Shannon Moffit's first attempt with a professional camera was during her final semester as an undergraduate when she took
a film photography class.
Not exact matches
Battinelli started his photo journey in 1995 when his father, an amateur hobbyist photographer, bought him a Pentax P30T 35 mm black and white
film camera for Christmas so that he could take
photography classes in high school at Peru Central School.
Moctezuma routinely shows his students science documentaries such as Al Gore's An Inconvenient Truth and the time - lapsed
photography movies produced by plant biologist Roger Hangarter, «so they can watch a
film and discuss or write how the
film relates to the different concepts they would learn in
class,» Moctezuma says.
However, the surreal, epic - type
film counterposes its superlative
photography with a slim tale of working
class protagonists, told with sparse dialogue and the jarring, quirky, drawling, and dispassionate, colloquial voice - over narration of a streetwise, but unschooled 13 year old girl (Manz).
Everything about this
film oozes
class; the 60's setting is beautifully captured with it's attention to detail and strikingly rich
photography by Eduard Grau; the slow motion scenes with overbearing sound effects; the subtle changes of colour saturation providing an excellent technique in developing the mood and feeling of Firth's character and a fitting soundtrack to accompany the lush imagery.
«Born Into Brothels,» the story of children in the red - light district of Calcutta, is probably the favorite, because of the emotional subject matter, although the filmmakers were handicapped by the impossibility of
filming most of the people in the area, and ended up with a
film about bright kids taking
photography classes.
As usual, Asghar Farhadi also surrounds himself with a first -
class team: José Luis Alcaine on
photography (a regular collaborator of Pedro Almodóvar, Carlos Saura and Bigas Luna), the costume designer Sonia Grande (Midnight in Paris by Woody Allen, The Others by Alejandro Amenábar), and Iranian editor Hayedeh Safiyari, continuing a long and fruitful collaboration with the director after working together on four of his feature
films, including his two Oscar - winning
films.
Nosara Surf academy
films all of your surf
classes and holds a digital
photography session of surfing lessons every morning
Though I loved painting more than anything, I took
classes in
photography, art history,
film, video, sculpture, among others.
Working in painting, sculpture,
photography,
film, and performance, Shonibare's work examines race,
class and the construction of cultural identity.
Through the media of painting, sculpture,
photography and, more recently,
film and performance, Shonibare's work explores the previously mentioned issues, alongside those of race and
class.
Shonibare's work explores these issues, alongside those of race and
class, through the media of painting, sculpture,
photography and, more recently,
film and performance.
Yinka Shonibare MBE's work explores issues of colonialism and post-colonialism, alongside those of race,
class and cultural identity, through painting, sculpture,
photography,
film and performance.
Yinka Shonibare's works explore the issues of postcolonialism, national and racial identity, and
class through the media of painting, sculpture,
photography and
film.
Shonibare has described himself as a post-colonial hybrid, and his work in painting, sculpture,
photography,
film, and performance utilizes unexpected combinations of pattern and form to examine race,
class, migration, and identity in a globalized world.
Yinka Shonibare MBE explores issues of race and
class through painting, sculpture, print,
photography and
film.
Yinka Shonibare MBE has become well known for work that explores issues of race and
class through the media of painting, sculpture,
photography and, most recently,
film.
Working in painting, sculpture,
photography,
film and installation, Shonibare's work examines race,
class and the construction of cultural identity through a sharp political commentary of the tangled interrelationship between Africa and Europe and their respective economic and political histories.
Yinka Shonibare's work explores issues of race and
class through the media of painting, sculpture,
photography and
film.
Shonibare's work explores issues of colonialism alongside those of race and
class, through the media of painting, sculpture,
photography,
film and performance.
We also have picks for students who can spend more, are enrolled in
photography and
film programs, or play games outside of
class.