Sentences with phrase «film panels through»

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Through live panels, film, art, dialogue, and tasting food and beverage, the monthly Conversations at Copia series aims...

Funded by the Department for Communities through Northern Ireland Screen and by Derry City and Strabane District Council, Foyle Film Festival delivers a comprehensive programme of documentaries, short films and feature films from all over the world; a full programme of educational events for schools, youth, and adults and a variety of industry networking events and panel discussions.

Marvel has always given back to their fans — whether through fundraisers, contests, panels, or even a video thanking them for their support, which will surely continue during the rest of Phase 3 and the films scheduled beyond that, such as the Spider - Man: Homecoming sequel and Guardians of the Galaxy 3.

The day - and - a-half program, which took us from HBO headquarters in Bryant Park to Bloomberg Philanthropies on the upper east side, exposed creative investors to the world of independent storytelling through film presentations, case studies, panels, deep - dive roundtables, and artist spotlights.

Look at the care Wiseman lavishes on a sequence in which Lori slides across a floating elevator and in through an access panel: there's more timing and invention in those few seconds of film than in the entirety of Total Recall's bombastic, senseless finale.

Registrants have the opportunity to attend an array of panels including: meet and greets with Conference speakers, roundtables, the 12th annual Pitch Competition, and panels that cater to the art, craft, and business of storytelling through film and television.

For film industry audiences, we provide professional development through Q&A s, panels and workshops.»

Click through for our picks for 5 panels to check out at the festival and our interview with producers Jedd and Todd Wider of the film Mentor.

This panel will explore the future of storytelling and illustrate how authors can be more involved in creation, development and publication as their stories take on new lives through innovative distribution platforms and with adaptations into film and audio.

This will be followed at 4:00 p.m. by a panel discussion with artists Mike Hoolboom, Willie Doherty and Uwe Wittwer about their approaches to documentary through film, painting, and installation.

19 November 2008 5:00 — 7:00 pm Ibrahim Theater, International House, 3701 Chestnut Street, Philadelphia Changing the Canon: Self - Taught Artists Film Screening and Panel Discussion James Castle: Portrait of an Artist A film by Jeffrey Wolf Introduction by Molly Dougherty, Executive Director, Foundation for Self - Taught Artists Brendan Greaves, Folklorist, University of North Carolina John Ollman, Director, Fleisher - Ollman Gallery Ann Percy, Curator of Drawings, Philadelphia Museum of Art Jeffrey Wolf, Film Producer and Director Wendy Steiner (moderator), Founding Director, Penn Humanities Forum Born deaf, James Castle (1900 — 1977), a self - taught American artist who refused to read, write, or otherwise communicate except through art, used soot, saliva, and found materials such as ads and food wrappers for his creations.

After the screenings, a panel conversation moderated by TMR Executive & Artistic Director Cesar Garcia will bring together curators Erin Cristovale and Alma Ruiz and Ana Mendieta's niece Raquel Cecilia to explore the artist's defiant acts of self - archiving, her portrayal of the landscape and the female body in new media, and the processes through which she produced her lesser seen experimental films that have recently been digitized for preservation.

Founded in Beirut in 1993, Ashkal Alwan is committed to the production, research, and circulation of contemporary artistic and intellectual practices, through initiatives such as Home Works: A Forum on Cultural Practices (2002), a multidisciplinary platform bringing together artists, writers, thinkers, filmmakers, and choreographers, for a public program of exhibitions, panel discussions, film screenings, and performances, as well as the Home Workspace Program (2011), an annual tuition - free art - study program.

As an important part of this outreach, the campus, which spans nearly two blocks of downtown Leimert Park, is building a community of artists and activists through exhibitions, artist talks, panels, performances, and film screenings.

Song for Coal is based around the flamboyant tracery of the apocalyptic rose window of Sainte Chapelle, Paris: 152 separate panels form a rose window of film, each containing its own individual piece, creating kaleidoscopic imagery that is rich, meditative and slowly evolves through viewing coal as a mineral, economic driver and a source of iconography.

Its durable, thin - film solar panels covert sun into renewable energy through proprietary technology.

The Artwall is made of glass embedded with holographic film, which allows visitors to simultaneously see through the glass and view images floating across the glass panel.