Sentences with phrase «film movement with»

Not exact matches

The Legion would expand its ratings to make them more responsive to the range of film content and viewership, but its effectiveness diminished in the 1960s (the era's various «liberation» movements saw to that), and it merged into the American bishops» office dealing with movies.

I made a film about Elizabeth Cady Stanton and Susan B. Anthony in which the story of the temperance movement intersected with religion.

The film's pacing nicely echoes the undulating movement of the book, as it moves from chilling confrontations with orcs and trolls and ringwraiths to episodes of tranquil splendor in the elven realms of Rivendell and Lorien.

Here are some of the resources available — let us know on the order section at the base of the licence agreement which, if any, you would like: • A5 small flyers about Fair Food & AFSA • A4 flyers with more information about Fair Food and Food Sovereignty in Australia and why we need a Fair Food movement • Scripts or guided conversation outlines are available to use to introduce the film and to use at the end of the screening to stimulate discussion

The movement is brought to life through «The Experiment,» a film debuting today, featuring van Buuren and under the direction of Philip Andelman — who has worked with Beyoncé, Rihanna, Jay - Z, John Mayer and Lenny Kravitz.

It's the culmination of endless practice repetitions and film study, a symbiosis of movement built on schematic design (but also on talent, instinct, trust and nerve) that ends with a pass spiraling tightly through the air into a waiting pair of hands.

Along with a film, we are creating a movement that is galactic in scope.

The shakeup marks another newsroom scandal at the paper that sparked the #MeToo movement against sexual harassment with its investigation of the disgraced film mogul Harvey Weinstein.

Her work includes managing events and projects with act.tv, the Let Go and Love climate film tour, 350.org, and the Occupy movement.

The clock face mimics the Town Hall clock shown in the film combined with an accurate quartz movement.

So when Sane began filming the movements of moth antennae with a high - speed camera, he wanted to understand how the animals convert the speed of air rushing by into nerve impulses.

Functional Injury Prevention Exercise: Ring Scapular Retraction (not filmed)- A series of body weight rowing motions (low row, horizontal row, & horizontal row with external rotation) which all emphasize retraction of the scapula with a tight one second hold for each rep. Typically, I have the athletes do 10 reps of each movement.

Our solution to this problem was to film without music and then add the music back to the video scoring the music to the movement and exercise as best as can be done until the rep speed drastically slows down because of fatigue.You will notice how the music ebbs and flows with the intensity of the exercise and even the breaks between exercises have their own special music that is much calmer in nature.

Even though we had to give up the filming approach, we were determined to stick with our original goal — to capture movement.

Let's begin this feature with this most beautiful of films which captures such lovely movement, by Roost Film Co..

With choppy editing, and odd camera movements, this feels more like a hyperkinetic Music Video rather than a feature film.

The film was obviously shot in one day, but the cast and crew rehearsed for months to time their movements precisely with the flow of the camera while capturing the complex narrative, with elaborate costumes from different periods, and several trips out to the exterior of the museum.

While it has visual energy to spare, the movie is more relaxed and less flamboyantly playful than most of Honore's other films, unfolding with naturalistic grace — precise but unfussy framing, fluid camera movements — and fewer New Wave - y winks and nods.

Just as compelling, if not more so, is the film's careful examination of the origins of this country's right - wing extremist movement, starting with the Aryan Nation finding sanctuary in northern Idaho in the 1980s.

Mr. Carpenter is an extremely resourceful director whose ability to construct films entirely out of action and movement suggests that he may one day be a director to rank with Don Siegel.

An impressive achievement considering it was Lumet's first film, extremely well - written and superbly directed, with many elegant shots, fluid camera movements and a gripping plot that takes place entirely inside a room and is sustained only by a tense, smart dialogue.

Wilkerson sees his film, no less than his family, as caught up with these cultural artifacts in the continuing movement of history — a history in which you might decide to be a liberal (if you're content to congratulate yourself) or, as a better choice, a radical.

There's some very candid, fascinating footage here capturing the process of making the film (in, for a surprise revelation, not a real Parisian flat but a studio - built apartment replica surrounded by green screens, not at all dissimilar to David Cronenberg's use of similar magic for A Dangerous Method, not that you can tell in either film in its finished form, where the technology is seamless and unobtrusive), with Haneke working with the actors in a rigorous, nitty - gritty way that lets us see what infinitesimal precision he's looking for in performance, in movement, in blocking, and in composition.

The result is a film that doesn't chart the rise and fall of the black power movement, and viewers unfamiliar with civil rights history will likely be lost.

A former cinematographer with a genuine gift for pace and movement (the name of his first film describes his style: Speed), De Bont has reverted to cruise control.

Her film falls squarely within the «rape / revenge» genre, represented in the past by Abel Ferrara's Ms. 45, Wes Craven's The Last House on the Left, Gaspar Noé's Irréversible, and the grotty grindhouse «classic» I Spit on Your Grave, but also aligns itself with the «new French extremity» movement defined by Martyrs and Frontier (s).

The fact that Mikkelsen is starring in «The Hunt,» written and directed by Thomas Vinterberg, has special resonance in Denmark's movie culture: Vinterberg, along with Lars von Trier and other filmmakers, was one of the founding members of the Dogme 95 film movement, which professed allegiance to an artifice - free visual aesthetic and rough, low - tech production methods.

Camera movement issues aside, the film is beautifully mounted, with many scenes being shot in the actual locations where events occurred some 75 years ago.

He occasionally tries to bolster its sense of danger with montages of white - supremacist movements and imagery that plays like cheap tricks, this film's version of a jump scare.

With her observational style favouring the minimalist movie movement, her four films to date have garnered a slew of acclaim, including the SIGNIS prize at the 2010 Venice Film Festival for the revisionist western Meek's Cutoff.

A smash hit on the drive - in circuit, Dirty Mary, Crazy Larry was a key film in the post-Easy Rider road movie genre, for although it retained the explosive fatalism of the others within the movement, it did away with their taciturn, enigmatic protagonists.

After a stellar career in student drama at Oxford, he had joined the BBC, but he was soon also writing film criticism and, in 1956, was one of the founders, along with Karel Reisz and Lindsay Anderson, of the Free Cinema movement, espousing a cinema free of commercial and political constraints and using a personal style to capture working - class life and popular culture, which had been ignored by traditional British cinema.

From actress turned writer / director Marielle Heller (A Walk Among Tombstones) comes the latest new - age, post-modern, feminist movement film that doesn't accomplish much more than Aubrey Plaza did with raunchy comedy The To - Do List.

In keeping with McDormand's speech and the #MeToo and #TIMESUP movements taking place in Hollywood right now, an inclusion rider is something people working in film can include in their contracts.

In the same way a child playing with dolls is apt to exaggerate movements and voices to animate soulless toys, so do the performances and tableau of the film feel embellished and dream - like.

Set in 1959, the period piece directly deals with the integration of suburbs in the era of the civil rights movement, although whether or not the film deals with it well is up for you to decide.

The film also links Mexico's vigilante movement with that of a few Arizona minutemen.

First - time film director Phyllida Lloyd, who also directed the original London show, creates constant visual distraction with swish pans and unmotivated zooms, but her reliance on too - frequent close - ups proves a fatal visual strategy in a genre that functions entirely through movement and spectacle.

With unprecedented access, this film brings forward deep questions about the breakdown of order and entanglement of modern - day vigilante movements at a time when the government can not provide basic security for its people.

But even there, the present political situation seemed the focus, with films on Margaret Thatcher's legacy (Generation Right) and the far - right movement (Angry, White and Proud).

With Oren Moverman's (Diane, The Dinner, Love & Mercy) skilled writing and Marc Turtletaub's (Little Miss Sunshine) deft direction, the film lives on in a second movement depicting a middle - aged wife and mother of two who discovers it's not too late for firsts.

Baghead Jay and Mark Duplass, the celebrated and derided members of the low - budget film movement known as mumblecore, marry their talky relationship fare («The Puffy Chair») with a horror story.

His arrival with films like The Living End and The Doom Generation signalled a voice synonymous with the New Queer Cinema movement of the early 1990s that saw gay stories told by gay artists.

We went on riff on the psychology of the characters in THE LAST WORD, muse on making an entertaining film with substance, and the legacy of the women's movement.

This, combined with the film's extensive use of local non-professional actors, made Toni one of the biggest precursors of the Italian neorealist movement (no less than Luchino Visconti served as the assistant director!).

Here also, Bratt says he felt a part of «a new cinematic movement» filming Abandon (referring mostly to the brilliant Libatique), and a peculiarly excitable Gaghan tells an anecdote regarding his dog's cameo that perhaps ought to have finished with someone throwing a butterfly net over him.

With stunning cinematography and camera movement and one of the best leading male performances of the year (FLF or not), this is one of Brazil's finest films this decade.

It's always exciting to see a nation not traditionally known for their cinematic output step up with a movement or wave of films and filmmakers that gain attention on the international scene.

Precision cutting and flowing camera movement would come to define the action film, blowing away the tension - based American system with a surfeit of bullets, preferably fired by a man clinching a match in his teeth, firing two handguns at once it a vain attempt at exorcising his existential pain.

Following a single father who works as a human billboard in Taipei, and his left - to - their - own - devices kids, with the presence of their mother represented by three different actresses, the film has the barest thread of story (Tsai has admitted that he no longer has any real interest in narrative), and seems determined to provoke less patient audience members into walking out, with a series of shots that last upwards of ten minutes without all that much movement in them.