Sentences with phrase «film on the big screen in»

Not exact matches

What's causing heartburn in Hollywood is the thought that Netflix may never put these films on the big screen.

Social justice causes, candles in worship services, v - necks and big neck tattoos on worship leaders, screenings of PT Anderson films at church, heavy use of Helvetica font in church bulletins, bald pastors who always wear black clothes from Banana Republic, beer at church barbecues, a renewed interest in corporately reading ancient creeds or prayers, Nooma videos, Sufjan Stevens and everything related to Sufjan Stevens.

Amidst all the hype and debate surrounding this year's flood of faith - related films — Noah, God is Not Dead, and Heaven is For Real — a quiet Oscar winner from 2013, recently released to DVD, provides the most compelling story of faith I've seen on the big screen in years.

During an early screening of Roland Emmerich's latest disaster flick 2012, which opens today, laughter erupted in the audience near the end of the film thanks to corny dialogue and maudlin scenes (among the biggest guffaw getters: a father tries to reconnect with his estranged son on the telephone, only to have the son's house destroyed just before he could say anything).

With her newly shorn locks on display, the actress takes a bow in a strapless jumpsuit and pointy pumps at the Big Apple screening of her film Being Flynn.

Ideal for everyday use, these products may also be used for filming in high definition, ensuring the makeup looks flawless even on a big screen.

Knowing the documentary would premiere on Cupid's big day, our friends at Single Edition invited us to an advanced screening in New York City, which featured a Q&A with Robert Kenner of the Oscar - nominated Food, Inc., who both directed and produced the film.

The questions people have in mind when there's a film adaptation of these books is whether it can be translated on to the big screen to their satisfaction.

She first appeared on the big screen in 2006 with a small role in the film ACCEPTED and later had a starring role as Brooke Crawford in the primetime soap opera WICKED WICKED GAMES, which was her first appearance on the small screen.

With success on the small screen soon prompting James to try his talent in feature films, a supporting role in 50 First Dates and a co-starring role opposite Will Smith in Hitch found the television favorite's amiable humor translating well to the big screen.

He is currently filming Baz Luhrman's new Netflix series THE GET DOWN and will be seen on the big screen in Terrance Malick's upcoming KNIGHT OF CUPS.

Following the series» demise in 1991, Helgenberger returned to television guest - star status on ER, where she had a four - episode - long recurring role, and in the miniseries The Tommyknockers.A presence on the big screen since 1989, when she made her feature - film debut in Steven Spielberg's romantic fantasy Always, Helgenberger has played a wide variety of roles in films ranging from Species (1995) to the moody The Last Time I Committed Suicide (1997) to Steven Soderbergh's widely acclaimed Erin Brockovich (2000).

Co-starring Survivor contestant turned thespian Colleen Haskell, Schneider's tale of a car accident victim imbued with superhuman powers after being pieced back together with animal organs kept the low - brow rolling while marking his territory among the ranks of the more successful transitions from SNL player to big screen star.Later, in the 2000s, Schneider frequently alternated between starring in his own films (The Hot Chick, Duece Bigalow: European Gigolo), and supporting his old pal Sandler (The Longest Yard, I Now Pronounce You Chuck and Larry), with few on either side truly managing to ignite the box office or his career momentum.

But there's one Science Fiction film that towers above all others of the genre, as well as all other films, and that is Stanley Kubrick's 2001: A Space Odyssey, which Warner Brothers barely released in time to actually be seen on a big screen during the relevant year.

At the outset of «Creation,» on - screen titles announce that the film's subject, Charles Darwin, was responsible for the biggest single idea in the history of thought: the theory of natural selection.

In honor of the upcoming re-release of Studio Ghibli's 1991 film Only Yesterday, directed by Isao Takahata, GKids is helping them show six of the best Ghibli films on the big screen.

At the same time, Uchida is responsible for some of the most remarkable swordplay films of the 1950s and»60s; his five - film Musashi Miyamoto epic (not screened at MOMA), starring Kinnosuke Nakamura in the title role and Ken Takakura as his arch-nemesis Kojiro, surpasses the better - known Inagaki Samurai Trilogy starring Toshiro Mifune in terms of both drama and swordplay, yet remains little - known in the West (despite its availability on DVD in the U.S.) After the BAM retrospective (and others) in 2008, most of Uchida's films remained unscreened and undistributed in America, so with MOMA's bigger series recently ending, it's time again to encourage distributors like the Criterion Collection, Kino Lorber, and Arrow Video to bring out more of the director's masterpieces, both for critical reconsideration and for those whom the veteran filmmaker will be a major new discovery.

In honor of the upcoming release of the new Charlie Kaufman film Anomalisa, Paramount Pictures is presenting a retrospective of four his previous films playing on the big screen again at Landmark Theatres in NY, LA, Chicago and San FranciscIn honor of the upcoming release of the new Charlie Kaufman film Anomalisa, Paramount Pictures is presenting a retrospective of four his previous films playing on the big screen again at Landmark Theatres in NY, LA, Chicago and San Franciscin NY, LA, Chicago and San Francisco.

Presented in widescreen and fullscreen on the same side of a dual - layer DVD, the film's image lacks depth here — there's a muted, Seventies quality to Barry Stone's cinematography that no doubt looked smashing on the big screen and probably would've been marginally improved at home by dispensing with the fullscreen version (thus lessening the compromise of compression), which lops a significant amount of visual information from the right side of the frame (while restoring a negligible amount to the bottom — in one shot literally a pinkie toe).

Kacy Boccumini says it's great to see Jones on the big screen again in a film that really resonates.

He continues to be seen on television and on the big screen in a variety of projects including an episode of Battlestar Galactica (2006), the film Changeling (2008) with Angelina Jolie, recurring roles in the series 24 (2009) and The Listener (2009), and in the miniseries The Borgias (2011) as a 15th - century cardinal.

A precursor to Adam Sandler's «dopey guy with a big heart wins out in the end» films, Tommy Boy is all the more amusing because of the on screen / off screen camaraderie between Spade and Farley.

«But you work according to the medium you're working in, and some of this film is explicitly designed to be seen on a big screen.

For Laure, this is a spiritual act (one of many baptisms in the film), and for De Palma it's a correction: he flips Billy Wilder the bird by saddling his femme fatale with a crisis that matters, even if her personal pain is not readily apparent when she and a group of thugs break into the Cannes Palais, hoping to swipe a fortune in diamonds from Regis Wargnier's whorish girlfriend Veronica (Rie Rasmussen), with whom Laure makes out in a bathroom stall while Wargnier's hideous East - West plays on the big screen.

Only the third film that the acclaimed actor has made as a director (after 2002's Antwone Fisher and his last, 2007's The Great Debaters), Washington certainly had familiarity with August Wilson's beloved Pulitzer Prize - winning material when he decided to bring it to the big screen; the actor won a Tony Award of his own for starring in the 2010 revival of the production, to go along with the play's Tony for Best Revival (and the many that it won during its first run on stage in 1987).

I also loved seeing Goldie Hawn back on the big screen, even with a somewhat compromised performance... she took the back seat in this film.

In addition to plotting Deadpool 2's arrival, 20th Century Fox also announced plans to further expand Marvel's big screen presence next year with a pair of new X-Men films: New Mutants, an X-Men spin - off, arrives April 13th, 2018, while X-Men: Dark Phoenix, the follow - up to 2016's X-Men: Apocalypse that will center on Sophie Turner's Jean Grey, hits theaters November 2nd of next year.

Having thrived and evolved for eight consecutive decades in the public imagination - in prose and graphics, on the big screen and small, in games and properties of all kinds - Conan's exploits in the Hyborian Age now come alive like never before in a colossal 3D action - adventure film.

After three seasons on television's «The Muppet Show», Jim Henson's beloved furry creations made the jump to the big screen in a film that showed how the gang met.

In the end, it is by no means a truly awful piece of work, but the big problem is that it was originally conceived as a short film, and has clearly suffered from the expansion of the narrative that has led to it cropping up on the big screen.

Peter Pan has seen many incarnations on the big screen including the Disney film, which debuted in 1953.

Rachel Bloom shares a big loving smooch with her husband Dan Gregor at the Vulture and Lionsgate screening of their latest film Most Likely to Murder held at The London Hotel on Monday (April 30) in West Hollywood, Calif..

More recently, the question about Marvel TV's relationship with Marvel Studios has moved away from whether or not Agents of SHIELD stars will appear in the films to a slightly different question: Will Netflix's Defenders get their chance to shine on the big screen?

Kirsten Dunst stars in the film with a supporting cast including Kiefer Sutherland, Charlotte Gainsbourg, John Hurt, Stellan and Alexander Skarsgård and Charlotte Rampling, but in this new trailer it's the stunning cinematography that seems to be the star and makes this a must - see on the big screen.

A film version of Stephen King's 1974 novel «Carrie» was first released on the big screen in 1976.

Now with a scene - stealing breakthrough on the big screen as the Bearded Lady in 20th Century Fox's «The Greatest Showman,» the original movie musical premiering Dec. 20 and starring Hugh Jackman as P. T. Barnum, Settle is about to win over film audiences as well.

One of the biggest stumbling blocks in this film is Dane Cook, who ruins the screen whenever he's on it.

Since then, Samberg has bounced back as a comedian on the small screen as the star of the terrific Fox comedy Brooklyn Nine - Nine and now he's bounced back on the big screen in his new film Popstar: Never Stop Never Stopping.

The film noir slate was particularly rich as was the experience of seeing these film on the big screen — the lighting, the compositions, the close - ups all popped in a way that just doesn't happen when you watch these titles on TV.

THE BIG SCREEN Reviews of notable new films opening in theaters (hopefully near you) Reviews: Ismael's Ghosts by Yonca Talu, Lean on Pete by Chloe Lizotte, The Workshop by Nick Davis, You Were Never Really Here by Gina Telaroli

It's round - about journey to the big - screen was a logical conclusion, and while the first was praised as playfully ridiculous and a violent tongue - in - cheek satire on Mexploitation films, this sequel is a long, drawn - out series of mind - numbing beheadings, choppings, limb - hackings and gore - splattering scenes that would make a death camp survivor long for the good old days.

Channing Tatum reiterates his desire for the «X-Man» Gambit to appear in his own solo film before joining the «X-Men» on the big screen.

«Good Luck Chuck» gives Dane Cook his second opportunity to team up with a hot chick (this time, it's Jessica Alba) who helps take the attention away from the fact that the film isn't very funny, and as «The King of Queens» rides into the sunset, Kevin James tries again to make it on the big screen in «I Now Pronounce You Chuck and Larry.»

Warner Bros» wants to remind us that this offshoot ties in with what they've planned so far in their mad rush to catch up with the Marvel films and their jam - packed universe of already beloved characters, but we've never really seen any of these new Suicide Squad characters on the big screen before.

So it's only appropriate that the film will open the 15th annual Roger Ebert's Film Festival on April 17 in the big - screen, newly renovated Virginia Theater in downtown Champaign.

Kelly clearly loves movies — in the film's most cinematic moment, a time portal opens up on the big screen of a repertoire theatre during Sam Raimi's The Evil Dead.

Set in mid-fifties Liverpool, this film offers snapshots of moments in in the life of Davies» stand - in Bud (Leigh McCormack) over one year, at school (where he is increasingly teased and bullied by bigger boys), at holiday celebrations (with neighbors singing and joking), and at the movies, where the camera lingers on his face, captivated by the screen.

Most recently Akkad confirmed studio troubles had resulted in the new film's delays, so maybe this pending «divorce» from Dimension could be what is needed in order to get Michael Myers back on the big screen.

«I personally don't perceive the Palme d'Or [should be] given to a film that is then not seen on the big screen,» Almodóvar said earlier in the fest.

He further won over comedy fans with a killer guest spot savaging «Glee» on the Christmas episode of «Community,» but he's getting his big - screen break in a much more surprising venue: he recently joined the astonishing cast of Steve McQueen «s «Twelve Years A Slave,» alongside Michael Fassbender, Chiwetel Ejiofor, Brad Pitt (who presumably approves of Killam's impression, given that he's the film's producer), Benedict Cumberbatch, Paul Giamatti, Paul Dano, Sarah Paulson, Alfre Woodard, Ruth Negga, Garret Dillahunt and Scoot McNairy, among many others.