The film presents a lot of statistics — almost more than can be taken in on one viewing, in fact — about the state of manhood in this country, but it also shows examples of what parents and teachers and coaches and other role models can do to raise men who can be strong and powerful without shutting off their feelings.
Not exact matches
The TV special (or series — a
lot to
present in 90 minutes) will
film this summer as well in all probability.
All
films are a work of fiction, that much is obvious, and a
lot of them are prone to exaggerations, even biographical
films, but there's something just so heavy - handed about the way this
film presents its story, its world and its characters that's really off - putting.
Brief flashes of insecurity would add a
lot to the character of Morgan, but only when added at just the right time; as is, there are moments when the façade seems to falter with the entire crew
present and you have to wonder how some more ambitious pirate didn't dethrone her long before the
film had ended.
Thematically, «The Stanford Prison Experiment» clearly has a
lot to
present about not just male aggression but what being imprisoned does to people (Nelsan Ellis is phenomenal as an ex-con who tells Zimbardo that they need to «teach these boys of privilege what a prison is»), but writer Tim Talbott hits a few too many of the
film's themes repeatedly, just to make sure you get them.
For instant, I was entertained a
lot by his video essay on the common cases of mise - en - scène observed from Kubrick's
films, and I was also impressed much by another video essay of his which brilliantly
presents the recurring elements in Ozu's
films.
It's a
lot of loudness in a movie that's crying out for a softer, quieter touch, and the idea that every gorgeous woman finds him irresistible, as
presented in this
film, seems grossly farfetched.
The
film was based on John Wagner and Vince Locke's 1997 graphic novel of the same name, and it
presented a story of a reinvented family man struggling and causing a
lot of pain and confusion to his loved ones once faced with the past he thought he managed to fully escape.
The
film is typical Wright, but as The World's End barrels along to its conclusion, it starts to unravel a
lot of layers that were not
present at the beginning.
Dredd is solid action fare which is a
lot closer to its source than the Stallone
film was,
presenting a fantasy world that might border on fascist but for the humanizing presence of Anderson, who lets one member of Ma Ma's gang go free on the grounds that he's a victim, not a criminal.
I did a
lot of writing on this
film, much more than I can
present here, but the pieces I have here are standouts for me.
Taylor Sheridan's directorial debut — from his own script — is a harsh, breathtakingly beautiful
film that a
lot to say — but cagily
presents it in the guise of a gritty western thriller.
Especially in the
film's first half - hour, there are a
lot of these direct - to - camera introductions, which are necessary to
present the various speakers.
That
film attained a wonderful level of madcap hilariousness whilst escaping a
lot of the excesses
present in his other
films.
Like most one night
present action
films, Superbad sets itself up for needing some real resolution and — since it's already running 110 — it hurries it through in three minutes, sucking a
lot of the interesting possibilities from what it previously established.
A
lot of
films that I wanted to put in this list didn't make the cut (like «The Help,» a
film that I feel is a
lot better than some critics give it credit for), but I think the list I have to
present to you is fairly strong.
He has
presented us with a
film that is so like the sport of fishing itself; there is a
lot of waiting around and watching still water, but when the magic happens, you forget the lost hours and enjoy your catch.
Yes, the camera shakes a
lot and it's hard to see what's going on, but this
film does not
present its chase scenes as beauty or art; they are about chaos and lack of control.
This new Dope red - band trailer goes a
lot further, by
presenting the characters uncensored, and by showing off a
lot more of the story that drives the
film.
In light of
present situation I agree that that there is incredible apathy though, notice no
film showing this wide open Arctic Ocean body yet, by any media source, but
lots of cameras on silly things which need not be mentionned...