Sentences with phrase «film portraits of»

Alongside the selected works, two film portraits of the artist will be displayed, one by Gerry Schum («Lumaca», 1970 from the Identifications series) and the other by Tacita Dean («Mario Merz», 2002), who has recently been commissioned by Tate Modern to create the next installation in the Turbine Hall.

Tacita Dean Among Tacita Dean's most perturbing works are her film portraits of artists: here is her portrait of the arte povera visionary Mario Merz, to accompany an exhibition of his works.

His work can be divided into two strands: composite film portraits of historically marginalised figures such as R.D. Laing and investigations into the deeply ingrained structures and predispositions that underpin our perceptual and phenomenological experience of image and sound.

Alongside the selected works, two film portraits of the artist will be displayed, one by Gerry Schum («Lumaca», 1970 from the Identifications series) and the other by Tacita Dean («Mario Merz», 2002).

Luke Fowler is known for his film portraits of socially radical figures; from the avant - gardecomposer turned political activist Cornelius Cardew (1936 - 1981) to the Scottish psychiatrist R.D.Laing (1927 — 1989).

Luke Fowler is known for his film portraits of socially radical figures; from the avant - garde composer turned political activist Cornelius Cardew (1936 - 1981) to the Scottish psychiatrist R.D. Laing (1927 - 1989).

Oakes» other film credits include the short FACES OF CHANGE; the feature film PORTRAIT OF A SERIAL WINNER and recently, he produced his first short film, WHO SHALL I PLAY WITH NOW?

New Zealand - born Thompson, 30, is shortlisted for a silent black - and - white 35 mm film portrait of Diamond Reynolds, whose boyfriend was shot by police in Minnesota — a shocking event she livestreamed on Facebook.

Presenters are Mark Dean Johnson, professor of art at San Francisco State University and director of the Martin Wong Foundation, who also moderates; Julia Bryan - Wilson, professor of modern and contemporary art and director of the Arts Research Center at UC Berkeley, whose Fray: Art and Textile Politics includes a chapter about the Cockettes and Wong's design work for them; Sergio Bessa, director of curatorial and education programs at the Bronx Museum of the Arts and scholar of concrete poetry; Marci Kwon, assistant professor in the Department of Art and Art History, Stanford University; and artist and filmmaker Charlie Ahearn, who introduces his 1998 film portrait of Wong, whom he knew personally.

For the last couple of years, Tacita Dean has also been living in LA, where she got to know the painter, whose portrait of Dean's son Rufus hangs in the blurry distance of Dean's filmed portrait of Hockney.

This joint acquisition of Dean's 16 mm film portrait of David Hockney was made in anticipation of the forthcoming collaboration between the National Portrait Gallery, the Royal Academy of Arts, and the National Gallery, which will see the three institutions devoting exhibitions to different aspects of Dean's work.

Marc Brodzik (Pew Fellow, 2009) is a visual artist and documentary filmmaker interested in filming portraits of the common man.

A film portrait of world - renowned British artist David Hockney titled Portraits.

His name was Jackson Pollock, and this wonderful 1987 filmed portrait of his life and work and method is directed by Kim Evans, narrated by Melvyn Bragg, and features amazing footage from 1951 of Pollock painting by Hans Namuth.

Dean has used the technique again for Providence, a film portrait of Warner alone, with hummingbirds hovering and flitting about the grasses in a California field.

Kerry Tribe created this film portrait of the LA River, Exquisite Corpse, while touring its more than fifty - one miles.

Scott» s 1969 film portrait of Richard Hamilton continued this collaborative formula, with Hamilton musing about cinema, art, and celebrity while images of his works, their original source materials, and related elements from pop culture flash by in rapid succession.

In addition, the NPG and RA announced they had jointly acquired Dean's film portrait of David Hockney, which shows him doing what he enjoys most: thinking and talking about painting, but above all, smoking — a remarkable five cigarettes in 16 minutes.

It will also include a film portrait of three actors who have played Hamlet: Ben Whishaw, David Warner and Stephen Dillane.

An intimate film portrait of writer, performer, and Mitchell Center + Project Row Houses Artist in... See Details + Reserve Tickets

The exhibition will be accompanied by the British premiere of Tacita Dean's new 16 mm film portrait of Cy Twombly, Edwin Parker (2011).

It shows us the world's most famous living painter, who turned 80 in February, at work with greater intimacy than any other film portrait of a contemporary artist provides.

Isaac Julien and Mark Nash's Frantz Fanon: Black Skin, White Mask (1996) is a film portrait of the revolutionary, writer and psychiatrist, whose classic publications The Wretched of the Earth (1961) and Black Skin White Mask (1952) remain the bibles of decolonisation.

Not exact matches

On Sunday night, Citizenfour, a film about Edward Snowden holed up in a Hong Kong hotel room revealing the global spying programs run by the U.S. National Security Agency, won the Oscar for best documentary for its chilling portrait of technology and surveillance.

In this obscure indie film, two little read - comic books come together in a subtle, dialogue - heavy character study that plays out like a slow - burning portrait of good and evil in the modern world.

AFSA, in conjunction with ORICoop are proud to present the heartfelt film: Look & See: A Portrait of Wendell Berry.

It's these scenes which have the most emotional truth and where the film's most successful portions lie, especially when Streep and Jim Broadbent light up the screen with a portrait of a particularly British and unfussy kind of romantic longing.

All of the portraits taken will be included in the feature film.

Mark Bridges, the BAFTA - winning costume designer for «The Artist,» was the first designer Rogien worked for, on the 2006 film «Fur: An Imaginary Portrait of Diane Arbus,» starring Nicole Kidman.

An astonishing portrait of decadent Imperial Austria that's one of the greatest of all silent films, even in its butchered extant version.

Without breaking from (or evolving) his film style, Mexican director Michel Franco delivers a chilling portrait of a teen mother - to - be.

Bluntly edited, with no hand - holding transitional scenes, the film is an intimate portrait of an idealistic, understaffed, sometimes wrongheaded team battling youth prostitution, thievery rings and adult predators from every class of society.

It's an amusing portrait of frustration that inadvertently epitomizes The Hero, a film that generously gives Elliott one of the few lead roles of his lengthy career, but mostly asks him to embody clichés, without providing any sense of how he might improve upon them.

It is as intimate and honest a portrait of a rock artist's creative roots as any film has attempted.

The film does not give us a flattering portrait of the man, although most of that can be placed squarely in the hands of Saeed himself.

Fellini: I'm a Born Liar is a documentary on Federico Fellini's life and work by filmmaker Damian Pettigrew, who combines vintage interview footage of Fellini, new conversations with those who worked with him (including actors Donald Sutherland and Terence Stamp), and excerpts from Fellini's films (some of them previously unseen outtakes) to create an insightful portrait of a remarkable creative mind.

This film isn't sure whether to be a portrait of Robert Moog or a history of his products, and it fails on both counts.

This is not a portrait of disenfranchisement, or even an «issues» film.

My guess is that the author of The Great Gatsby would have appreciated Adam McKay's film for its portrait of a fabulously famous iconoclast who remains a mystery to his friends and loved ones, or perhaps the sequence where Will Ferrell tenderly bottle - feeds a rubber baby great white shark.

This is not Lang's best film of the era, or even his most interesting portrait of paranoia and malevolent forces, but it is a lively thriller with unexpected turns.

Cooper and his director of photography Masanobu Takayanagi (who also worked on the filmmaker's last two movies) paint a visually striking but harsh and brutal portrait of the scenery here, placing an emphasis on long shots of desolate landscapes and closeups of human anguish in order to create the film's dismal mood.

A gripping portrait of mental illness and family ties from a master director, and a film with a narrow focus and a cast of four (father, son, daughter, daughter's husband).

The film's portrait of young love may be touching, but its most moving moments celebrate love of a different kind: the passion that movie professionals, both young and old, have for their craft.

His films may be zippy portraits of everyday life, but they're also sentimental star - vehicles.

Since «Law Abiding Citizen» turns out to be «Clyde: Portrait of a Serial Killer (or «Clean Shaven Death Wish), in which the daddy - turned - vigilante (played by Gerald Butler) starts killing, not NYC lowlifes like a Scottish Charles Bronson, but innocent people, ala Henry (Michael Rooker) in the 1989 John McNaughton film, brutality needs to match brutality, because the cause and effect of the carnage needs to be better proportioned.

Its plotting is often a tad too plodding, but with the charismatic Mortensen exuding understated internal crisis (in a French - and Arabic - speaking role), Oelhoffen's film proves a compelling portrait of individuals striving to cope with, and at least somewhat overcome, cultural dislocation.

Portrait of a Garden «s distance from its human subjects forestalls the film's momentum and strips it of a heart.

When Wiseau and Sestero clash — the baby - faced actor becomes the de facto voice of reason on the film's chaotic set, thanks to every disastrous decision Wiseau makes — The Disaster Artist reveals itself as a nuanced portrait of the jealousies that arise when the creative process goes haywire.

Alice Winocour's film begins as a vivid portrait of a man warily eyeing the tumult of his homecoming.

There is a numbness of loss that resonates throughout the film's subsequent revenge narrative that deepens and heightens the material to depict a portrait of a person who literally has nothing to live for.