Sentences with phrase «film movement by»

«We will be able to film these movements by repeating the experiment a large number of times, taking the snapshots at slightly different times and putting the resulting pictures together in a film.

Not exact matches

The film, the drama, the symphony, conveys its meaning and value by movement.

The Guy Fawkes mast is worn by V, the films protagonist, a man who fought against injustice and in the end (spoiler alert), sacrificed himself for the movement.

Definition of CULT 1: formal religious veneration: worship 2: a system of religious beliefs and ritual; also: its body of adherents 3: a religion regarded as unorthodox or spurious; also: its body of adherents 4: a system for the cure of disease based on dogma set forth by its promulgator 5a: great devotion to a person, idea, object, movement, or work (as a film or book); especially: such devotion regarded as a literary or intellectual fad b: the object of such devotion c: a usually small group of people characterized by such devotion

Making a stand: The May 8 - 19 festival, which is the first since the downfall of film mogul Harvey Weinstein over accusations of sexual misconduct by dozens of women, was dominated by the #MeToo movement

The film also shows the extraordinary way in which Egyptian anti-war activists were heartened and inspired by the global demonstrations against the war, and went on to mount a protest on the outbreak of war that would prove to be a turning point in the Egyptian democracy movement in the long march towards their revolution in 2011.

Dubbed «Do the Right Thing Day» by Brooklyn Borough President Eric Adams, Saturday's event on Stuyvesant Avenue between Quincy Street and Lexington Avenue will celebrate the film's impact on Brooklyn and the civil rights movement, Adams said.

To study how the creatures perform such movements without stressing their nervous systems, a team led by neurobiologist Binyamin Hochner of the Hebrew University in Jerusalem, Israel, filmed them scooping up morsels floating in their tanks.

These satellites, launched to monitor Soviet military movements, captured photos on massive spools of film that were parachuted back to earth and snagged in midair by U.S. planes.

Dr Jolle Jolles, lead author of the study, now based at the Max Planck Institute for Ornithology, said: «By filming the schooling fish from above and tracking the groups» movements in detail, we found that the randomly composed shoals showed profound differences in their collective behaviour that persisted across different ecological contexts.

So when Sane began filming the movements of moth antennae with a high - speed camera, he wanted to understand how the animals convert the speed of air rushing by into nerve impulses.

Let's begin this feature with this most beautiful of films which captures such lovely movement, by Roost Film Co..

The Wolf of Wall Street is a 2013 American biographical black comedy crime film directed by Martin Scorsese and written by Terence Winter, based on the The Occupy movement is an international socio - political movement against social and economic inequality and the lack of real democracy around the world.

Coming at the end of 1974, the film touches on themes popularized by Betty Friedan's The Feminine Mystique published a decade before but still very much a part of the ongoing women's movement at the time.

Narrated by famed musician Melissa Etheridge, the film highlights the victories and defeats, challenges and uncertainties faced by the movement as the economic, political, and social tides fade and flow.

By focusing on the specific (and frequently heartbreaking) stories of the aforementioned parents, former Congresswoman and gun - violence survivor Gabrielle Giffords, and Moms Demand Action founder Shannon Watts — who was motivated to action by Newtown and unwittingly sparked a grassroots movement on Facebook — the film lays out the gaping holes in the system where regulations are needed, and offers hopeful examples of activism in the face of what often feels like an insurmountable probleBy focusing on the specific (and frequently heartbreaking) stories of the aforementioned parents, former Congresswoman and gun - violence survivor Gabrielle Giffords, and Moms Demand Action founder Shannon Watts — who was motivated to action by Newtown and unwittingly sparked a grassroots movement on Facebook — the film lays out the gaping holes in the system where regulations are needed, and offers hopeful examples of activism in the face of what often feels like an insurmountable probleby Newtown and unwittingly sparked a grassroots movement on Facebook — the film lays out the gaping holes in the system where regulations are needed, and offers hopeful examples of activism in the face of what often feels like an insurmountable problem.

An impressive achievement considering it was Lumet's first film, extremely well - written and superbly directed, with many elegant shots, fluid camera movements and a gripping plot that takes place entirely inside a room and is sustained only by a tense, smart dialogue.

There's some very candid, fascinating footage here capturing the process of making the film (in, for a surprise revelation, not a real Parisian flat but a studio - built apartment replica surrounded by green screens, not at all dissimilar to David Cronenberg's use of similar magic for A Dangerous Method, not that you can tell in either film in its finished form, where the technology is seamless and unobtrusive), with Haneke working with the actors in a rigorous, nitty - gritty way that lets us see what infinitesimal precision he's looking for in performance, in movement, in blocking, and in composition.

Ultimately, the film is focused on epic clashes between hordes of mindless monsters and outnumbered idols, engaging in intensely destructive showdowns obscured by bolts of electricity and furors of CG - augmented movement.

Her film falls squarely within the «rape / revenge» genre, represented in the past by Abel Ferrara's Ms. 45, Wes Craven's The Last House on the Left, Gaspar Noé's Irréversible, and the grotty grindhouse «classic» I Spit on Your Grave, but also aligns itself with the «new French extremity» movement defined by Martyrs and Frontier (s).

The fact that Mikkelsen is starring in «The Hunt,» written and directed by Thomas Vinterberg, has special resonance in Denmark's movie culture: Vinterberg, along with Lars von Trier and other filmmakers, was one of the founding members of the Dogme 95 film movement, which professed allegiance to an artifice - free visual aesthetic and rough, low - tech production methods.

A team of artists worked together to create the motion by replicating each masterpiece, taking a photo, then repainting the canvas, taking another photo, repainting the canvas, etc... until they have captured enough movement in the photos to put together an animated film.

To watch this movie by the way you can for example on the website http://putlockers.watch/ - a very good film: Nat Turner, a former slave in America, leads a liberation movement in 1831 to free African - Americans in Virginia that results in a violent retaliation from whites.

Sing Your Song (A film by Susanne Rostock)-- Most people know the lasting legacy of Harry Belafonte, the entertainer; this film unearths his significant contribution to and his leadership in the civil rights movement in America and to social justice globally.

Inspired by real events, Mulligan plays Maud, a working wife and mother who is recruited by the women's suffragette movement in the U.K. Meryl Streep plays Emmeline Pankhurst, the leader of the women's rebellion and the film also co-stars Helena Bonham Carter, Brendan Gleeson and Anne - Marie Duff.

Inspired by real events, Mulligan plays Maud, a working wife and mother who is recruited by the women's suffragette movement in the U.K. Meryl Streep plays Emmeline Pankhurst, the leader of the women's rebellion and the film also...

He added, «I'm so proud to be a part of a time at the beginning of a movement where I feel like the best films in every genre are being brought to me by my fellow black directors.»

After a stellar career in student drama at Oxford, he had joined the BBC, but he was soon also writing film criticism and, in 1956, was one of the founders, along with Karel Reisz and Lindsay Anderson, of the Free Cinema movement, espousing a cinema free of commercial and political constraints and using a personal style to capture working - class life and popular culture, which had been ignored by traditional British cinema.

That's three Romanian films in the festival, all from a «movement» whose existence is denied by its leading filmmakers.

As you watch film about the Attica prison riots, which may have been touched off by a racial incident, the segment goes on way too long and seems to stray from the notion of a Black Power movement.

In the mid-century, «the problem that has no name» described by Betty Friedan had not yet led to the women's movement, and women in film and in real life often felt invisible, as though all women cared about was keeping the house clean and the children happy.

In the electric first half of BPM (Beats Per Minute) the film charts the movement of a group of HIV / AIDS activists in France in the early 1990s, just as the virus became a household name and those ravaged by it had grown tired of the pervasive silence around the pandemic.

and groundbreaking cinematography by James Wong Howe that apes Wexler's, is a startling instruction on zeitgeist as it relates to movements in film.)

Zootopia unfolds as a mystery procedural, as Judy and Nick traverse the varied terrains of Zootopia to crash the place of a mouse gangster modeled after Don Corleone, drop in at a DMV hilariously run by sloths (whose slow speech and movements give the film by far its biggest laughs), and uncover corruption and conspiracy.

His arrival with films like The Living End and The Doom Generation signalled a voice synonymous with the New Queer Cinema movement of the early 1990s that saw gay stories told by gay artists.

I am honored beyond measure by this nomination for a film I love, a film that stands in defense of press freedom, and inclusion of women's voices in the movement of history.

Precision cutting and flowing camera movement would come to define the action film, blowing away the tension - based American system with a surfeit of bullets, preferably fired by a man clinching a match in his teeth, firing two handguns at once it a vain attempt at exorcising his existential pain.

Following a single father who works as a human billboard in Taipei, and his left - to - their - own - devices kids, with the presence of their mother represented by three different actresses, the film has the barest thread of story (Tsai has admitted that he no longer has any real interest in narrative), and seems determined to provoke less patient audience members into walking out, with a series of shots that last upwards of ten minutes without all that much movement in them.

The whole ambitious final movement of the film - in which two separate intrigues are intercut with the progress of an opera being sung by Anthony — is intended to be suspenseful but is so confusing, we are not even sure which place (Sicily, Rome, London?)

«An expertly made, gripping, disturbing and fascinating film... shows how even the most ferocious underground movement can be corrupted and commodified by the media» — Empire Magazine

by Walter Chaw Manny Farber described the films of Robert Bresson as «crystalline,» and it's hard to argue with the singular idea of purity represented by that word: they're all of gesture and implication, reduced down to the purest grist so that the powder of dramatic movements, rubbed together, might hum in miniature perfection.

The film is inspired by real events of former agent Michael German (who co-write the script), who spent years inside the neo-Nazi movement.

Making a stand: The May 8 - 19 festival, which is the first since the downfall of film mogul Harvey Weinstein over accusations of sexual misconduct by dozens of women, was dominated by the #MeToo movement

Sidelining many of the most inspiring aspects of the civil rights movement, the film focuses solely on the nitty - gritty and often alarming way in which Johnson juggled the opposing demands of movement leaders, like Martin Luther King (Anthony Mackie), with those of Southern Democrats, embodied here by Johnson friend and mentor Georgia Senator Richard Russell (Frank Langella), to force the act through a divided and, in many cases, openly racist Congress.

An extensive selection of work from across the world is presented including the World Premieres of William English's HEATED GLOVES and THE HOST, in which director Miranda Pennell delves deeper into her past and her late parents» involvement with the Anglo Iranian Oil Company (BP); Ben Rivers» THE SKY TREMBLES AND THE EARTH IS AFRAID AND THE TWO EYES ARE NOT BROTHERS, the feature element of Ben's current Artangel installation at BBC White City; EVENT FOR A STAGE by Tacita Dean, a filmed presentation of her live theatrical happening in collaboration with actor Stephen Dillane at the 2014 Sydney Biennial; the European Premiere of Omer Fast's REMAINDER, a London - set thriller adapted from Tom McCarthy's acclaimed novel of the same name; the European Premiere of INVENTION which highlights the possibilities of camera movement and the development of artistic apparatus and Kevin Jerome Everson's PARK LANES, set in an American bowling alley over the course of a day.

The May 8 - 19 festival, which is the first since the downfall of film mogul Harvey Weinstein over accusations of sexual misconduct by dozens of women, was dominated by the #MeToo movement.

Essentially a film in itself, the dance has a story in which Rogers is rescued from suicide by Astaire, it's an intensely emotional dance, a perfect combination of movement, mise - en - scène and music.

The film opens with a reference to dogs as man's best friend, and the progression from one segment to the next is in turn dictated by the dog's movement and by how willing the characters are to treat the dog in accordance with that statement.

Pakula's name belongs on my earlier list of redoubtable directors who stumbled in» 78: a sense of urgency is missing from this enterprise, and the movement into solemn mythologizing is too academic, too uncomplicated by the sorts of existential miscellany the Hellman and Herzog films are chockfull of.

Sunday night's Bafta film awards will see Britain's biggest stars joined by activists on the red carpet, while many attendees will wear black in solidarity with Time's Up — the movement launched following the sexual harassment scandal which engulfed Hollywood after an avalanche of allegations were made against film producer Harvey Weinstein.