-- Bob [LIKED] It is more a function of «end of festival» burn out, as this was the last
film of a long week.
Not exact matches
He sure had a better vantage point and got to talk to guys who played against him and watch a ton
of film... Yeah... I'm takin his opinion on a safety's skills over yours all
week long and twice on Sundays... then there's Monday nights... and Thursdays... and Thanksgivings...
Recalling John Milius» 1982 hit Conan the Barbarian (another
film that launched the cinematic action career
of a then - little - known athlete named Arnold Schwarzenegger), the sword - and - sandal adventure raked in 36 million dollars on its opening weekend and stayed at the top
of the box office in the
weeks following its impressive debut.Though he would return to the ring for the remainder
of 2002, it didn't take Johnson
long to soften on the prospect
of a return to the silver screen — and with the following year's The Rundown, he did just that.
In 2007, he was the only non-US
film critic to be invited by the Museum
of the Moving Image and The New York Times to participate on a
week -
long seminar on
Film Criticism.
One can salivate over the prospects
of this, but there's little in the way
of content to suggest this
film will last
longer than a
week in the zeitgeist.
Vulture reports that Pitt has stopped speaking altogether to director Marc Forster, as the studio and
film gear up to head into three
weeks of reshoots (though previous reports have put the figure at as
long as seven
weeks — more on that in second).
In this
week -
long series
of commentaries devoted to the Harry Potter
films, I will home in on notable aspects
of each individual movie while maintaining a sense
of the larger mosaic.
Among
longer running
films, «All Is Lost» (Roadside Attractions) in
week 7 lost most
of its theaters (now at 51, down 285), but these sustained an OK return
of $ 197,000, to reach $ 5,271,000 so far.
The rest
of this weekend's top 10 is about what you'd expect: Diminishing returns for
films like Game Night — which dropped from No. 2 to No. 4 in its second
week — Peter Rabbit, and Annihilation, hanging in there alongside the unexpectedly
long - lived Jumanji: Welcome To The Jungle and The Greatest Showman, both
of which are currently in their eleventh
week.
After a
week long of premiering some
of the most anticipated horror
films, the Toronto International Film Festival has finally drawn to a close and with that, the reviews are in.
The
film waits only a few seconds
longer to drop its own bombshell: The mystery man on the other side
of the lattice vows to return, one
week later, to murder Lavelle on the beach — not because he's a bad priest, like the one who abused him, but because he's a good one, and his death will turn heads.
Two
weeks ago, as part
of his summer -
long institute, Redford held a weekend conference
of most
of the major exhibitors and distributors
of «specialized»
films - a category that includes independent U.S. features, foreign
films, «art
films,» cult
films, revivals and almost anything else that isn't a big - budget, first - run standard Hollywood production.
The
film plays out quietly as the
long days
of summer stretch to
weeks and even months, until eventually unexpected events prod out
of her slump and force her to face the difficult search for a job and a career in a country struggling with two decades
of a flatlining economy.
Following up on the Cinema City romantic comedy Seven Years Itch, To re-teamed with producer - writer - star (not necessarily in that order) Raymond Wong Bak - Ming for an ensemble
film designed for release during the Lunar New Year holiday, a
week -
long (more or less) celebration that is the highlight
of the Hong Kong
film release calendar, when all
of the big, star - studded blockbusters hit theatres.
The
film was introduced by its producer, the director Barbet Schroeder, who said Rohmer has his ideas
long in advance
of filming, but doesn't write a word
of the script until he has spent
weeks talking with the actors, «so that they will never have to say anything they wouldn't really say.»
They announced last
week that they would no
longer distribute the
film, following high - profile news
of C.K.'s actions involving five women.
The second adaptation
of Robert Penn Warren's 1946 Pulitzer Prize - winning novel about a populist - leaning stump - thumper modeled after Huey
Long, the
film garnered attention first for its sterling cast and Tiffany pedigree, then for its sudden disappearance from last year's Oscar slate, only to appear now, without fanfare (save a gala screening at last
week's TIFF), in the middle
of what's traditionally a dumping ground for dead weight.
I saw Proud Mary at the end
of last
week,
long after the complaints about under - promotion gave way to complaints about the
film's glaring flaws.
Thousands
of film geeks, genre -
film enthusiasts, and weirdoes have descended upon the Alamo Drafthouse's South Lamar location for a
week -
long celebration
of the weirdest cinema in the world: Fantastic Fest 2011.
It's never too late to take a
long gander at what we might see dominating the
film awards landscape in 365 days, and with that in mind, I've been doing my usual mulling over the possibilities for a few
weeks to put together the sadly thorough examination
of the 2008 - 09 award season that follows.
A «documentary»
filmed and edited by fifteen - year - old Becca (Olivia DeJonge, «The Sisterhood
of Night»), The Visit chronicles a
week -
long visit by Becca and her thirteen - year - old brother Tyler (Ed Oxenbould, «Alexander and the Terrible, Horrible, No Good, Very Bad Day»).
Moving on, if there are pleasant surprises within the nominees, it would most certainly be
films like «Beasts
of Southern Wild ``, «Moonrise Kingdom» and even by a
long shot «The Perks
of Being a Wallflower ``,» The Dark Knight Rises ``, however, the race will be very tight and with all
of the quality
films being released in the upcoming
weeks, it all comes down to how many
films the Academy will select for Best Picture.
The idea that I was going to be able to watch eight
films, most
of them over 2 hours
long and write about each
of them individually in the space
of a
week is so ridiculously delusional that maybe I need to be locked up in Arkham Asylum?
June 2013 saw just eight new releases, but even then, a mega-budgeted
film such as Man
of Steel only managed to stay in theaters for seven
weeks, so the likelihood
of any August
films sticking around for
longer than a month becomes a near impossibility.
The idea
of «platform releasing» — opening a
film usually just in New York and L.A., then strategically hitting other markets over multiple
weeks as buzz builds, instead
of a blockbuster everywhere - at - once «wide release» —
long predates the internet.
They talked about the challenge
of making a movie when so much
of it is spent on indoor conversations, the four -
week rehearsal process, how Oldman prepared to play Churchill, how
long the first cut
of the
film was, and we even talked about the Los Angeles premiere guests like David Fincher and Roger Deakins.
While the odds
of seeing two truly extraordinary, brutal but brilliant British
films in as many
weeks are fairly
long, the chances
of both
films starring the same relative unknown, in two similarly impressive yet fundamentally different performances, must be exponentially smaller.
Released just before the Russian invasion
of Czechoslovakia signaled the end
of the country's cinematic revolution, Jaromil Jires's 1970
film Valerie and Her
Week of Wonders has
long been more known than seen.
With less than two
weeks to go until the release
of Jigsaw, IGN has revealed a new clip from the eighth instalment in the Saw franchise which you can check out below... SEE ALSO: Horror sequel Jigsaw gets two new TV spots Watch this exclusive clip #Jigsaw, the
long - awaited eighth
film in the #Saw franchise!
The saga
of Terry Gilliam's «The Man Who Killed Don Quixote» continues with the
long - gestating
film scoring some wins and losses this
week.
The
longer and considerably more troubling answer is that, as
of this writing, The Weeping Meadow will never see any kind
of theatrical exhibition in L.A.; Good Morning, Night will play one time only, at the UCLA
Film and Television Archive, in February; and The Intruder — my pick for the best
film of 2005 — will receive a one -
week engagement at a single area theater in March.
All
week long at Movie Mezzanine, our writers and editors will be bidding a fond farewell
of the year
of film that was 2016.
The scene we watch them
film today, as they enter the last
week of principle photography, involves Lin Shaye, reprising her role
of Elise, as she and Quinn (played by Stefanie Scott) race down a
long, Gothic hallway as they try to escape the
film's demon.
Our Oscar Podcast for this
week (with a lot
of long film clips) is two hours.
All
week long at Movie Mezzanine, our writers and editors have been bidding a fond farewell
of the year
of film that was 2016.
Gloriously
filmed in 16 mm by cinematographer Sean Price Williams and set to a bare, haunting score by Keegan DeWitt, Queen
of Earth channels the psychological dramas
of the»60s and»70s, right down to spot - on title cards in soft pink cursive that mark each day that passes in the
week -
long story.
«Boyhood» A candidate for the
longest duration between the start
of a production and its eventual completion in the history
of cinema (the
film shot a few
weeks every year for the last 12 years), the arrival
of Richard Linklater «s intimate epic «Boyhood» proved to be very much worth the wait.
As mentioned above, my sleepiness is not a slight on Joe Lynch's
film - which appeared to be a violent good time - but a result
of a
week's worth
of long days and late nights fueled by Live Oak Hefeweizen.
A Single Man Where: Embarcadero Center Cinema, 1 Embarcadero Ctr., 415-352-0835 When: All
Week Why: An official selection
of the Toronto, Tokyo and London
film festivals, former fashion designer Tom Ford's directorial debut, about a homosexual English professor contemplating suicide after the death
of his lover, gives Colin Firth (BBC's Pride and Prejudice) what he has
long deserved: a richly conceived starring role worthy
of his talents.
The sixth annual edition
of the only
week -
long film festival curated by working
film critics starts this Friday, and you simply have to be there.
Writing for
film is a lot
of fun, and most scripts are only one hundred pages
long, so some scripts can be written over a few days or
weeks.
As I sit here writing this, less than 24 hrs after arriving home from our incredible 2
week adventure being a part
of Team Super Tramp, I find myself already missing the
long filming days, late night meals and antics we shared while we were a part
of Devin's team...
Arguably I make too many movie industry comparisons in this column, but permit me this one more: if a major distributor announced a
film, then
weeks later confirmed that its director, screenplay writer, director
of photography and one
of its supporting cast were no
longer associated with the project, would you assume the final movie would be exactly as it was intended at its inception?
Art Basel's
week -
long program
of films by and about artists is curated by Maxa Zoller.
The Chinati Foundation, Lannan Foundation, and Ballroom Marfa are pleased to present a
week -
long program celebrating the work
of acclaimed theater director André Gregory, featuring open rehearsal performances
of Endgame by Samuel Beckett and other special events and
film screenings.
March 24 — 28, 2008: A
week -
long series
of artist talks,
film screenings, and discussions with Peggy Ahwesh, Petra Bauer, Matthew Buckingham, Carles Guerra, Maria Lind, Hito Steyerl, and Walid Raad.
ART AND CHINA AFTER 1989: THEATER
OF THE WORLD This rotunda - filling, 75 - artist survey of post-Tiananmen art, accompanied by a 10 - week documentary film series, is long overdu
OF THE WORLD This rotunda - filling, 75 - artist survey
of post-Tiananmen art, accompanied by a 10 - week documentary film series, is long overdu
of post-Tiananmen art, accompanied by a 10 -
week documentary
film series, is
long overdue.
Mekas also recently celebrated his 90th birthday and Anthology
Film Archives, the New York
film establishment which he co-founded in 1970, hosted a
week -
long program
of rare screenings to mark the occasion.
Other highlights include a
week -
long residency
of public performances and workshops by Brazil's Companhia Urbana de Dança, presented in collaboration with the Newman Center for the Performing Arts, and a rare presentation
of Matthew Barney's latest
film, River
of Fundament, co-presented by the Clyfford Still Museum and Denver Art Museum.
«Urban Exposure» was a
week -
long film programme exploring the complexities
of contemporary experience presented in association with the Lux Centre, Hoxton from June — September 1999.