Sentences with phrase «film music historian»
Isolated track of Jerry Goldsmith's score with sound effects on standard theatrical cut (Disc 1), with commentary by music producer Nick Redman, film music historian Jon Burlingame, screenwriter / film historian Lem Dobbs between cues.
http://www.kqek.com/ Not exact matches
Audio commentary track film historians Rudy Behlmer, Jon Burlinggame, and Nick Redman / Mono Isolated Music Score Track / Featurette: «Tyrone Power and His Leading Ladies» (12:22) / Advertising Gallery (4) / Still Gallery (26) / 4 B&W postcard - sized lobby card reproductions / Theatrical Trailer
Historian Peggy Parsons doesn't indicate whether Auric shaped his material as the film was being edited or whether the music went through great discussions with the director, but the act of composing a score could be seen as going against the very purpose of Clouzot's spontaneous approach.
Special Features New 4K digital restoration New interview with cinematographer John Bailey about director of photography Conrad Hall's work in the film New interview with film historian Bobbi O'Steen on the film's editing New interview with film critic and jazz historian Gary Giddins about Quincy Jones's music for the film New interview with writer Douglass K. Daniel on director Richard Brooks Interview with Brooks from a 1998 episode of the French television series «Cinema Cinemas» «With Love From Truman,» a short 1966 documentary featuring novelist Truman Capote, directed by Albert and David Maysles Two archival NBC interviews with Capote: one following the author on a 1966 visit to Holcomb, Kansas, and the other conducted by Barbara Walters in 1967 Trailer Plus: An essay by critic Chris Fujiwara
Blu - ray extras include audio commentary by film and music historian Jeff Bond; a look at the film's visual effects; and a storyboard - to - scene comparison.
Extras: Fans of this one get two commentaries: an isolated score track with film historians Jeff Bond, Jon Burlingame, and Nick Redman commenting mostly ahead of the music (which really begins when the fantastic voyage begins); and a feature commentary with Bond again covering all the basics in a somewhat average walk - through.
«John Ottman with Film Historian» is a visually static but informative Q&A session with Film Score Monthly's Jeff Bond, who manages to cover several aspects of Ottman's score and career, including the always contentious issue of a film's temporary music track; and the current monetary and artistic demands which have affected the film composer's job.
These include an introduction by Martin Scorsese, a commentary with film composer David Newman and film historians Jon Burlingame, Julie Kirgo and Nick Redman, a making - of featurette, a look at the music of The Robe (the Alfred Newman's score has an isolated music track), still galleries and an interactive press book.
The book also features interviews with costume designer Milena Canonero, composer Alexandre Desplat, lead actor Ralph Fiennes, production designer Adam Stockhausen, and cinematographer Robert Yeoman; essays by film critics Ali Arikan and Steven Boone, film theorist and historian David Bordwell, music critic Olivia Collette, and style and costume consultant Christopher Laverty; and an introduction by playwright Anne Washburn.
A series of illuminating conversations with writers, scholars, curators, and historians will explore how Bay Area art has cross-pollinated with music, poetry, performance, film, and activism, placing artistic practice into the broader context of the region's unique social and cultural history.
A discussion between the artists and French art historian Élisabeth Lebovici followed each film, with some of the primary concerns being non-hierarchical production (in film, and in Pauline Oliveros» music), the camera as active participant in a performance that couldn't exist without it, and opacity as resistance against the aggressive act of understanding.