These two books record surprising moments that enhance our view of life, and reinstate
film photography as anything but a dying art form.
Not exact matches
Our screen - driven existence actually makes our love of real things, i.e. vinyl records, paper, and
film photography even more important, refined and focused
as a human society.
With Mark Zuckerberg predicting Facebook content will be driven by video in five years, storytelling through
film and
photography is set to be expected by visitors to your site
as a complement to the written word, especially
as we're using mobile devices so much to access information and entertainment.
Brian is an Advisor at Oberon with expertise in the content and intellectual property sectors, such
as music,
film, television,
photography, theatrical, licensing, and consumer products.
But the difficulties which
photography caused traditional aesthetics were mere child's play
as compared to those raised by the
film.»
You know
as well
as I do that the phrase «reasonable suspicion» is a carte blanche term of legalese which allows the police to prevent
photography - like the
film clip we're discussing - to be shown in public or even made in the first place..
The group used media, such
as television adverts, Disney
films, press articles, image bank
photography to social media, to stimulate debate about the particular issue being explored.
Moctezuma routinely shows his students science documentaries such
as Al Gore's An Inconvenient Truth and the time - lapsed
photography movies produced by plant biologist Roger Hangarter, «so they can watch a
film and discuss or write how the
film relates to the different concepts they would learn in class,» Moctezuma says.
Rather, aura
photography (also known
as Kirlian
photography after the Russian inventor of the process) is a non-camera technique in which a «high - voltage, high - frequency electrical discharge is applied across a grounded object,» and the «air glow» or «aura» yielded is recorded onto the
film.
Tony followed some professional
photography courses (that he paid for) online, but by and large is a self taught photographer (just
as I am), who has been extremely passionate about taking pictures for more than twenty years now (he started out snapping back in the days of
film cameras).
Shannon Moffit's first attempt with a professional camera was during her final semester
as an undergraduate when she took a
film photography class.
Ok, hobbies... I like
photography, travel, all things Greek, reading, sci - fi / action
films as well
as chick flicks.
Upon graduating i worked
as a
film lab tech, went to bar tending school, managed a convenience store for 6 years, etc i love
photography and the out doors i also enjoy studying plants and animals, i...
This moody, elegiac
film has universally been acclaimed
as a cinematographic masterpiece, from the talents of Cuban - born European Nestor Almendros (and «additional
photography» by Haskell Wexler), with naturally - lit, sweeping, 70 mm images of crystal clarity and scope, and artfully composed scenes reminiscent of Andrew Wyeth paintings.
The look of the
film (what I can only describe
as a medium format
photography look) is very unique and satisfying.
Fukunaga not only directed the
film but also co-wrote the screenplay and served
as director of
photography.
The
film's quiet, mesmerizing tone makes for total immersion, daring us not only to rethink
photography but blindness
as well.
You don't go to this
film for the story, but for the scenery: Bikini - clad girls riding waves, surf
photography as beautiful
as it is breathtaking, sun, surf, sand, even a little PG - 13 romance.
The
film looks good for the age, not amazing, but the
photography was never meant to be crystal clear, so the soft focus stuff looks good, but doesn't crackle with the same authority
as some
films of the period.
Warner's confidence in this ambitious
film is not unfounded,
as Ron Howard has constructed a
film that is not only hugely enjoyable, but big on technical achievement, and while the
film may not be banging on voters doors over the coming weeks in the main categories, expect to see nods for the glorious effects, sound and the
photography.
Much
as Michael Mann's Public Enemies created a disconnect by looking like home video at certain points, the period simply requires
film, or at least it does for right now with digital
photography still figuring out how to look good with the entire color spectrum.
From the crystalline shores of a deserted island to the green grass and dusty roads of 1940s suburban America, Ballard and director of
photography Caleb Deschanel create a
film of consistent visual invention and purity, one that also features a winning supporting performance by Mickey Rooney
as a retired jockey and a gorgeous score by Carmine Coppola.
After the war, he continued to work
as a director of
photography and was noted for his exquisite work on the
films of John Ford.
David Douglas and Drew Fellman, the filmmakers behind Born to be Wild and Island of Lemurs: Madagascar, directed the
film, which Fellman wrote and produced, with Douglas
as director of
photography.
As directed by Steven Bernstein, a veteran director of
photography who makes his feature
film debut here, «Decoding Annie Parker» frequently dangles on the precipice of falling into Lifetime Original Movie territory.
(Liman and cinematographer Roman Vasyanov, shooting on Super 16 mm
film, took care of principal
photography in 14 days, using the western edge of California's Mojave Desert
as a stand - in location.)
Without any of the wit and panache that Vaughn and Jane Goldman brought to their adaptation, the
film is left to its own devices, where it falls short
as far
as the slash / slash / slash editing of Mike Lambert's action choreography and Tim Maurice - Jones» often unflattering
photography.
Though the
film has had production problems
as its original directors, Phil Lord and Christopher Miller, exited during principal
photography due to «creative differences» with Lucasfilm.
As Jess said when she dropped her verdict in Cannes, «It's an offbeat, fun and frequently very funny
film, lifted out of disposability by some wonderfully rich production design, music and
photography, and by the cherishable performances of the leads.»
The
film equivalent of a stroll through the Louvre, the documentary Visions of Light: The Art of Cinematography collects interviews with many of modern - day Hollywood's finest directors of
photography and is illustrated by examples of their best work
as well
as scenes from the pictures which most influenced them.
As well as the murkier corners of classic film noir, Boorman drew inspiration from art photography and the French New Wave, including Jean - Luc Godard's Breathless, which was itself «speaking back» to American crime movie
As well
as the murkier corners of classic film noir, Boorman drew inspiration from art photography and the French New Wave, including Jean - Luc Godard's Breathless, which was itself «speaking back» to American crime movie
as the murkier corners of classic
film noir, Boorman drew inspiration from art
photography and the French New Wave, including Jean - Luc Godard's Breathless, which was itself «speaking back» to American crime movies.
Scott Cooper is directing the
film on location in Boston Principal
photography is underway on the
as - yet - untitled drama based on...
He also announced that the
film is half way through principal
photography as we etch closer to the December 2017 release date in which we get the continuation of the story began in Star Wars: The Force Awakens.
Edward Lachman's
photography and Carter Burwell's score also highlight both the early 1950's period
as well
as the feeling of entrapment and excitement that dominates the
film.
The
film looks gorgeous
as principal
photography took place on location in Switzerland.
The creative constraints assigned to the directors — each required to shoot her
film as a continuous shot, and given one day apiece for principal
photography — sometimes serve Waru's amazing production narrative more than the tales at hand.
A lot of newly restored
films show a marked difference from previous versions but the very nature of the
film's
photography, which was systematically desaturated by cinematographer Zsigmond with a method called flashing to evoke an earlier time, means that the improvements are not
as obvious.
Variety has revealed a first look image from director Matt Aselton's heist thriller Lying and Stealing featuring Theo James (Divergent) and Emily Ratajkowski (Gone Girl); take a look here... According to the site, the
film — which has just commenced principal
photography — sees James
as «Ivan, a suave, young thief whose specialty is stealing -LSB-...]
Instantly recognizable
as a Terrence Malick
film, Knight of Cups has the same low - and - wide
photography, the philosophical voice - overs, the general human malaise peppered with joy, that has been his signature directorial style since his coming out of hiatus with 1999s The Thin Red Line.
Principal
photography for the
film commenced just recently, and with Zoolander 2 on deck this year
as well, I'm beginning to have high school flashbacks of spilling my popcorn at my multiplex from laughing so hard.
So one of the first things I did is I got the director of
photography, the production designer, the visual effects supervisor — we rented a big IMAX screen and projected these
films all in one day and watched
as many of them
as we could to immerse ourselves in the detail of it, the feeling of it.
It should be noted that additional
photography after principal
photography wraps is not at all unusual (especially for Blumhouse productions, according to Bloody - Disgusting),
as most
films go through this process and it should not be cause for worry.
The
film reunites Freeman with Drew Fellman, who also wrote and produced the 2011 IMAX 3D documentary «Born to Be Wild 3D,» and director David Douglas, who served
as director of
photography on that
film.
As an offering of «slow cinema,» Vandendriessche is no Nuri Bilge Ceylan, and though this
film's strength ironically resides in its digital
photography, Vandendriessche lacks the natural intuitiveness for his images to leave any lasting impact beyond their aesthetic assuredness.
As that very informative headline says, principal
photography has commenced on the third Todd Phillips helmed
film in THE HANGOVER series, which is very...
Although the inky black - and - white
photography recalls Gordon Willis's work in Manhattan, the
film is much more in line with the modest tragicomedies of the French New Wave, with Frances figured
as a better educated but just
as coarse American cousin to Truffaut's Antoine Doinel, apologizing at one point for not being much of a «real person» just yet.
William Sadler, who's played President Ellis in
film and on TV, is missing
as well,
as is the
film's director, Shane Black, but it's possible he was busy in principal
photography on The Predator at the time.
Receiving a B.A. in Cinema and
Photography at Southern Illinois University in Carbondale with a minor in journalism, he also served
as director of the Student Programming Council's
film schedule his senior year.
Shot on grainy 16 mm
film («Drinking Buddies» was shot digitally), the look of the
film (lensed by Ben Richardson of «Beast of the Southern Wild» fame) is definitely a step backwards, and it appears
as if the filmmakers only used available light, which doesn't make for the most flattering
photography.
There is an audio commentary with Director Elliott Lester and Producer Eric Watson
as well
as interviews with Director Elliott Lester and Director of
Photography Pieter Vermeer included further discussing the
film.