Sentences with phrase «film over a frame»

Not exact matches

That's one question the film subtly explores — Oyelowo is marvelous, no doubt, and Young places him dead center in the frame over and over, thereby conveying the weight of the movement depending on him.

Sadly both for him and for us Princess Leiagram fans, his work is far from over: The film currently requires lasers powerful enough to take down your neighbor's TV, and it can show only two frames a second, far from the 30 frames per second needed for video.

Gamble fuck what Thomas Edison might have said, holy shit man, the average filmgoer to the average film blogger, show me this barrage of complaints about frame rates, show me in the span of Row Three, and all the shit that has been parsed over in 100 + threads about everything film related or otherwise, where this great wealth of historical proof exists where people, the masses, film fans, have been complaining about film rates.

As most of the films in the set were sourced from older flat video masters, quite a rhubarb was raised over WHV's justifying the lackluster transfers with the contention that full - frame transfers were Stanley Kubrick's preference.

Victoria Day (a very Canadian holiday) is expertly put together, the editing and framing so sturdy and right that the twin currents of the film flow over the viewer unimpeded.

While the film isn't in 3 - D, the trailer actually lives beyond the borders of the video frame, electrocuting and exploding all over your PC screen.

Ronan, who seems to grow into her lanky frame over the course of the film, nails the sense that Lady Bird's life is a tendentious war between her ego and increasing sense of the world around her, while Metcalf masters Marion's inability to erase her frustration at her inability to be selfish or impulsive.

«There's Always Vanilla Film Locations» (11 mins., 1080p) has «Romero historian» Lawrence DeVincentz talking over a slideshow of contemporary photographs of locations used for scenes in the film (some of them featuring him or his buddy Spooky Daz Sargeant in the frame matching the pose of the original actors) with authentic production stills occasionally appearing in an inset.

Without seeing a frame of film, you know Ben is going to be a likeable loser, unlucky in love, embarrassing himself to win a lady over, and subjected to the grossest mishaps at every step.

Driven by their bold, assured performances, the film washes over you like the Miami waves depicted in it; you could freeze practically any frame of «Moonlight» and catch a moment of gripping honesty.

A couple enacts a break - up scenario over and over, a documentary crew films a crew filming the crew, locals wander casually into the frame: the project defies easy description.

Propinquity in the film becomes a matter of not only occupying the same visual space within a frame, a hurdle we've gone over by now, but also of emotional and behavioral correspondences that caress one another as locations change and scenes elide into other scenes.

The Blu - ray's top menu and DVD's main menu play choral music over screen - filling scenes from the film before settling on a silent freeze frame.

Billed as «the world's first oil painted feature film», which is slightly harder to quantify than the film's PR people might hope, Loving Vincent consists 65,000 frames painted by a team of 125 classically - trained painters on glass, with about two - thirds of those have been copied over live - action reference footage.

Ever since the release of the first trailer of Avengers: Infinity War, diehard fans had been poring meticulously over every single frame and still from the movie, released via both official and unofficial channels, trying to figure out the main story beats of the superhero ensemble film.

Live action footage will be filmed and then projected, frame by frame, onto canvas and painted over in oils in the style of Van Gogh.

And until then, the film is so remarkable at synching its picturesque style to Moonee's seemingly limitless freedom that the one time they do fall out of sync feels jarring, almost offensive: In long shot, Moonee and her friends charge past a series of stores and toward the promise of ice cream, and even after the children have exited the frame, the camera lingers on the sight of an obese person on a scooter riding in the other direction, the sound of the scooter going over a speed bump nothing more than a punchline, an easy potshot, at the expense of a person who isn't even a bystander to Moonee's life.

In its 6th frame, the film grossed just over $ 797K in 497 theaters, averaging $ 1,603 giving it a cume of nearly $ 11M.

The final shot alone is enough evidence to the film's strengths in the powerful juxtaposition that it creates through the way the camera slowly moves over the characters to strategically group them through framing.

LOVING VINCENT was first shot as a live action film with actors, and then hand - painted over frame - by - frame in oils.

There other flubs in The Next Best Thing (such as a line where Robert mentions it's the 21st Century in a scene that, in the film's time frame, should be set around 1993; or the fact that Robert's sole love interest, a cardiologist, has no name and is rather comically listed in the closing credits as «Cardiologist»), but to go over them would be as pointless an exercise as the entire film is.

The film keeps its audience interested by letting unanswered questions boil over and be addressed naturally within the frame of its characters» lives.

Alan's bad habits and negative traits are framed by his circumstances and worked out over the course of the film, but Daphne gets no such treatment.

What actually transpires is a return to the silly framing device, which finds no further insight over the course of the film.

The glory of this film's effects is that everything is always more complicated, a bit harder to fathom; VFX fans and mathematicians alike will mull over the film frame by frame to figure out exactly what's going on spatially and geometrically.

Special Jury Prizes To Be Heard, directed by Roland Legiardi - Laura, Amy Sultan, Deborah Shaffer and Edwin Martinez (USA, 2010) Jury Statement: «By filmically living with and sharing the dramas of a remarkably affecting group of young people over a period of years, To Be Heard wins the hearts of viewers with a roller coaster emotional ride... it's immediacy and poignancy make it a film that truly lives beyond the frame.»

«Vertical Elevated Oblique» included C - stands used as workhorses for lighting, fabric, showcards and other apparatus in the film industry (Syms grew up in Los Angeles around this business and remains based in the city) strung with found photographs in which several hands were pictured forming the kind of gestures seen in her video, while items of the artist's clothing printed with phrases were also slung over these tubular frames, suggesting an absent body.

Other contents include an essay by Karl Ove Knausgaard (presented as a removable book); 100 frames from Lotte Reininger's 1926 animation The Adventures of Prince Achmed introduced by John Canemaker; two film treatments by screenwriter Hampton Fancher (Blade Runner), based on Esopus subscribers» submissions; anonymous photographs from the collection of Peter Cohen; materials from MoMA's archives on events and installations in the Museum's garden over the past 60 years; a piece on the creative process behind the survivalist game The Long Dark; a new installment of a regular series, «Guarded Opinions,» for which guards from the Barnes Foundation discuss works they oversee; a comic book by George Cochrane; and a CD of new music inspired by «close calls» experienced by 15 musicians, including Jo Lawry, YC the Cynic and Lemolo.

Truth: 24 frames per second brings together 24 pioneers of film and video and over six decades of work focused on pressing contemporary themes, such as race relations, political unrest, sexual identity and the media, to explore the nature of truth and reality in contemporary life.

Painted traces of film perforation create an affinity to the «frame» in cinematography, in particular Jean - Luc Godard's Film - tract no 1968, in which he recorded red paint running over a French flag and pages of the newspaper Le Monde.

She created and directed Framing the City: Film, Video, Urban Architecture at The Whitney Museum of American Art in 1993 and has produced over fifty short films at the Cooper Union, Columbia University, and University of Buenos Aires.

For this work, the artist slowed down the classic Hitchcock film Psycho to play over a 24 - hour period, so that its frames flicker and shudder across the screen.

There are too many great works in Galerie Chantal Crousel's booth to go over all of them, but the combination of two Jean - Luc Moulène sculptures — polished concrete heads on folded blue moving blankets — with two two - frame films by recent Marcel Duchamp Prize winner Melik Ohanian is definitely a highlight.

A typical two hour movie, if traditionally shot on 35 mm film and played back at 24 frames per second, requires a little over two miles worth of film for theater playback.