Sentences with phrase «film presentation begins»

The feature - film presentation begins on side one of the disc and continues on side two.

Not exact matches

Each disc's feature presentation retains the original blue Walt Disney Pictures logo at the film's beginning (over which snow falls), but places the current 21st century Disney CGI castle logo at the end.

There is an overture at the beginning of the film and then, two - thirds in, a 12 - minute intermission, like the Roadshow presentations of yore.

The Telluride Film Festival, a presentation of the National Film Preserve which takes place beginning tomorrow, Friday Sept 2 and runs through Monday Sept 5, is an unusual beast as far as film festivals go.

Another great part of the presentation is that Universal did not clog up the beginning of each disc with a lot of previews of other films and products.

Begin Again may be an independent film, but its $ 9 million budget is more than enough to give it a certain polish, which shows in the Blu - ray's vibrant, appealing 1.85:1 widescreen presentation.

While the storyline is relatively simple, and one that has been a staple of Hollywood classics since the beginning of commercial films (this is a movie about movies, after all), the complexity of the characterizations, coupled with the technically proficient presentation despite the multitudinous moving pieces involved, makes it all feel fresh and new in the modern era.

Returning to the more straightforward presentation of the last section, «Early Tests» (5:27) presents animation done near the beginning of the film's production to establish lighting and the look and movement of the characters.

After seeing model presentation and receiving the task sheet, students begin gathering and scanning photos, finding appropriate music, filming video segments, and accomplishing other tasks.

First, Pousttchi filmed a conversation between herself and French conceptual artist Daniel Buren (1938 --RRB-, who in the late 1960s began to live and work in situ, and thus gave up on conventional modes of art presentation, in an attempt to evade restrictions imposed by institutionalized art spaces in favour of the nomadic marking of different sites.

A non-chronological presentation of the filmmaker's time in German forced labor camps and displaced person camps, the film details a story that begins in 1944 and goes on until 1949.

Presentations by Dan Torop, Hannah Whitaker and Owen Kydd, who will introduce a film by Justin Schmitz, will begin promptly at 6:30 pm during the opening reception.