Sentences with phrase «film little back»

Not exact matches

«So whoever initiated this — and was very proud of themselves to see that little dip in Iran's centrifuge numbers — should look back now and acknowledge it was a major mistake,» Emad Kiyaei, executive director American Iranian Council, says in the film.

The little vulgar newsshoprint freebie that started in Montreal back in 1994 now has more than 800 full - time employees in 34 countries making books, films, video, magazines, events and music, all funded through partnerships with some of the globe's biggest brands.

I shared our five - minute wedding video back in November and just when I thought I couldn't love MacKenzie and Philip any more, the twenty - minute feature film version arrived in my inbox and we got to relive every little detail all over again, just in time for our six month anniversary!

I filmed this one a while back when I was a little less experienced with our new gear.

I filmed this video a couple of weeks ago as you may be able to tell we're back to snowy days, but I figure this might make your day a little brighter and in the mood to practice a spring makeup look using your bronzer as eye shadow!

With this cast the film had the potential to get a little raunchier than the previous one with the Vegas atmosphere but instead decides to tone back and the quality is greatly affected.

I knew a little about the film back then, but I wasn't very prepared for the style and pace at which the movie unfolds.

But like the best work of Aardman, these touches or little sight gags take a back seat to the plot, and the film still works whatever age or however culture - literate you may be.

The Drowning Pool (1975) was Woodward's last feature film for three years; she instead turned to television, co-starring with Sally Field in the award - winning Sybil and appearing in a remake of Come Back, Little Sheba in 1977.

Another amazing thing that comes out of this is that after watching the film, the most people can say about Alexander is that he was bisexual (back when sexuality mattered little) and he had serious mommy and daddy problems (amusingly enough, Jolie is only one year older than Farrell).

The film has some issues like how I am not buying that Stone and Cooper have chemistry, it's a little clichéd that we know Brian and Tracy have feelings for each other and they try to get back together but then it's not going to happen because the husband loves her and Gilcrest still loves his watchdog Allison a dumb love triangle that just is terrible in movies.

As a film critic and movie lover, my days of reading Roger's reviews and watching him spar with Gene Siskel go back as far as I can remember to when I was a little kid watching movies instead of playing outside with the other neighbor kids.

We saw the film a little while back and well in...

But we're a little more concerned that, with Disney backing the film, it could become a hagiography, and even more worried about John Lee Hancock («The Blind Side «-RRB- being in the director's chair.

Adapted by esteemed crime writer Dennis Lehane from his short story «Animal Rescue,» the movie doesn't have the same cynicism as past adaptions of the author's work («Mystic River,» «Gone Baby Gone»), but it's a grimy little crime drama that harkens back to the great Sidney Lumet films of the 1970s.

Shrek director Andrew Adamson is back (though he will not direct the third part, The Voyage of the Dawn Treader, instead handing over to Michael Apted) and so is his favourite composer, Harry Gregson - Williams, whose score for the first film was quite pleasant in places but left little impression.

The original movie grossed a little over $ 60 million worldwide back in 2001 from a budget of just under half of that, though the film has a huge following and gained a progressive cult status in the years that have passed since then.

Meanwhile, back to Polisse: for over two hours, Maïwenn's third feature film assails us with such unpleasantries as a father accused of raping his own daughter (when he tires of sodomizing his wife) and a gymnastics coach who gets a little too close for comfort with one of his young athletes.

Dear Steve Carell, You were pure genius in «Little Miss Sunshine» (one of my all - time favourite films), my brother became obsessed with you in «Anchorman», I wanted to marry you or have you adopt me after «Crazy, Stupid, Love», I hated that guy you played in «The Way Way Back», and then you were mind - blowing in «Foxcatcher».

Mr. Golin says that while he wants to step back a little as his company grows, he wants it to diversify, going into genres where modest - budget projects can still pop, including comedies, young - adult movies and action films like «Triple 9,» a police - heist movie with Casey Affleck and Chiwetel Ejiofor opening Feb. 26.

These misses narratively combined with other elements of Deadpool 2 make it feel like a backwards step or at the very least of a stalling of the series from the first, there's a sense here that everything's a little auto - pilot, the action too taking a backwards step from the imaginative sequences of the first film and while perfectly entertaining, this is an experience filled with nothing that would suggest Deadpool 2 is going to be a film you'll be going back to anytime soon.

Together, they've created a nice little film noir which harkens back to the thrillers of the 40s.

The fact that it also wants to go in - depth with any character and their little side story ends up hurting it as distracts from the overall arc that the film is trying to tell, which is Matthew's and Tina's search to get their daughter back.

The film has been directed by J.J. Abrams («Star Trek», «Mission: Impossible III»), who also joins the writing team alongside Lawrence Kasdan (who previously worked on «The Empire Strikes Back» and «Return Of The Jedi») and Michael Arndt («The Hunger Games: Catching Fire», «Toy Story 3», «Little Miss Sunshine»).

Extras include a half dozen enjoyable little featurettes, which include both content filmed back in the 1980s and retrospective material from much more recently.

At first, I think they were a little reticent about taking part in the film, but then they watched «Cartel Land» and called back and said, «Let's do it.»

Needless to say, this hyper - atmospheric art film is a little too reliant on its environment, but the deep snow setting of this lyrically bleak drama was always going to be instrumental in the establishment of both tone and aesthetic value, and sure enough, this film's beautiful environment goes complimented by cinematography by Bedřich Baťka which, while held back by a black - and - white palette, is playful enough in lighting and scope to attract you into this film's handsome world.

Other than a little back story about what transpired after the events of Chronicles, the films are almost exactly the same.

Breaking so little new ground that it actually manages to pack dirt back into that hole, Broken City is however a passable entertainment, the sort of film that you might catch on the telly at 11 pm after an aborted night out and be very grateful to have stumbled upon.

The film goes a little too far in tracing the sensibility of all those institutions back to a single man, Doug Kenney, whose death in 1980 at the age of 33 made him something of a jester - martyr in the eyes of those who worked with him.

That Johnny Boy is comparatively peripheral in Mean Streets may suggest the uniqueness of Scorsese's film in its relationship to movies in which the alienated hood stands in a position to manipulate perspective by ensconcing himself at the metaphysical core of his cinematic universe, but Johnny Boy's gangland genealogy traces back in a psychologically straight line to Hawks» Tony Camonte, and there is little doubt that Corman, Carver, and screenwriter Browne at least had Scarface in mind during the making of Capone.

The film gets a little too sappy near the end with Bruce trying to win back Grace and coming to have a grand revelation.

Though much of the film consists of little more than Paisley and McGuinness verbally parrying back and forth in a moving van, the filmmakers seem so concerned about not making the story feel stagey and claustrophobic that they invent ways of getting the men out of the vehicle; most conspicuous is a flat tire that leads to an extended detour into a forest and an invalid credit card that holds the two men up at a gas station.

Although some dismissed Pee - wee's Big Adventure as little more than an inventive movie for kids when it was released back in 1985, over the years (and as those children grew older), it has gained more respect as being a good film in general, although Paul Reubens» personal problems does still leave this in the «guilty pleasure» category for different reasons.

Odds are when Far And Away was released back in «92, people hadn't yet grown weary of his trademark grin and boundless energy (this is way before his couch jumping days), but now, in retrospect, this little gem of a film is mostly a bad accent contest between him and costar / chemistry-less wife, Nicole Kidman.

WHY: Adapted by esteemed crime writer Dennis Lehane from his own short story, «The Drop» doesn't have the same cynicism as past adaptions of the author's work, but it's a grimy little crime drama that harkens back to the great Sidney Lumet films of the 1970s.

When Twentieth Century Fox and producer Lauren Shuler Donner brought director Bryan Singer back into the X-Men film universe with X-Men: First Class - a movie Singer was originally set to direct - little did we know that the man behind the first two X-Men films would end up working on an entire new trilogy of series installments.

Touching and sad, anyone with a family history can find a reason to relate to this beautiful little film, which takes us on a painful journey with Alma (Anna Castillo), who wants nothing more than to take back something that matters to her, even though it often feels impossible.

Let's travel back to August of 2011, I was asked to interview the cast / crew of a little film called «Sushi Girl» that just finished production and looking for some early press.

There are few flaws with the film including bringing back Colin Firth and the Elton John joke gets a little bit tiring.

The film makes solid points about the feminist case against firearms, then scrutinises these a little more closely, and backs its agenda up with its roles for women — Alison Pill's opposition turncoat is another case in point.

There has always been something a little Old Testament about Darren Aronofsky's films, so maybe it makes sense that he's going back to the source for his new movie.

She was great in Jurassic Park and A Perfect World, and going back even further in that naughty little film known as Rambling Rose).

Building on a solid universal premise (boy meets girl, boy and girl fall in love, boy is dragged off to the back of beyond to meet suspicious parents who fear boy stealing their «little girl» more than they fear atom - splitting armageddon), director Jay Roach steadily ups the ante, building an absurdly funny film.

The Breakfast Club is a neat little time - capsule of a film, transporting viewers back to a time in the»80s where the hair was as big as the shoulder pads, and people listened to bands like Simple Minds.

Val Kilmer, Jack Kilmer, Nat Wolff («The Fault in Our Stars»), Zoe Levin («The Way Way Back»), Keegan Allen («Pretty Little Liars») and Chris Messina co-star in the indie film hitting select theaters on May 9.

I was a little saddened to see him go back to these «paycheck films», that being a movie that is made just for the paycheck.

The second Jurassic World film will tie itself a little more securely to the original trilogy by bringing back Goldblum's glasses - rocking, Chaos Theory - specializing mathematician Malcolm, a role that (thanks in large part to the internet's fascination with a certain picture of him with his shirt open) helped make Goldblum an unlikely sex symbol.

The family connection to Landis goes back some years - Costa - Gavras has cameos in Landis» Spies Like Us and The Stupids, as well as in Burke and Hare - but Alexandre has been less prolific than his father, although his 1998 short film Killer of Little Fishes won an award at Brest and was nominated for a Cesar.

Reaching back a little to the modern American indie explosion of the eighties is Spike Lee's debut feature «She's Got ta Have It» (1986) and a small library of Roger Corman seventies film arriving, including «Rock «n» Roll High School,» «Caged Heat» and «Crazy Mama.»