Sentences with phrase «film opened over»

Not exact matches

The Disney film shattered box - office records over the weekend, edging past «Star Wars: The Force Awakens» to set the highest opening weekend of all time.

It went on to become the highest - grossing film in the US over President's Day weekend, highest opening all - time for an R - rated movie, and the highest - grossing for the month of February.

The film that triggered the devastating cyberattack on the studio last month, which the United States says was launched by North Korea, opened Thursday in 331 independent theaters with a $ 1 million box office and $ 1.8 million over the subsequent three days, according to Sony.

By this point last year, however, we had five films — «Split,» «The Lego Batman Movie,» «Fifty Shades Darker,» «Logan,» and «Kong: Skull Island» — open to over $ 40 million.

Taking over # 8m in its opening weekend in the UK alone, the resulting mass audiences, many of whom returned to see it several times, made a mockery of the film's $ 60m budget.

The cultural clashes over the film opened wounds we thought....

Awakens is a film of prodigals; over the course of the film some return home, some start that long trudge back to open arms while others turn their back on that welcoming embrace.

The cultural clashes over the film opened wounds we thought had healed, and they exposed currents of hostility toward Christianity that one would have hoped had disappeared.

# 1 over all at the box office on opening weeks and over / under 4.5 Oscars (Why isnt best FANS a Oscar for films??? Completely unfair to the people who make movies a success IMO)

75 years ago (from 2015), Nazi Germany was expanding all over Europe, Walt Disney had just released his second animated film, McDonalds was about to open its first restaurant, Roosevelt was president, his New Deal was still new, and the first electrical digital computer was revealed.

Thin - film microelectrode arrays produced at Lawrence Livermore National Laboratory (LLNL) have enabled development of an automated system to sort brain activity by individual neurons, a technology that could open the door to recording and analyzing unprecedented amounts of neural signals over time...

Dec. 12, 2017 - Thin - film microelectrode arrays produced at Lawrence Livermore National Laboratory (LLNL) have enabled development of an automated system to sort brain activity by individual neurons, a technology that could open the door to recording and analyzing unprecedented amounts of neural signals over time...

A thousand sweaty, shirtless men groaning and cursing over a bunch of rusty iron and home - welded equipment looks much more like torture or the opening credits of a certain type of blue film than exercise.

We spent over two weeks filming open heart surgeries on infants, interviewing their parents and visiting past patients in their villages.

As the film opens, Ron is in the midst of great personal and professional humiliation, having been passed over for a cushy network position in favour of his wife Veronica (a returning and game Christina Applegate); his response is to walk out on her and their seven - year - old son, taking a job as an announcer at Sea World (where he drinks heavily and insults the dolphins).

After a lyrical introduction that layers wistfully reflective voiceover over a spun - sugar cloudscape, the film's opening stages are less concerned with setting a scene than they are with establishing a vivid and unshakable sense of trauma — zeroing in on isolated images of slaughter, human and otherwise, in disorienting darkness.

Oddly, for a film about triumph over adversity, there's nothing as uplifting as the opening and closing jogs along a windswept beach.

In the opening scene of the film, Lomax stands over the lone survivor of the latest expedition, a dazed biologist named Lena (Natalie Portman), and demands answers she doesn't know how to provide — and that the movie doesn't really care to.

The Hunger Games: Mockingjay - Part 1 opens on November 21st, so expect a few more glimpses at the third film in The Hunger Games series (and first of a two - part finale) over the coming weeks.

It is perhaps not surprising (although no less shameful), given the confusion over evolution whipped up and exploited by the religious right in the United States, that the film's producers had a difficult time finding a distributor for their work in the US — this, despite the fact that Creation was chosen to open the 2009 Toronto International Film Festival.

The film might benefit from a trim, particularly when it shifts gears in the second half, but its protracted style also delivers some sensational soundtrack moments — like the remarkably paced opening scene, which introduces our free - spirited chanteuse winning over a rowdy crowd.

Garnering the number one position for two weeks in a row, the film brought in over $ 100 million in its opening weekend.

The film is holding off newcomers Jumanji: Welcome to the Jungle, Pitch Perfect 3 and The Greatest Showman, with the Johnson - led Jumanji targeting a $ 60 + million opening over the four day weekend, and Pitch Perfect 3 and The Greatest Showman looking to finish around $ 35 million and $ 16 million, respectively.

In any given year, Grauman's Chinese Theatre hosts over 40 red carpet film premieres and since it opened, it has hosted three Academy Award (R) ceremonies and numerous world premieres, including those for internationally - acclaimed film franchises, such as Star Wars and Harry Potter.

If the tune itself isn't enough, the creators include undeniably adorable animations and an opening film crawl composed of «porg» repeated over and over.

The film opens with King George asking Churchill to take over the role of Prime Minister since Neville Chamberlain is woefully ineffectual against Hitler, whose army is sweeping through Europe with alarming speed.

In 2013 Marvel Studios delivered # 1 openings for Marvel's Thor: The Dark World, which grossed over $ 640 million worldwide and Marvel's «Iron Man 3,» which grossed over $ 1.2 billon worldwide and was the highest grossing film of the calendar year.

And so over the next couple of weeks the Film Ireland collection of filmaholics shed their dignity, hide their shame and open their bins to reveal their trashiest films in the latest installment of...

Both films opened # 1 at the box office and have grossed over $ 800 million worldwide combined.

If the opening intertitle didn't reveal the fact that The House of the Devil was going to be dealing with the occult / Satanism the film could just as well stand on its own as a psychological thriller about a girl working herself up into a paranoid frenzy over creaks on the floorboards.

With a little over three weeks to go until Christopher Nolan's Dunkirk arrives in cinemas, a new poster has arrived online for the hotly - anticipated World War II epic featuring Fionn Whitehead; take a look below... SEE ALSO: Dunkirk will be Christopher Nolan's shortest film since Following «Dunkirk opens as hundreds of thousands of British and -LSB-...]

The opening credits sequence is a clever and hilarious parody of a very popular film franchise that has been around for over 50 years.

Said the company Sunday: «The film saw a 58 % location average increase in Saturday's gross over opening day.

The film opens with a celestial prologue and narration providing a sense of cosmic comfort of someone watching over it all, of some divine authority in charge.

The action here is over the top, which sets a tone that the film is going to be a violent cartoon, but it never tops the insane sense you get from this opening action sequence.

There's so much happening in a vacuum here with deaths all over the place and a wealth of exposition shoved at the moviegoer — brush up on your Horcrux knowledge and character lists, people, else you'll be lost — the film doesn't sustain the real feeling it engenders brilliantly in the opening scenes.

But the three best films I've seen so far this fall — they're opening in major cities over the next two months — are thrillingly evocative portraits of the real small - town America.

It's funny when it needs to be — the battle over the «offensive» content of Hughes» film The Outlaw is both an open - faced slam at the MPAA and a sly in - joke at Scorsese's past films.

The festival controversy dividing audiences this year was between Netflix (which produced both Okja and The Meyerowitz Stories this year) and the professional association for movie theater owners, arguing over Netflix's refusal to open the two films in theaters as part of their «exclusive content» strategy.

The film opens with Dan (Vince Vaughn) quitting his job over a five percent pay cut and loudly announcing that anyone who wants to join him in his new venture should meet him in the parking lot.

The unexpected death of James Gandolfini just twelve days after this film opened in limited release casts a pall over the proceedings.

His last film, I Am Number Four opened with just $ 19 million in over 1,000 more theaters than Beastly is getting.

The Russian auteur's film had loomed over the festival since its opening - day press screening.

From 3D cane toads on opening night (Cane Toads: The Conquest) to John Woo kung fu to close the program (Reign Of Assassins), possibly the world's first «womantic» feature (the Brisbane - based comedy Jucy) to the utterly indescribable (Tommy Wiseau cult phenomenon The Room), the new look festival — in a new timeslot and new venues (Palace Centro and Barracks cinemas, and Tribal Theatre)-- has assembled an amazing line - up, with films for young (well, 18 and over for the most part, given the severing of links between BIFF and Cine Sparks) and old.

I thought the music in the trailer was just part of a quirky marketing campaign, but no, that Ennio Morricone-esque score is right over the opening credits, giving the film yet another layer of fun and interest, as it suggests that Gleeson pictures himself as a spaghetti western hero, cocky but with a deeper layer of dissatisfaction and restlessness.

Filmed over two decades, the film opens with its oldest segment, a 1986 meeting between the rabbit - and - hare comic sensibilities of Steven Wright and Roberto Benigni.

Studio Canal opened the film in the U.K. in early March, grossing over $ 1.3 M through last month.

Woody Allen) Cast: Cate Blanchett, Alec Baldwin, Sally Hawkins, Louis C.K. Over the years, eleven of Woody Allen «s films have shown at Cannes (five opening the festival, including most recently «Midnight In Paris «-RRB-, with some of his biggest latter - day successes unspooling.

It was the very first film of Venice, and the festival seemed to open on such a high that the worry was that everything else over the next ten days would end up paling in comparison.

Obviously, that would have been a very different film, not the $ 120 million Sony production that is opening days before Christmas in over 3,000 theaters.