brings about a whole new understanding and experience from what I initially left the theater with.

I thought more about this film, upon leaving the theater, than any I've seen in recent memory.

With just a few weeks left until the film hits theaters, the marketing blitz has started to hit the small screen, and two new Solo A Star Wars Story TV spots have arrived to tease the spin - off that could start a whole new franchise.

We've got just a few weeks left until we find out whether Han Solo's origin film is worth a damn when the spin - off Solo: A Star Wars Story hits theaters.

Yelchin just wrapped filming on Michael Almereyda's Cymbeline and the film Only Lovers Left Alive which is set to enter theaters soon.

Second, after the first big twist about a half - hour into the film, you might think you're in for an icky, misogynist torture porn, and momentarily wish to leave the theater.

This relatable aspect of The Big Sick is what takes it from simply being a funny film with human moments to something that sticks with you long after you leave the theater.

Being a film adaptation of a television show, I wasn't at all expecting much, but I left the theater wanting to watch the movie again in much the same way I did after my first viewing of Olympus Has Fallen.

The film, which is considered a leader in the Oscar race for Best Picture after triumphant screenings in Toronto and Telluride, won the strongest reaction from TIFF - goers who deposited their ticket stubs while leaving the theater or cast ballots online.

Serkis is great but the film is a familiar freak show of hardship and ego run amok: a mad man of a singer - songwriter who, physically crippled by childhood polio that left an arm and a leg emaciated and nearly useless, blasts his way to stardom with cheeky lyrics and a stage act heavy on theater, while off stage fails as a husband (to artist Olivia Williams, tired of his self - involved existence), father (to impressionable son Bill Milner) and boyfriend (to adoring Naomie Harris).

When Cooper took a print of the film to Austin, Texas to screen it for Kristofferson, the actor / musician abruptly left the theater when the credits rolled.

We know this before we even step into the theater, and The Stanford Prison Experiment succeeds because it brings our fears to life, and while Alvarez may have wanted to leave his audience with a breather, his film works far better when it's making us gasp at humanity's fragile morality.

However, given the film's obnoxiously unfunny opening, Google doesn't come off like a place you might actually want to work out until more than an hour into the story (when all but the most masochistic members of the audience will have left the theater to demand their money back from director Shawn Levy.)

In what should've been a compelling, rousing rallying cry for justice, I was instead left weary, tired and ready to leave the theater at the film's halfway point.

In theaters September 13, «The famed horror team of director James Wan and writer Leigh Whannell reunite with the original cast of Patrick Wilson, Rose Byrne, Lin Shaye, Barbara Hershey and Ty Simpkins in INSIDIOUS: CHAPTER 2, a terrifying sequel to the acclaimed horror film, which follows the haunted Lambert family as they seek to uncover the mysterious childhood secret that has left them dangerously connected to the spirit world.»

That same one can be forgiven if one had expected more from Trey Parker and Matt Stone, those deliciously subversive elves who nail popular culture in all its absurdist splendor on their television show, «South Park», and who had us all humming «Blame Canada» as we left the theater after seeing the film version, suggestively, but correctly subtitled: BIGGER LONGER & UNCUT.

Happily, the team, together with partner Jane (Olivia Wilde), let us in on how this is done in the story's final scene, but one thing you can count on: nobody in the movie theaters around the country are going to leave their seats and disappear before this film is over.

And you would think that, with just a few days left before the film reaches theaters, all entry points for marketing and promotion have been exhausted.

The film does end somewhat abruptly, but this is a cliffhanger in the grand tradition of The Empire Strikes Back, The Dark Knight or Harry Potter and the Half - Blood Prince (not all created equal, though they have similarly unresolved endings) and offers such an incendiary climax (literally and figuratively) that you don't leave the theater feeling hoodwinked or unfulfilled.

I have literally never seen so many people get out of their seats to leave the theater and come back (often multiple times) than I did during this film.

If you saw the films It Follows, The Ring, and the Final Destination series, you'll relive the sensations those films made way beyond leaving the theater.

Mike: There are certain films that require discussion upon leaving the theater, it seems impossible to just go on with your day after seeing something like Jean - Marc Vallée's Café de Flore.

DVD Features: The widescreen DVD release of «After the Sunset» leaves room for improvement upon the horrible theater experience that resulted from seeing this film.

Carney nails the tone of the film and everything from the costumes, to the dialogue and music will have you leaving the theater feeling uplifted and tapping your feet.

«We expect the film to stay alive in theaters for a while because it's that rare documentary where audiences feel better leaving the theater than they do going in.»

There Will Be Blood hit theaters during the twilight of the Bush administration, when many film critics felt particularly free to pepper their cinematic commentary with (mostly left - wing) political critique.

Leaving the theater afterwards I wondered how much better Swanberg's films might be with a little more time for second drafts or rehearsal.

Two years after Hulu announced that it would exclusively stream all documentaries from IFC Films, IFC Midnight, and Sundance Selects after they leave theaters, the agreement has been expanded to all narrative films released by those distributors.