Sentences with phrase «film market which»

«Productivity and production cost reduction are key elements to remain competitive in the commodity metallised film market which is extremely price sensitive,» says Juan Cano, sales director, Vacuum Metallizing and Coating, at Bobst Manchester.

Not exact matches

But in 2002, he lost out to Media Market Group, which had produced an animated porn parody of his film called Starballz.

Of course, some of the nominated films are still in theaters, and winning a big haul at the Academy Awards is known to result in a bump at movie theaters, which is all the more reason for studios to pull out all the stops in their awards - season marketing efforts.

The combined company, which will retain the eOne name, will hold about a 20 % share of the distribution market for independent films in Canada and will have significantly expanded its footprint in international territories.

«It starts at the point from which the deals are made and continues to how the films are actually produced, to the way they're positioned for a release date, to the way marketing empowers people to watch — and we've seen all these elements falling into place.»

It was still unclear whether Sony, which is still struggling with the impact of the cyberattack, would recoup the money it spent to make the film and the $ 30 million or $ 40 million in estimated marketing costs.

Harvey and Bob Weinstein, who run Miramax, entered Kids in the prestigious Cannes Film Festival and began an extensive campaign to convince critics that Kids is an important work of art that should be given the more profitable R rating, which allows parents to take their youngsters to the film and also opens up the video and cable television markets.

Vulture reports that Hulu plans to launch a whole documentary films department — which is obviously been a big market for its competitor Netflix.

Locus Corporation wishes to apologize regarding the first elements of our marketing campaign (in the form of a Cannes billboard and a trailer) which we realize has had the opposite effect from that which was intended... Our film, a family comedy, carries a message designed to challenge social prejudices related to standards of physical beauty in society by emphasizing the importance of inner beauty.

The old gatekeepers were at best superficially conservative and favorably disposed to religion only because they believed in being inoffensive about every segment of the mass market on which their films and shows depended.

Another customer is AquaBall, which markets flavor - enhanced water for children in ball - shaped bottles featuring characters from the Disney film «Frozen.»

Speaking at the Sustainable Foods Summit in Amsterdam (June 4 - 5), Andy Sweetman, marketing manager, packaging and sustainability, Innovia, which makes and supplies polypropylene and cellulose films for speciality packaging, labelling, said the «one to watch» is poly (butylene succinate)(PBS).

The film also explains how the government has introduced regulations to try to stop the aggressive marketing which undermines breastfeeding.

And yes, credit Walt Disney's usual marketing might, which included a very spoiler - free marketing campaign which left many of the film's pleasures and twists for the general audience to discover for themselves.

Scott: First, now they have four PR firms working on promoting this film for the next couple of weeks, but the initial marketer is Motive Entertainment, which is the same marketing company that promoted Passion of the Christ and Chronicles of Narnia; and the kind of pioneering approach that they instituted with Passion of the Christ was this viral marketing as they were doing with Expelled.

Yet, cadmium telluride commands only about 30 percent of the thin - film market, according to DoE statistics, compared with amorphous silicon cells (such as those produced by Sharp and ECD Ovonics), which account for more than 60 percent; CIGS cells make up just about 1 percent of this market.

Just days after Sci Am published my story on the «bleeding» bacterium Serratia marcescens, a friend sent me this video, in which the marketing department behind the film «Contagion» up north apparently decided to go super-geek and cook up something delightful.

Samsung marketed this camera as a selfie camera, which is fun, but it's also very convenient for filming.

Tonight, I am attending the AICP Next Awards for work, which honors marketing campaigns in categories such as integrated, viral / web film, website / microsite, product integration, social media, mobile, cause marketing, and experiential.

AMFI has embraced the Reality School concept and offers courses in which students develop professional products which are presented and sold in the market: from iNDiViDUALS» collection, to Fashion & Visual Culture's films, to Fashion & Editorial Branding's publishing platforms and Denim's brand extensions.

Metacinema, also meta - cinema, analogous to metafiction in literature, is a mode of filmmaking in which the film informs the audience that they are watching At a Delhi market Guy buys a Royal Enfield bike with a traditional Hindu blessing.

This is supposed to give the film «authenticity,» though that only works if you know the people onscreen are the real guys, which I guess is why the marketing department made sure everyone knew that.

Sony also had the lowest per - film average gross of the six major distributors in 2011, and its foreign box office growth (which includes a nice total for The Adventures of Tintin, for which Sony held the foreign distribution rights) didn't prevent the studio from finishing fifth in global market share for the second straight year.

Warner Brothers, which is marketing the film as a conventional thriller, recently overruled the producers» desire to show it in European festivals so that the studio could open it wide (in many theaters at once) and cash in as quickly as possible on the name value of its cast before word - of - mouth about its depressing subject matter could kill it.

By contrast, every single «chills over kills» horror film on the list is generally regarded as either an outright blockbuster (Paranormal Activity 1 and 2), a hit relative to its budget and marketing visibility (Insidious, The Last Exorcism) or a minor success (Devil, which grossed over three times its $ 10 million budget domestically).

Somewhere Slow, which opens in select markets today, is not one of those films.

Complete with jabs at social - media marketing, this is one of the film's few extended jokes likely to go over the collective heads of very young auds, but it's the kind of absurdly exaggerated everyday detail — complete with the repurposing of familiar gadgetry — on which Aardman's comic brand is built.

Foreign markets have not compensated for the domestic flopping, in which the film grossed just $ 105 thousand from a few dozen theaters last spring.

The way in which audio and video are cut together in ads, TV shows, and online marketing these days has created a contemporary film language that's like shorthand to us.

The studio has just started its 50 - day countdown to the release of the film, which means that there will be a lot of marketing hype coming our way — starting with a brand new trailer.

Bridging the gap is possible — people need to see more films — which will probably happen with streaming services a growing market — and critics need to stop pretending to like bad films to make themselves seem intelligent.

On another level, the film is an overly glossy, ostensibly intellectual but deliberately trite mass - market romance (from the screenplay written by Pierce) about a reporter and a movie star falling in love while she shadows him on the set of yet another movie (in which he plays a cop along side Brad Pitt) for a magazine fluff piece profile she's writing.

And we got a great marketing boost from this collaboration as well; the invitation was extended to more than 1.5 million AMC Stubs members, which helps raise additional awareness for the film.»

Titled The Hero's Awakening, the movie is being produced through the Russos» Anthem production studio, which they founded earlier this year to focus on making films for China's massive, highly lucrative movie market.

Traditionally, Marvel Studios films premiere early in international markets ahead of their North American release, and that was also the case with Infinity War, which was scheduled to begin its global rollout on April 25 in a dozen countries, including Australia, Finland, France and Indonesia.

Blame its proximity to the similarly themed Olympus Has Fallen (which, on the whole, received similar critical reaction but comparatively more box office success) if you will, but having watched and enjoyed the heck out of the film last night I believe at least some of the blame lies at the feet of Sony's marketing.

Even hough the upcoming film may be working against a spoiled storyline, Terminator: Genisys has the endorsement of the original Terminator director, which the studio seems to be using for a marketing advantage.

Mr. Thomas persuaded Warner Bros., which owns the rights to the show, to distribute and market a film if he could raise the money to make it.

So far, the reviews for Kevin Macdonald's «State of Play» seem uniformly warm — which comes as a relief to me after the rather indifferent vibe I got from the film's entire marketing strategy.

This goes totally against the marketed version of the film in which we expect more of a Meet the Parents type film with more pronounced conflict between the parent and potential husband.

Of the small sampling of Hong Kong films I've seen, the ones I've liked best are not usually the pop action blockbusters but some of the so - called art movies, which in some cases have been box - office failures (largely because there is no art - movie market in Hong Kong): Yim Ho's Homecoming (1984), Wong Kar - wai's Days of Being Wild (1990), Stanley Kwan's Center Stage (1991), and Yim Ho and Tsui Hark's King of Chess (1991).

Alex Garland's new sci - fi pic Annihilation (which had a cinematic release in the States but is headed to Netflix elsewhere) landed fourth on $ 11 million, probably not the result Paramount was hoping for, but not bad given the film's tough - to - market smart, complex plot.

When: August 1st Why: A few months ago, most people had never even heard of «Guardians of the Galaxy,» but that's quickly changed following the launch of the film's marketing campaign, which suggests that director James Gunn (perhaps Marvel Studio's biggest risk yet) has absolutely nailed the offbeat tone of the comic book.

Instead, these are small - market, semi-pro mascots for community colleges or minor league teams, whose dreams of glory are all tied to the World Mascot Association's Gold Fluffy Awards, the presentation of which serves as the film's centerpiece.

For the past five years, Yutani has overseen a new collaboration with the Berlinale's European Film Market — housed within the Sundance Film Festival at EFM program — which has provided exposure and sales opportunities for Sundance films, immediately after premiering at the festival.

The new film, which opened in some overseas markets last week, already has earned $ 47 million - a sign that the sequel is on track to repeat the success of the original.

The movie's box office performance was somewhat mediocre as well, considering the production and marketing costs, which the $ 85 million domestic gross failed to recoup, while still placing the film above all but three movies released in the easygoing two months comprising cinema's «fall» season.

He has much to share about his directorial debut, recalling in great detail specifics of casting, filming, and even marketing (which saw a gun being airbrushed out of the one - sheet at the last minute).

Publicity Materials holds the following four marketing videos: a 30 - second TV spot and 90 - second full theatrical trailer from the film's original 1988 release, the 1996 reissue trailer (1:40), and the 1996 EPK short «Return of a Classic» (1:59) which exaggerates the film's significance, attempting to lump it in with Disney Animation's Renaissance.

Some of the other facts included the manner in which Hitch financed Psycho (mortgaged the house) when no studio would give him the financing for a mere horror film, and the lack of support from Paramount in releasing it (to two theaters, with little to no marketing — that was dreamt up by Hitch).