Sentences with phrase «film loops of»

Tropes like the darkened souk setting, disco ball, film loops of refracted light, and big empty stage have been in every show like this since 1980.

Not exact matches

Peep - show booths that ran film loops came first, then camcorders and VCRs — many of which were invented in Japan, but adopted first in the United States by porn directors.
Howe and Kaloyeros planned the film hub, but Kennedy was left out of the loop until just before the governor announced the project in March 2014, he testified.
You even have the option of filming video on a continuous loop, making the camera perfect for capturing security footage or as a small car dash cam.
4 Some things never change: Edison's early film loops included one showing «cooch» dancers; another reenacted the decapitation of Mary, Queen of Scots — arguably the first horror flick.
Although filaments like fishing line are thin, they are orders of magnitude thicker than a soap film in equilibrium, meaning that the area of the soap film can change depending on the point at which the film contacts the loop.
As such, a solution to the problem requires determining not only the shape of the soap film but also the shape of the bounding loop.
Researchers from the Kavli Institute of Nanoscience at Delft University and EMBL Heidelberg now managed for the first time to isolate and film the process, and witnessed — in real time — how a single protein complex called condensin reels in DNA to extrude a loop.
The film is further enriched by the performances of Jeff Daniels as Abe, the future boss of the crime syndicate, and by Paul Dano as Seth, a friend of Old Joe who fears the loop is about to be closed on him.
It's an excellent film, with Renoir's usual looping line and deft shifts of tone, though today the balance of critical opinion has shifted in favor of the greater darkness and filigree of The Rules of the Game.
Meanwhile, as his / her story unfolds in linear fashion at first, the film starts looping back to reveal a complicated patter of a life lived in overlapping eras, crossing paths in ways that send our tragic figure down that path as if fated.
Apparently the studio is also looping Scarlett Johansson into the film as Black Widow, a perk of having actors sign multi-picture deals.
We don't see the film's last seconds until it loops back to the end, but, be forewarned at the onset: This party will go out of bounds.
Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.
Escape Pod Artist: Jonathan Monaghan This seamlessly looped computer animated film chronicles a golden deer through glossy environments of wealth, power, and authority through one continuous tracking shot.
Memento is highly recommended for anyone who likes to be thrown for a loop while watching a mystery and not have everything wrapped up in a tidy bow by the end of the film, a la Jacob's Lader and its brethren.
Though a PG - 13 slasher film is like the equivalent of sex with clothes on, «Happy Death Day» gets around that hurdle by being less of a straight - up slasher and more of a darkly comedic murder - mystery that just so happens to involve a temporal loop and a knife - wielding masked killer.
Jon Stewart's Rosewater is also caught in the loop of films that maybe were intended for the Oscar race but didn't quite get there for whatever reason.
Agent Carter is set in the late 1940s after the close of World War II and into the burdgeoning Cold War following up on the original Captain America film, but focusing on the character's longevity - and looping in her ties to S.H.I.E.L.D. and it's predecessor, S.S.R. - provides a potential framework for a device to tell the untold backstory of the MCU, a currently favored conceit in Marvel comic books.
The film twists itself too far and tries to keep throwing the audience for a loop so often that by the end of it all, it doesn't make a whole lot of sense.
A unique sound effect buried within the score of Matt Ruskin's new film Crown Heights is an electronic feedback loop or sort of white noise that permeates the soundtrack, echoing the wall of obfuscation and deafness that befalls Colin Warner (Lakeith Stanfield) as he's sent away for a murder he didn't commit.
The film focuses on Ines, a photographer who is aiming to finish a project before the birth of her first baby, an undertaking that loops if not obsessively, then emphatically back to her family's pained past.
,» «Tree's Final Walk of Shame,» «Worst Birthday Ever» with the filmmakers and cast discussing the challenges of executing the time - loop concept at the center of the film, including how to make each day feel different despite the fact it's being repeated, «Behind the Mask: The Suspects,» «The Many Deaths of Tree.»
The interesting main menu consists entirely of a creepy Michael Shannon in profile overlooking a loop of the film's closing highway traffic shot.
The sensation of being caught in an endless loop is reinforced by the main musical theme, by Kitano regular Joe Hisaishi, a piece of treacle featuring piano and orchestra that's repeated so many times it drills its way into your skull, like one of the elevator - music themes of a comedy by Jacques Tati (or, perhaps closer to the mark, Ryuichi Sakamoto's main theme for Nagisa Oshima's Merry Christmas, Mr. Lawrence, which featured Kitano's first film performance).
Of course, there is far more to Powell's music than drum loops, and the way he combines modern electronics and synths with an orchestra is as impressive as any other film composer.
As bad as the film is, I must admit, it is almost a bit of a guilty pleasure because it is SO bad, that quite frankly, I was expecting to be thrown for a loop with a surprise ending.
It's fair to say that the premise doesn't deliver huge dramatic impact, but the film has a poignant, reverberant quality shared by another film — A GHOST STORY starring casey Affleck as a dead husband who lurks around his young wife (Rooney Mara), stalled in transition and caught in a loop of time.
It's kind of odd, scored and narrated like the kind of corporate video you would imagine running on a loop inside the film's glass tower.
Basically faithful recreations of lost fetish loops, narratively strung together by thin bio sketches, the film includes a surprisingly vibrant jazz score by Ryan, who appears in a short composer featurette with musicians.
Arnaud Desplechin's opening film Ismael's Ghosts is a portrait of a filmmaker (Mathieu Almaric) who is haunted by his past and thrown into a loop when his wife Carlotta (Marion Cotillard) suddenly returns and re-enters his life.
The film becomes a closed loop of pain, with Kyle deploying to Iraq and returning home four times, with each trip back to the States underscoring the effects killing is having on his psyche, pushing him further and further away from his young family.
The main menu shows more effort than most new Warner Blu - rays, but simply loops an unremarkable scored montage of film clips before settling on static poster art.
Perhaps the film's most distinctive shortcoming is its extremely poor use of ADR (automated dialogue replacement), a.k.a. looping.
The menu applies a ghosting effect to the edges of a looped 40 - second montage of clips from the film while an excerpt of the film's very»80s score plays.
The menu loops a textured, otherwise ordinary montage of film clips and an excerpt of piano score.
Discovering him one night when she leaves the family's cave, Guy warns Eep of an impending change, and that is when the true heart of the film kicks in, becoming a funny and heartwarming road trip film about an out of the loop family who discover everything about how to live in the new world.
The film messes with slasher tradition by killing one college girl (Jessica Rothe) over and over again, with each one of her deaths resetting the time loop.
The film has a unique narrative structure, as Gilroy continuously loops us around a never - ending search for the soul of this fascinating character.
Menu: The menu design consists of various looping clips from the film.
The easter egg is also likely a nod at Bill Murray's 1993 film Groundhog Day, which features a time loop similar to the one that Doctor Strange employs in his battle against Dormammu at the end of the film.
The Endless This highly effective, psychological horror film concerns two ex-cult members who return to their apocalyptic commune, only to get trapped into supernatural time loops that challenge their memories of the past.
In addition to that I think I gave Remedy several hundred ambient loops, some of which they requested and some of which I created for them to use at their own discretion, everything from evil tornado loops to abstract tones to strange fluorescent light bulb hums... much of it inspired by early Lynch films like Blue Velvet and Eraserhead.»
Bolstered by short looped score excerpts, most of the 16:9 menus features a different iconic still object pertaining to the film.
He's the great man who also wrote and created The Thick Of It, the film version of that series IN THE LOOP plus he co-created Alan Partridge and helped surreal comedian Chris Morris with the launch and writing on the spoof news show The Day TodaOf It, the film version of that series IN THE LOOP plus he co-created Alan Partridge and helped surreal comedian Chris Morris with the launch and writing on the spoof news show The Day Todaof that series IN THE LOOP plus he co-created Alan Partridge and helped surreal comedian Chris Morris with the launch and writing on the spoof news show The Day Today.
Menu: The menu design consists of several looping clips from the film.
Have you been feeling a little out of the loop whenever your friends talk about the artsy hit films from last year?
But in this fifth installment of the increasingly loosely related Terminator series — it essentially uses time travel as an excuse to loop the third and fourth films out of its continuity — the time travel is more convoluted than thought - provoking.
The flashback, circular structure of a narrative about a doomed man is an essential feature of film noir (see Sunset Boulevard, Out Of The Past, Detour, Double Indemnity, etc) and Lost Highway is structured like a Möbius strip, coiling back on itself in a way that reflects the disturbed consciousness of the protagonist, condemned to replay the tragic events of his life in an endless looof a narrative about a doomed man is an essential feature of film noir (see Sunset Boulevard, Out Of The Past, Detour, Double Indemnity, etc) and Lost Highway is structured like a Möbius strip, coiling back on itself in a way that reflects the disturbed consciousness of the protagonist, condemned to replay the tragic events of his life in an endless looof film noir (see Sunset Boulevard, Out Of The Past, Detour, Double Indemnity, etc) and Lost Highway is structured like a Möbius strip, coiling back on itself in a way that reflects the disturbed consciousness of the protagonist, condemned to replay the tragic events of his life in an endless looOf The Past, Detour, Double Indemnity, etc) and Lost Highway is structured like a Möbius strip, coiling back on itself in a way that reflects the disturbed consciousness of the protagonist, condemned to replay the tragic events of his life in an endless looof the protagonist, condemned to replay the tragic events of his life in an endless looof his life in an endless loop.
If there's a tinge of regret it's that none of these films take the concept of a time loop very far.
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