Sentences with phrase «film photography during»

Not exact matches

Shannon Moffit's first attempt with a professional camera was during her final semester as an undergraduate when she took a film photography class.

The film feels like it's been assembled by committee, and news stories about the film's troubled production bear this out: after an initial round of photography during which the ending was being crafted almost on the fly, the film's release was delayed so that a new ending could be written and shot in an attempt to glue together two halves of a story that still don't feel like a whole.

Though the film has had production problems as its original directors, Phil Lord and Christopher Miller, exited during principal photography due to «creative differences» with Lucasfilm.

Running 25 minutes, Feasible Films» made - in - Britain «Johnny English: Behind the Scenes - Classified Information» spends an inordinate amount of time deconstructing the visual effects for a film that won't be remembered for its trick photography if it's remembered for anything; Malkovich is typically intense during his talking - head.

Producers» Note: Photography of the hunting scenes in this film took place during an actual kangaroo hunt conducted by licensed professional...

After all, this a film that was written during principle photography, so it is likely that the story is going to suffer.

He talked about how Thor: Ragnarok is a Taika Waititi movie set in the Marvel universe, how excited he was to work with Cate Blanchett, how his armor and look in the film were designed by WETA (the same people that did Lord of the Rings), the challenges of filming the ending action set piece during additional photography, and a lot more.

The film spent several weeks shooting in Dublin last year, providing 300 people with temporary jobs during principle photography, and Fassbender said he enjoyed the opportunity to work at home for a change.

Running time: 97 minutes Distributor: Criterion Collection DVD Extras: A new digital transfer supervised and approved by director of photography; «Ask Todd,» an audio Q&A with director Todd Solondz; Making «Life During Wartime,» a new documentary featuring interviews with actors; a new video piece in which Lachman discusses his work on the film; the original theatrical trailer; and a booklet featuring an essay by film critic David Sterritt.

Beginning with an interactive live - action film directed by Neil Huxley (Avatar, Watchmen) and shot by Director of Photography, Fabian Wagner (Game of Thrones), the «Campaign That Never Forgets» faithfully recreates the award - winning Nemesis System, driving viewers to make key story decisions during the siege of a fortress in Mordor.

This March, the Dallas Museum of Art, in collaboration with the Mexican Secretariat of Culture, will open the exclusive U.S. presentation of México 1900 — 1950: Diego Rivera, Frida Kahlo, José Clemente Orozco, and the Avant - Garde, a sweeping survey featuring almost 200 works of painting, sculpture, photography, drawings, and films that document the country's artistic Renaissance during the first half of the 20th century.

During the last couple of years Leander Djønne has been engaged in an art practice that moves between multiple mediums — film, video, text, performance, installation, photography and teaching.

This retrospective encompasses the eclectic range of mediums that Polke worked in during his career, including painting, photography, film, sculpture, drawing, performance, and glass.

Warhol used all the advanced technology available during his time: photography, video, film without disregarding painting, drawing and silk - screening to express his fascination with the consumerist society, and the cult of celebrity, which were his favorite themes.

German - born Christine Matthäi's fascination with photography and film began during her early teens.

During the lecture, Wat discussed video as an all - encompassing art form that incorporates film, photography, choreography, and audio.

During the two - day event, artists will be installing works that range from painting, sculpture, video, film, sound, animation, ceramics, jewelry, printmaking, photography, performance and textiles at the Mission Hill studio building.

One of the children took this photo during the first lecture about film photography.

Gilpin, hailed during her lifetime as the «grand dame of American photography,» was one of the first women to capture the landscape and peoples of the American West on black - and - white film.

Neshat moved to California during the Iranian revolution and enrolled at UC Berkeley, where she began working with film, photography and video to address themes of literature, politics, feminism and identity.

She also has an impressive background in filmmaking, and was rewarded, during her time as Director of Photography on the film «Pro Dia Nascer Feliz,» as Best Cinematography by Associaçāo Brasileira de Cinematografia Fotografia (2006).

For artists Teresa Hubbard and Alexander Birchler, who have been collaborating together on video, photography, and sculpture work since 1990, the history of film in Texas became their primary focus during the course of this five - year project.

Running until August 3, 2014 at Moma this retrospective is the first to encompass the eclectic range of mediums that Polke worked in during his five - decade career, including painting, photography, film, sculpture, drawings, prints, television, performance, and stained glass.

During her tenure at the museum she organized more than twenty original exhibitions on photography, prints and the graphic arts, artist's books, film, and digital media.

This includes photography and many films — including the forthcoming documentary, Linda Karshan, Choreographic Page, by Ismael Annobil of Stonedog Productions; a group of 4 short films from Dresden by Harald Schluttig; the seminal film by Candida Richardson, Movements and their Images; and the acoustic drawing, «Soundings» as Karshan drew during one day in her London Studio.

Many of these values Brian has developed while obtaining a degree in Philosophy & English and then further refined during a highly varied work life, dividing his time between entrepreneurial undertakings and time spent in corporate world as a professional researcher & consultant, stints in journalism and always pursuing a wide range of activities in the arts, from film and photography to writing and collage.

Their sheer briefness makes them very hard to capture with photography, so William Condon (and more recently John Gottman) decided instead to film participants during their research.