Sentences with phrase «film plot»
While the subject matter goes into new territory for the filmmaker, it's all built on the usual Besson template of film plotting and aesthetic.
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You may be wondering how the writers of Need for Speed came up with a feature - length film plot from a video game franchise, but it's more simple than you'd think.
When they're the focus of a late - film plot point, the nature of their contrivance is obvious.
Yet the irony here is that Seidl's most straightforward film plot wise is also the one that is the least blunt in showing its intentions.
SKIP THIS MOVIE IF: you are a real sci - fi lover and plot holes send you into a days - long funk OR you are apt to sprain an ankle just watching Olivia Wilde and Amanda Seyfried sprint in high heels throughout the film
One of the best reviewed films of the year (it placed fourth in our our survey), Haynes excels in the smallest moments, the tactile particulars of period wardrobe, the longing in a look, the flashes of light across a window, charged details that accumulate an emotional power that pushes the film far beyond its sketchy social problem film plot toward a devastatingly romantic transcendence.
As if this was almost part of a film plot, in March 2014 a burglary occurred at the office of Monsignor Vallejo of COSEA in which the thieves seemed to have the necessary keys to the building and were able to target the particular locker which held confidential documents.
Anita Rocha da Silveira's slasher - film plot is simply a tease, as there are no scares here, and the filmmaker's attempt at genre hybridization never coheres conceptually.
There is terrible comedy, and incoherent plot, characters are not clearly defined or very stereotypical contributing nothing new what so ever to the film
A slick, cynical, nasty piece of heist - film plotting that hides its more obvious logical gaps in techno - babble and distracting spectacles of wanton violence and big explosions.
And while the films plot may not be as good as some other superhero films, it still is an enjoyable movie with that set aside and is pretty faithful to the comics as is.
Whatever the film plot twists are it appears the Infinity Wars will pack an emotional punch.
This grounding in magic rather than pseudo-science mirrors the larger difference between the two films, that He Ain't Heavy is steeped in local tradition and culture (however made - up for the purpose of the film the plot is, the Mid-Autumn Festival is surely a thing) while Future values the present above all else, about instant gratification.
However, through all its twists and turns and slick genre dancing, the films plot has some major chasms on show (how did Claus know Roger was a part time art thief in the first place?)
Unfortunately, the whole talking - dinosaurs bit is integral to the films plot, and the introduction — which just so happens to be narrated by Dan Homer Simpson Castellaneta — goes on to explain how the meteorite that wiped out the dinosaurs just so happened to create a gateway to another dimension.
Cooper takes specific actions and makes decisions only to further the films plot, logic / consistency be damned.
Actually the piece you should write is — why are studios so scared of not attracting an audience, they screen 3/4 of the film plot in the trailers, months before opening.
While sworn to keep details of the film plot under tight guard, he did reveal rubbing shoulders with Oscar winners and nominees like Jennifer Lawrence, Hugh Jackman, Michael Fassbender and Halle Berry was far from intimidating.
After reading some other reviews of this film, a common theme was that many felt there were too many guest cameos taking away from the films plot.
The jokes are further and further apart, and by the end of the film the plot has well and truly taken precedence over the comedy.
The overall presentation of The Devil Wears Prada places it outside of the chick flick realm, but the films plotting also moves it away from easy genre classification.
To take other examples: people can relish murder mysteries without the reality of killing; they can watch suffering in a tragedy and still savor the presentation; they can observe evil characters in a film plotting horrible deeds and be hooked; a medieval painting of the tortures in Hell can draw tourists in droves.
The game does follow a fast - paced structure and even makes reference to the films plot from time to time, but other than those enjoyable bits it fails in eliciting even basic levels of excitement from players, which is a shame.
Alison O'Daniel's approach reversed the usual filmmaking process by starting with the music, which then informed the other cinematographic decisions (film plot, settings, images, and atmosphere).