DVD Review: As Pixar sets go, this is pretty bare - bones, a single - disc set with the obligatory short
film opening act («One Man Band»), an unfunny longer film starring tow truck Mater («Mater and the Ghostlight»), and a smattering of «deleted scenes,» which are in fact a series of rough sketches that actually take the plot in completely different directions.
Not exact matches
It was a virtuous
act, but it was also designed to bolster the
film's
opening weekend.
The second
act of the
film opens with Jobs preparing to introduce the NeXT computer, in 1988.
Amy Hedtke filed suit, arguing that the no -
filming rule instituted by Rep. Byron Cook, R - Corsicana, violated the Texas
Open Meetings
Act and the Texas...
I'm cool, easy going yet intense, outgoing, smart / intelligent, love to laugh and joke around,
open minded, kind, fun, have long hair, into
films - writing / producing /
acting; love Hard Rock / Punk / Metal music - no rap or hip hop; I...
The
opening scene, in which the two friends share a Christmas Eve donut because they're too broke to afford one for each of them, unsentimentally suggests the high - wire
act that making a living on the streets can be without the
film ever slowing down its electronica - soundtracked strut.
The
film opens with Lerman
acting circles around him.
The series
opened her up to a wider audience, and de Rossi would continue to
act in
films like The Invisibles and Cursed.After the 2002 demise of Ally McBeal, de Rossi wasted little time in attaching herself to another edgy and successful project.
The
opening act of the
film, in which we meet Davis and his band of beta sidekicks, who gush about the «kale bread» they made last night while he pacifies the beasts, is so transparently dictated by Johnson that I was tempted to feel embarrassed for him.
There's simply no getting around the feeling that the
film is spinning its wheels in the build - up to its underwhelming third
act, which is a shame, certainly, given the relatively promising nature of the
opening half hour.
,» the
film opens as a traditional animated cartoon but pulls back to reveal «toons» living and
acting alongside humans in 1947 Hollywood.
He has created a
film whose superb technical finish and closure seems to me in contrast to its status as an «
open» text, a work which resists clear interpretation... This is a profoundly disquieting movie, superbly
acted and directed.
And as a person who's normally enthralled solely by history and science fiction, this Crash reminiscent
film is due credit, because it's not only an eye -
opening depiction of modern «ailments,» but an admirably
acted film that puts other think - pieces to shame.
One of her first
acts was the removal of a long - held tradition of
opening the festival with an Australian
film.
Joshua Oppenheimer's The Look of Silence, a companion piece to Oppenheimer's own The
Act of Killing,
opened Doc / Fest and set a bar that the following 150
films couldn't touch.
So while the
film's
opening act probably got people like this guy extremely excited, the movie falls apart the deeper the characters descend into the titular pyramid.
I Origins is a movie with many sides: an existential romance, a story packed with with facts and figures but at the same time
open to coincidence and, simply, a well -
acted film.
Some peaks and troughs would have been nice, particularly since the big set piece in the
opening act is the only time the
film truly stuns.
Alexander Payne's Downsizing
opened the Venice
Film Festival and while the
film itself is a polarizing, uneven story, it boasts a powerful, touching and funny performance by Hong Chau who plays an immigrant and activist who protests the Vietnamese government's
acts against her small village and ends up shrunken and placed in a TV set at a Target store in...
The
film starts off with some awkward, painfully lame flashback scenes of Kyle's childhood and transitions into an
opening act that is loaded with full - on patriotism that sees him go to war to get back at the people who brought suffering to our doorstep in the events of 9/11 (he was already enlisted, but if we believe the
film that decision was also motivated by seeing news footage of American lives being taken), but one of the most interesting surprises is how balanced it eventually becomes and how we see the way that Kyle's actions negatively impact others and how even he begins to question his commitment to the cause, despite the fact that he would never vocalize it.
The
opening act in Toronto feels like a standard indie comedy about (yet another) white male's arrested development, the piano - based score and aversion to dialogue feels indebted to silent
films, and once the
film transitions to the wilderness it goes into European arthouse territory (the title card doesn't appear until James ends up in BC, a choice that implies this is where the
film really begins).
I am honored to
open the show as a presenter as MTV makes strides once more by doing away with binary
acting categories, celebrating television and
film in a truly inclusive way,» said Dillon.
Peyton applies the enjoy that he received from making the ones motion pictures to sure impact right here, leading to one in every of his extra polished efforts; beginning with the
film's Gravity-esque
opening aboard an area station orbiting the earth and proceeding directly to the town wrecking mayhem that dominates the 3rd
act.
During the
film's slow
opening act, Norma and Arthur debate their dilemma.
That she's played as thoughtfully and
open - heartedly as she is by an Oscar - winning Alicia Vikander makes the
film more moving than it might have been otherwise, but it remains a thoroughly cautious study of a very brave
act.
OPENING THIS WEEK Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun by Kam Williams For movies opening February 24, 2012 BIG BUDGET FILMS Act of Valor (R for torture, profanity and graphic violence) Action adventure about an elite team of Navy SEALS who embark on a top secret mission to rescue a kidnapped CIA Agent only to uncover an imminent terrorist plot against A
OPENING THIS WEEK Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun by Kam Williams For movies
opening February 24, 2012 BIG BUDGET FILMS Act of Valor (R for torture, profanity and graphic violence) Action adventure about an elite team of Navy SEALS who embark on a top secret mission to rescue a kidnapped CIA Agent only to uncover an imminent terrorist plot against A
opening February 24, 2012 BIG BUDGET
FILMS Act of Valor (R for torture, profanity and graphic violence) Action adventure about an elite team of Navy SEALS who embark on a top secret mission to rescue a kidnapped CIA Agent only to uncover an imminent terrorist plot against America.
There are also joys to be found in the
film's brisk
opening first
act, when the plot is set in motion.
In fact, the
film's
opening act is razor - sharp as...
The
opening credits of the
film are displayed while a camera shoots extreme close - up sweeps around a dead body which is currently being consumed by maggots and other bugs, and this should give you an indication of how unflinching the rest of the
film is in the showcasing of disturbing
acts of violence.
The only moments of note are in the early portions of the
film when they're trying to set things up in the
opening act.
The pair met at
acting classes in San Francisco in 1998, which gives the
film a great
opening: Sestero is stricken and sweating on stage, hopelessly self - conscious, and then sits back in awe of this bizarre ogre of a person, who writhes around screaming «Stellaaa!»
Interestingly enough, the more broad comedy that
opens the
film is not as effective as the more personal comedy that takes off in the second
act.
«the
film spends most of the
opening act establishing Grant's credibility as a former detective with a clean record.»
The
opening of the
film acts as a Russian postcard encouraging Americans to visit.
Rebel Wilson has
opened about her experiences with sexual harassment in Hollywood, claiming that a male star once asked her to perform a sex
act on him while his friends
filmed them.
Initially, the
film plays like a welcome return to form with a ridiculous for the sake of ridiculous
opening act.
Director / Screenwriter (and part - time comic book writer) Joss Whedon's love for comics is apparent right from the start with an
opening act that would be the climax in many action
films and carries through to one of the more spectacular final battle scenes you're likely to see for years to come.
Out of Time is handsome and consistently enjoyable even when its
opening act drags on several beats too long, even when Cain shows himself to be an extremely limited actor given too large a role in a
film that just isn't about him (see also: Ron Eldard in The House of Sand and Fog).
Reason: With his
film Smashed
opening last fall with a commendable performance from Winstead, it is certainly curious to see where the
acting / directing duo will go next, especially with the presence of Woodley, who hasn't been seen on the silver screen since her award winning turn in The Descendants.
For the
film's
opening act, some seamless post-Benjamin Button effects attach Evans's head on to another actor's scrawny body, and we learn that he's a brave young patriot who's deemed too feeble to go to war.
The 28 - year - old critics» darling and fan favorite
opens up about overcoming «debilitating» childhood anxiety through
acting, moving to Hollywood at 15 (and changing her name and dyeing her hair), finding magical chemistry with Ryan Gosling in three
films and, under the oversight of Damien Chazelle, breathing new life into the American movie musical.
Marina (Daniela Vega, a Chilean lyrical singer and transwoman making her
acting debut) is a lounge singer and waitress in Chile, spending a wonderful evening with her lover, an older man named Orlando (Francisco Reyes) in the
film's
opening scenes.
Angier (Hugh Jackman) and Borden (Christian Bale) are aspiring magicians as the
film opens — apprentices, along with Angier's wife Julia (Piper Perabo), in some hack's tired stage
act.
After collecting some celebrity testimonials on The Room from the likes of Kristen Bell, J.J. Abrams, Lizzy Caplan, and Adam Scott, the
film opens in 1998 at a San Francisco
acting class where Sestero (Dave Franco, the director's younger brother) meets Wiseau (James Franco), a bizarrely - fashioned, curiously - accented loner who disarms the class by writhing around on stage and shouting «Stella» in a performance inspired by Tennessee Williams» A Streetcar Named Desire.
Recent
films include: Safe Haven,
Act of Valor and Immortals, the latter both
opening number one at the box office in their debut.
Once Carrey makes the «yes» commitment, the
film turns into a gag machine as he improves his life by
opening up to Korean lessons, time spent with his friends, random
acts of kindness, and oral sex with a toothless octogenarian.
Character actor, Luis Guzmà ¡ n is also cast, as Bitterman, Bach's driver and confidant, whose main purpose is in the
film's
opening act — a hodgepodge of Batman references — which concludes with Arthur standing above the iconic Wall Street bull statue's crotch.
Goslings
opening 1st
act is the strongest
act of the
film by far, and it did lack momentum thereafter.
OPENING THIS WEEK Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun by Kam Williams For movies opening September 25, 2009 BIG BUDGET FILMS Fame (PG for mature themes, teen drinking, sexuality and mild epithets) Remake of the 1980 classic revolving around the aspirations of students at NYC's School for the Performing Arts as they prepare for professional careers in dance, music and
OPENING THIS WEEK Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun by Kam Williams For movies
opening September 25, 2009 BIG BUDGET FILMS Fame (PG for mature themes, teen drinking, sexuality and mild epithets) Remake of the 1980 classic revolving around the aspirations of students at NYC's School for the Performing Arts as they prepare for professional careers in dance, music and
opening September 25, 2009 BIG BUDGET
FILMS Fame (PG for mature themes, teen drinking, sexuality and mild epithets) Remake of the 1980 classic revolving around the aspirations of students at NYC's School for the Performing Arts as they prepare for professional careers in dance, music and
acting.
The
opening sequence featuring outlaws Purvis (David Arquette) and Buddy (horror vet Sid Haig doing his best Slim Pickins imitation) sets the stage for the brutal violence to come in the third
act, as well as the
film's crackling dialogue that's clearly influenced by The Coen Brothers, Quentin Tarantino, and Elmore Leonard.