Sentences with phrase «film people feel»

It's the kind of film people feel strongly about, and I've heard a curious note in the voices of people discussing it: They sound serious and moved, and as if it made them take a longer look at themselves.

Not exact matches

This diverse collection of content has accrued a community of like - minded people who also feel passionately about film and now have access to an abundance of filmmaking tools.

People selling toothpaste cued customers by prompting them to run their tongues across their teeth to feel a film.

«This job is working with interesting people and interesting actors — I didn't feel like I needed to be in another period drama, but this was just a really interesting director who had done a really interesting film,» says actor @douglasbooth of the @tribeca Film Festival film «Mary Shelley.»

(CNN) «Three Billboards Outside Ebbing, Missouri» has become one of Oscar season's most divisive films, producing fierce blowback based on what feels like a not - entirely - fair interpretation about what it says, or doesn't, about people's ability to achieve redemption.

What people don't realize is that the women in these films have a family... and I wonder if I was a father of one of these women how I would feel knowing my daughter is doing this... I'm sure I would feel just like any other father would... very an - «gry... and up - «set that this ind - «ustry still exist's.

With the advent of the professional youthworker, there also came the danger that the church as a whole and parents of teens in particular would feel that they couldn't do the discipling job, that we needed people who watched the same films, wore the same clothes, could bear to listen to the same music, and could actually get as far as Level 2 on a computer game.

not really making the news, the atmosphere on last wednesday was really strange, silent, step by step to normal football, but you can't throw away your thoughts immediately, I just got a glimpse of Enkes personality during a film of him shown before the match, I can't realize how hard it must be for his wife to lose him, tomorrow the players of Germans first Bundesliga will wear a black ribbon again, but I think it won't affect the atmosphere like it has with the national team despite of Hannover of course, people will be enthousiastic again, but there is the idea of an «Enke donation» which I like, will keep his name alive, will take some positive emotions on this tragedy and a kind of appeal for everyone to reflect the important things of life and control your own behaviour, I hope so at least, and I hope his wife will cope with that situation, and again: it was really hard for the German nationl team to play under these circumstances, to lose someone close in this way is hard to deal with, on the other hand it causes a close solidarity feeling I think, but of course the world will not change, things are returning to the old soon, but nonetheless for me this tragedy is a kind of human wake - up call, at least a call and then you continue

«Once I received the script and became engaged related to the subject matter that is a worldwide problem related to people of color, I felt compelled and appreciative to be a part of bringing to life a film about the epidemic of skin bleaching in both impoverished and wealthy nations,» said Vicker.

I felt it was essential to give this film over to the people who are affected by the issues it explores, and we are currently arranging free screenings for people on estates and in local communities.

What was fascinating was how real they felt — these were people filmed in places where they live or work or hang out, often speaking to the camera as they would speak to a friend.

The film was created by the non-profit Jubilee Project in efforts to help people feel confident in their own skin.

Most people don't get a chance to see the films in this category, so I always feel like I have an upper hand when guessing the winner.

I think I am intelligent, sense of humour, very loving and caring person, love my chlidren, I wrote some books in hospitality field, sensitive to the others needs and feeling, flexible, photographer and video filming ama..

The Long and the Short and the Tall (released as Jungle Fighters in the USA and Canada) is a 1961 British war film directed by Leslie Norman, which stars «Short man syndrome» is a condition in which a person has to deal with a feeling of inadequacy which can come from a lack of height — or a perceived lack

The film is nothing but loud noises, people screaming at each other at the top of their lungs, brutally revolting in its graphic depictions of dismemberment and gruesome murders, and will leave you needing a shower to wash away the icky and nauseous feeling at attempting to view what some idiot (Peter Berg, The Rundown) had the audacity to think would be grand entertainment.

I kind of feel like people are more familiar with this film's music, especially the stirring theme song than the actual movie itself.

I feel as though this film is a genius picture on many levels, due to its manipulative styles and ways of getting people into the theatre.

Many people complain about sitting in a theatre for a long period of time, and while this film is not long in the slightest, it can feel it.

Naming names and letting people talk, this should be seen, and Kirby Dick (no kidding, that's the director) is a terrific filmmaker (THIS FILM IS NOT YET RATED, if you haven't seen it, please do - right now) and he obviously feels passionately about this.

But she also felt she had found a calling greater even than her earliest wish, to be the first black American woman to play classical piano at Carnegie Hall: «I could sing to help my people,» she says in the film, «and that became the mainstay of my life.»

The film works as supernatural horror at the same time as you feel the chaos and fear in everyday life during the Iran - Iraq War as experienced by people like the rest of us and not by presidents and kings.

There's something to be admired about a film that can gracefully defy simple genre categorization but Submergence feels like a clumsy melange, a confused adaptation made by people who don't seem quite sure what they have on their hands.

You feel a certain connection with Diana throughout the film, and see her for the «normal person» she was deep down.

I felt the need to state that after my viewing of The Killing of a Sacred Deer, because this is a film that will truly make people not see another movie for weeks or just simply turn it off after the very first frame (I'm not exaggerating).

The culmination of the film is a powerful and mysterious climax that people will debate in theater lobbies, online and in classrooms for years to come, but may lead some to feeling unsatisfied.

I wonder how people will feel about the final moment of the film.

Chronicling that magic of how perfect strangers can connect so intimately over a short period of time and analyzing that indescribable feeling that creates a strong, trusting bond between two people - a bond that will inevitably turn to love - Linklater's films provide a nice template for how to both simply and intricately weave together the innocence of falling for someone and the complex emotions that will inevitably come with circumstance.

Perhaps it's because I felt so emotionally connected to the horses, and the people in the film.

Nobody has ever seen anything like «Black Panther» — not just an entire civilization built from the metal stuff inside Captain America's shield, and not even just a massive superhero movie populated almost entirely by black people, but also a Marvel film that actually feels like it takes place in the real world.

Dr. King Schultz is a charismatic manipulator, a person who has a gift with words but starts to feel the weight of his conscience as the film goes on.

The film never makes it terribly clear if Rupert believes these ideas or if he touts them to get a charge out of people, though it feels like he sees real merit in them.

I felt that the original film adaptation, The Haunting, by Robert Wise had been so enjoyable and affecting that to create another film treatment would ruin people's views of the story and not make the effort to see the original.

On a purely narrative level, however, the introduction of some of the villains feels somewhat awkward, as the film has to abandon its point - of - view close to Ruth to show what kind of people they are before they are set onto a collision course with Ruth and Tony, which doesn't quite feel organic.

I think the main reason that many people were really skeptical about the film was probably due to how a superhero film probably wouldn't do as well as it could or wouldn't be as serious as it could be since it takes place in the 40s during WWII and sine Captain america, was more of a piece for its time when it was made, so people felt that the Nazi shtick would probably get old after a while, especially since it had been done in so many films and video games prior.

This gives the film a casual, easygoing feel but is also frustrating: Many of these people disappear before we get a chance to know or care about them.

I know people will like this film and I can only speak for myself, but unfortunately for me, this film doesn't feel genuine.

But I personally believe that's what the best films should do — make you think deeply, feel deeply, and leave the theater a changed person in some way.

It feels like people wrote it off as a «okay» film that did certain things well but not enough to be one of the best of the year.

First, it isn't a particularly funny film, and the romance feels forced to the point where the couple seems comprised two unstable people.

With his films it feels as if he's luring us as the audience over into his world of demented people and visceral storytelling and when we like it and are shocked by that fact, he knows he's won.

His latest hot tip is that director Rob Reiner is looking for someone to be in his film, and Dickie becomes obsessed with scoring the role, and while Reiner feels he would be perfect for the part, he also thinks he doesn't have the experiences of a normal person to truly deliver a genuinely truthful performance, never really having a typical life.

This whole film for me, I felt like a fan meeting all these people and the characters that I'd watched on screen and admired and to be on screen with them as Thor but as Chris also was pretty exciting.»

A few unexpected minor pleasures: the time - travel flick Predestination, an adaptation of a Robert A. Heinlein short story that's one of those rare sci - fi movies that feels like it was made by people who read sci - fi; the horror Western Bone Tomahawk, which feels, in the best way, like someone filmed a first draft script and didn't cut anything, all its little quirks of character kept intact, narrative expediency be damned; and In The Heart Of The Sea, the cornball sea adventure of which I enjoyed every minute.

Because Fault in Our Stars deals with heavier issues, it should leave a stronger impression on people than Boone's first outing as director; if handled well, the film could be a moving tear - jerker - if not, this one could easily feel cloying and / or manipulative.

The feeling of change is electric and its mood is brilliantly reflected by the film's lack of cynicism and condescension towards the aspirations of young people.

The Way Way Back may occasionally waver in terms of credibility and originality, but that doesn't stop it from being a modest crowd - pleasing film for those viewers just looking for some quality laughs and bittersweet, heart - felt moments of people who find their own path, however awkwardly, that resonate.

Many people may feel that The Damned United is just for football fans, but even though it may appeal more to football fans, it's an entertaining film and a joy to watch.

One is for the people who love rainy film noir, the other is for fans of hardcore platformers, the third one feels like a summer blockbuster.

Virgil's journeys have a picaresque quality, which can make the film feel overly precious — look, here's the drunkard figuring himself out, stumbling from one microcosm of the struggles of his people to another.