Sentences with phrase «film presentations by»

Installation view of one of two film presentations by JOHN AKOMFRAH at Lisson Gallery, New York.

Not exact matches

There will also be presentations by a specialized team of the breakthrough high - output Digital Printing Press for corrugated board and Digital Printing Press for folding carton, paper and film.

It appears to me that instead of giving the audience a true appreciation of the hazards inherent in mountain climbing and the skills developed to reduce these hazards (which could be done by an imaginative presentation of true climbing techniques) the producers have ignored the advice of Gaston Rebuffat, their climbing consultant, and filmed a series of ridiculous rock - climbing moves.

The film, a Sony Pictures presentation, was written and directed by Peter Landesman, based on the GQ article «Game Brain» by Jeanne Marie Laskas, and produced by Ridley Scott, Giannina Scott, David Wolthoff, Larry Shuman and Elizabeth Cantillon, and executive produced by Michael Schaefer, David Crockett, Ben Waisbren, Bruce Berman and Greg Basser.

Historically, these films were used regularly by the Academy in public programs and presentations.

We visited the Alberto Guardiani presentation, which featured deliciously vibrant shoe colours, inspired in part by the classic 90s film, Clueless.

In the first year of delivery, the project culminated in a catwalk collection and presentation, featuring menswear and womenswear inspired by the characters of Disney's Alice in Wonderland film, in Milan.

His other television appearances include the role of Kenneth Duberstein in the Showtime film STRANGE JUSTICE, playing Quasimodo opposite Richard Harris in the TNT film presentation of THE HUNCHBACK, a film version of Arthur Miller's BROKEN GLASS for BBC / WGBH - Boston, and episodes of THREE RIVERS, THE LARRY SANDERS SHOW (1996 Emmy nomination), LAW & ORDER, BOSTON PUBLIC, TOUCHED BY AN ANGEL, and THE SIMPSONS.

Also the film's presentation of the villain is only ok but I can't fault that because the movie is limited by its source material since it's a prequel.

While the added resolution of a 16x9 - enhanced presentation usually entails additional efforts to keep an old film looking snazzy, The Shaggy D.A.'s transfer falls short of digital perfection by a bit.

The Opening Ceremony, wanting to celebrate the festival's 50th anniversary in style, had some great lighting effects, a wonderful MC, a haunting projection on the façade of the theatre (which was transmitted via video into the auditorium), but also a cheesy 3D presentation, and a film — Soul Kitchen by Fatih Akin — that is simply a feel - good comedy with little going for it artistically.

This Blu - ray combo pack is easy to recommend to fans of the film, whose expectations should be met by the solid feature presentation and adequate collection of extras.

Late addition on July 1: Colossal - By my own rules - films I've seen that were released theatrically in the U.S. this year - I managed somehow to forget Nacho Vigalondo's monster treat, which I saw last fall as the closing night presentation at Fantastic Fest.

Its stunning 2.35:1 anamorphic presentation, supervised by Cundey, does for this film exactly what the Cundey - approved transfer of The Fog did for that film: it resurrects it, transforming a marginal not - recommend in the case of Cimber's film into a marginal recommend based on the strength of Cundey's gorgeous cinematography.

By appropriating various passages from Hansen's expressive prose, the film somehow successfully captures the historic aspects of the story — as if it were a legend the audience should continue to pass down through generations — while simultaneously exposing the specious presentation of the tale through sheer excess.

The digital choice allows the movie to look clean, but perhaps the grain of film would have been better fitting for the overall presentation that Baumbach was going for (especially with some of the production design and set decoration (especially the apartments) by Sam Lisenco and Hannah Rothfield, respectively).

It tackles familiar Rivette absurdisms in the presentation of plays within films, searches for lost manuscripts by Italian humorists, and the none - too - subtle interest in Pirandello.

While I no doubt have been spoiled by regular exposure to excellent Blu - ray transfers, the 1.85:1 anamorphic widescreen presentation of Swimming to Cambodia seems a tad disappointing even for a standard definition release of a low - budget 25 - year - old experimental film.

Contrast and color presentation is excellent - you get the romantic feel of the film's sunny, colorful setting without ever becoming overwhelmed by possible «glaring» whites or a too - bright palette.

Fox issued the film on disc in December of 2002, but as is not uncommon for family films, it was treated with little regard, receiving a fullscreen and dubbed - only presentation and being accompanied by no bonus features.

We've previously only seen the first trailer for the film, but thanks to a presentation by the animation studio today, we now have a better idea of the cast, their characters, and just how they'll look in the finished film.

Patrick Goldstein, writing in the Los Angeles Times, argues that film critics like Roger Ebert, sophisticated in their knowledge of media presentation and human behavior, make more insightful political pundits than the usual beltway - bubble spin - docs employed by television, radio, print and online outlets.

During the festival's Talent Campus — a lecture series featured throughout the festival — there is a presentation by the short film programmers, in which they discuss what they look for in a short film.

Vanessa Redgrave's special documentary presentation «Sea Sorrow,» and competition films «Jupiter's Moon,» and «Happy End» are joined by the first of today's two competition premieres, «In the Fade» by German director Fatih Akin, starring Diane Kruger.

Carried over from the 2006 DVD release is a commentary track by film critic Glenn Erickson, which is informative and well organized, like a lecture and or a formal presentation.

Payne's latest (and excellent) film, «The Descendants,» serves as the opening night presentation of the Lone Star International Film Festival, followed by a Hawaiian reception.

THE DVD by Bill Chambers Michael Mann's gloomy Ali comes to us on DVD in an audio - visual presentation that inspires less disappointment than the film itself.

An extensive selection of work from across the world is presented including the World Premieres of William English's HEATED GLOVES and THE HOST, in which director Miranda Pennell delves deeper into her past and her late parents» involvement with the Anglo Iranian Oil Company (BP); Ben Rivers» THE SKY TREMBLES AND THE EARTH IS AFRAID AND THE TWO EYES ARE NOT BROTHERS, the feature element of Ben's current Artangel installation at BBC White City; EVENT FOR A STAGE by Tacita Dean, a filmed presentation of her live theatrical happening in collaboration with actor Stephen Dillane at the 2014 Sydney Biennial; the European Premiere of Omer Fast's REMAINDER, a London - set thriller adapted from Tom McCarthy's acclaimed novel of the same name; the European Premiere of INVENTION which highlights the possibilities of camera movement and the development of artistic apparatus and Kevin Jerome Everson's PARK LANES, set in an American bowling alley over the course of a day.

Viewers can choose between subtitled and dubbed versions of the film, but the discs» default goes to the English - language presentation, produced by heavy - hitters Frank Marshall and Kathleen Kennedy.

That style is so strenuously presented, whipped into a creamy foam of guns, Rolling Stones tracks, and expensive cars, that it manages to get by mostly on vapors, anchored by the film's pitch - black presentation of London's mob underworld.

Only once in a while do looped lines by Professor Browne and shopkeeper Mrs. Hobday take you out from the film's reality, but that's still more than what an ideal presentation would.

Directed by former French adult film director Ovidie, the investigative documentary, which was an Official Selection at SXSW 2017, captured international audiences with its shocking and informative presentation of the current changes in the multi-billion dollar X-rated industry.

Portions of this presentation were used in the earlier Blu - ray releases of «Pulp Fiction» and «Jackie Brown» but this disc presents an extended cut of the conversation, which you can watch straight through or access film by film.

Presented by the hale San Francisco Film Society evenings and midnights at the historic Roxie, last year's presentation included one of this year's best films (Larry Fessenden's superb Wendigo) as well as the finest example of retro euro - horror (Lionel Delplanque's Deep in the Woods) since Dario Argento lost his marbles.

Special Features: • Brand new 2K transfer from the original camera negative • High Definition Blu - ray (1080p) and Standard Definition DVD presentations • Optional English SDH subtitles for the deaf and hard of hearing • Audio commentary with co-writer and producer Mardi Rustam, make - up artist Craig Reardon and stars Roberta Collins, William Finley and Kyle Richards • New introduction to the film by director Tobe Hooper • Brand new interview with Hooper • My Name is Buck: Star Robert Englund discusses his acting career • The Butcher of Elmendorf: The Legend of Joe Ball — The story of the South Texas bar owner on whom Eaten Alive is loosely based • 5ive Minutes with Marilyn Burns — The star of The Texas Chain Saw Massacre talks about working on Eaten Alive • The Gator Creator: archival interview with Hooper • Original theatrical trailers for the film under its various titles Eaten Alive, Death Trap, Starlight Slaughter and Horror Hotel • US TV and Radio Spots • Alternate credits sequence • Reversible sleeve featuring original and newly commissioned artwork by Gary Pullin • Collector's booklet featuring new writing on the film, illustrated with original archive stills and posters

The film was produced by Reprisal Films» Chris Clark and Flora Fernandez Marengo and Octagon's James Flynn, and is an Irish Film Board and BFI presentation in association with Lypsync Productions.

Unique in its presentation of fully rendered individuals who have gravitated by choice, chance, or necessity to this particular sector of the postindustrial subsistence economy, Foreign Parts, like many of the early SEL films, is a beautifully shot observational film.

The film, a Columbia Pictures presentation in association with LStar Capital and Village Roadshow Pictures, is written and directed by Peter Landesman, based on the GQ article «Game Brain» by Jeanne Marie Laskas, and produced by Ridley Scott, Giannina Scott, David Wolthoff, Larry Shuman, and Elizabeth Cantillon.

In the first three quarters of 2014 I saw many of the year's best films at UK film festivals, all of which punched well above their weight by offering smart selections and presentations.

Actually, most of the dialogue is campy and explicit, like the first film, but the sense of daring and style are gone, further compounded by a rather unremarkable presentation from director Michael Caton - Jones (City by the Sea, The Jackal).

The 1.80:1 anamorphic widescreen presentation exhibits some combing, though it's not especially pronounced unless you step through the film frame - by - frame and no other authoring artifacts are detectable.

Auckland Art Gallery Toi T?maki's presentation of the immersive 13 - screen film installation, Manifesto, by Julian Rosefeldt featuring Cate Blanchett has been extended until Sunday 15 July.

I immediately identified with the film's protagonist, solid A student Leigh Ann Watson (Katie Holmes), who, in an early scene, presents a much - worked - on project in her history class, only to have her presentation abruptly cut short by vicious barbs hurled by the class's instructor, Mrs. Eve Tingle (Helen Mirren).

KEY: 1.33:1 - Fullscreen; 1.66:1, 1.85:1, 2.25:1, 2.35:1 - Widescreen ratios; 16:9 (or anamorphic)- widescreen presentation enhanced for 16 x 9 widescreen TVs OAR - Original Aspect Ratio (DVD maintains ratio the film was created for); DD 5.1 - Dolby Digital 5.1 Surround Sound; DD 2.0 - Dolby Surround; SRP - Suggested Retail Price; OOP - Out of Print Anchor Bay - Disney film released on DVD by Anchor Bay.

Brand new 2K restoration from original film materials High Definition (1080p) and Standard Definition DVD Presentations Optional English subtitles for the deaf and hard - of - hearing Audio commentary by writer - director Jack Hill, recorded exclusively for this release Brand new interview with Jack Hill Archive interview with cinematographer Alfred Taylor Archive interview with Hill and Johnny Legend Q&A with Hill, and actors Colleen Camp and Rosanne Katon recorded at the New Beverly Cinema in 2012 TV spots Reversible sleeve featuring original and newly commissioned artwork by Graham Humphreys

By the default FastPlay method, the fullscreen version plays and once it does, you'll have to go to the audio set - up page to select one of the tracks on the widescreen version to play the 16x9 - enhanced presentation of the film in its 1.85:1 theatrical aspect ratio (which the case calls 1.78:1 family - friendly widescreen).

Limited Edition box set (3000 copies) containing The Night Evelyn Came Out of the Grave and The Red Queen Kills Seven Times Brand new 2K restorations of the films from the original camera negatives High Definition Blu - ray (1080p) and Standard Definition DVD presentations Original Italian and English soundtracks in mono audio (lossless DTS - HD Master Audio on the Blu - ray Discs) Newly translated English subtitles for the Italian soundtracks Optional English subtitles for the deaf and hard of hearing for the English soundtracks Limited Edition 60 - page booklet containing new writing by James Blackford, Kat Ellinger, Leonard Jacobs and Rachael Nisbet

Brand new 2K restoration from original film materials High Definition (1080p) Presentation Optional English subtitles for the deaf and hard - of - hearing Audio commentary by director Brian Trenchard - Smith The Stuntmen, Trenchard Smith's classic television documentary on Grant Page (Mad Max, Road Games) and other Australian stunt performers Hospitals Don't Burn Down, Trenchard - Smith's 1978 public information film told in pure Ozploitation fashion Behind the scenes gallery by graffiti artist Vladimir Cherepanoff Theatrical trailer Reversible sleeve featuring original and newly commissioned artwork by Chris Malbon

• Limited Edition collection of the complete Blood Bath • High Definition Blu - ray (1080p) presentation of four versions of the film: Operation Titian, Portrait in Terror, Blood Bath and Track of the Vampire • Brand new 2K restorations of Portrait in Terror, Blood Bath and Track of the Vampire from original film materials • Brand new reconstruction of Operation Titian using original film materials and standard definition inserts • Optional English subtitles for the deaf and hard of hearing on all four versions • The Trouble with Titian Revisited — a brand new visual essay in which Tim Lucas returns to (and updates) his three - part Video Watchdog feature to examine the convoluted production history of Blood Bath and its multiple versions • Bathing in Blood with Sid Haig — a new interview with the actor, recorded exclusively for this release • Archive interview with producer - director Jack Hill • Stills gallery • Double - sided fold - out poster featuring original and newly commissioned artworks • Reversible sleeve featuring original and newly commissioned artwork by Dan Mumford • Limited edition booklet containing new writing on the film and its cast by Anthony Nield, Vic Pratt, Cullen Gallagher and Peter Beckman

The 2016 Toronto International Film Festival ® has added two Galas and 14 Special Presentations to its highly anticipated Galas and Special Presentations lineups, including new films from Oscar Isaac (The Promise) and Bryan Cranston (Wakefield and In Dubious Battle, directed by James Franco).