Sentences with phrase «film presents the relationship»

The film presents the relationship with a purity and finesse with which filmmakers would treat any other nonconventional relationship.

Not exact matches

Churches need to foster discussions of character by using films or case studies that present difficult choices in work or relationships, situations in which people must ask themselves, «What does it mean to do the honest, decent thing here?»

The relationship between Ronit and Esti, past and present, is clearly the focal point of the film, but Lelio takes his time getting there.

The film is based on an intertwining of what appear to be very intense relationships of past and present.

Directing his eighth feature film in just a little over a decade, Drake Doremus has had the good fortune of presenting four different relationship highs and blues / lows volumes at the fest commencing with 2010's Douchebag, followed by 2011's Like Crazy, 2013's Breathe In (review), and proving that when you want something bad enough you can deliver the goods in breakneck speed in 2017's Newness (review).

In a perpetual and dizzying game of mirrors, the film presents a portrait of a place, its inner workings, and its relationship with the world, its staff, its public and its paintings.

Because so many haven't yet sees the film, its plot must go undescribed, but suffice it to say it's about an encounter between a young woman (Dree Hemingway) and an old woman (Besedka Johnson) that spawns an uneasy relationship, during the course of which their pasts and presents come to light.

The film might make an interesting double feature with Jia Zhangke's flawed but ambitious Mountains May Depart, which similarly investigates the relationship between the past and the present; spanning decades, countries, and aspect ratios, the film finds Jia again diagnosing the effects of globalism — this time on a wife, her husband, and her son.

The film intercuts their present day and flashbacks to key moments in their relationship.

This well - crafted film, which presents thought provoking messages about human relationships, has the unfortunate inclusion of sexual content and language.

In the film, we see Peter's emotional journey unfold in waves of memory and re-memory as he processes the past, present and future of his relationship with Grahame.

This probably means that U.S. audiences will not get to see it before 2013: Wong's films have traditionally opened in China long before they come to the West, and while Megan Ellison «s Annapurna Pictures has the rights, there's no distributor proper attached at present (although the Weinstein Company would probably be a good bet, given the close relationship between the two companies).

As the film goes back and forth in time to show how relationships forged in the past resonate in the present, James will play the role of Young Donna.

Besides exposing the pros and cons of jury - based trials, «Runaway Jury» sets its sights on the relationship between firearms manufacturers and gun crime — but instead of setting forth the evidence from either side and allowing viewers to reach their own verdict on such complex issues, the film presents a highly prejudicial case, leading its audience to a conclusion that is disappointingly righteous.

Owen and Roberts get to dish out some witty dialogue; develop a strange [and maybe false] relationship over the course of the film which is structured in both the past and the present — each arc developing chronologically until the very end, when there's a revelation that makes sense even as it dumbfounds.

With his latest film, The Salesman, Asghar Farhadi once again, proves his mastery in presenting complexities of human relationships within the confounds of his native country Iran, but also demonstrating that even there are political and cultural differences among us, deep down, certain things in life are constant and universal.

Released in September 2016, The Cycle is a powerful short film presenting the intricate problem of fear and violence in our communities, primarily the relationship between police officers and the communities they serve.

The Artist's Museum begins with this impulse to collect and connect, bringing together large - scale installations, photography, film, and videos that employ artworks from the past as material in the present, animating existing artworks, images, and histories to reveal art's unexpected relationships and affinities.

This two - part film screening presents artworks engaging with the relationship and evolution between language, and particular worldviews.

In all these visually varied works - paintings, sculptures, film installation - Lavier's attitude is consistent in presenting issues on the forefront of contemporary art: the paradoxical relationships between painting and sculpture; art and nonart; high art and popular culture; and reality and simulation.

This talk traces the relationship that began with this collaboration, and continues into the present through the archiving of Cantor's Estate, the completion of her feature film, and a 2016 multi-site exhibition of Cantor's work at 80WSE and Participant Inc, organized in conjunction with curators Jonathan Berger and Pati Hertling.

On the occasion of Julien's exhibition of photographic works «I Dream a world» Looking for Langston, at Victoria Miro (until 29 July 2017), they discuss the genesis of the film, their shared love of Langston Hughes and the Harlem Renaissance, the work's relationship to black gay desire, to AIDS and to questions of discrimination, and how, as Julien says, «these questions return to haunt the present».

The Infra - structural Image: Urban Projections from the Bay Area and Vancouver is an exhibition and two evening film series which will present new media installation, video and experimental short film that explore the relationship between film, memory and perception in relation to the Bay Area and Vancouver urban environments.

In Jesper Justs new film «It Will All End In Tears» Just, as often seen before in his works, present the problem of the relationship between generations - or - more precisely, the relationship between father and son, both in literal and metaphorical terms.

Also on view is Happy Birthday to a Beautiful Woman (2012), Thomas» first short film, which presents footage of her mother reflecting on her struggles with drug addiction, abusive relationships, and the fashion industry.

The result was a six channel installation composed of a large main screen that displays a four - minute loop of an edited film and five Hantarex monitors presenting raw, unedited footage that showed the events transpiring inside the bathhouse, the overall atmosphere of the space, as well as the relationships between the women.

In conjunction with BRUCE CONNER: IT»S ALL TRUE, this series presents an open survey of Conner's films alongside contemporaneous and later works that illustrate his relationships with his peers and his continuing influence.

Others are investigations into the relationship between past and present — as in Fast's Spielberg's List, a video exploring the experiences of extras in Stephen Spielberg's film Schindler's List.

Internationally acclaimed German artist Christian Jankowski, who first came to public attention with Telemistica at the 1999 Venice Biennale and, more recently, The Holy Artwork at the 2002 Whitney Biennial in New York, presents Rosa (2001), a humorous and insightful film that investigates the relationship between art and the advertising and entertainment industries.

Back Gallery: Rosa Internationally acclaimed German artist Christian Jankowski, who first came to public attention with Telemistica at the 1999 Venice Biennale and, more recently, The Holy Artwork at the 2002 Whitney Biennial in New York, presents Rosa (2001), a humorous and insightful film that investigates the relationship between art and the advertising and entertainment -LSB-...]

Long fascinated with relationships between place and politics, here Morris presents new drawings and paintings related to films she shot in Abu Dhabi and at the Elbphilharmonie, Hamburg.

Developing her artistic practice across drawing, film and performance, presents works dealing with the snake handling in Egypt, focusing on the relationship between the practices of the Rifâ» iyya (one of the main Sufi orders in Egypt associated with snake handling) and the aspects of everyday life.

Pierre Huyghe: Streamside Day is a 26 - minute film in which the artist explores the relationship between the past, the present and the future and uses this device to address issues associated with reality and fiction, and individual and collective identity.

This exhibition presents a body of artworks, documents and films which address the relationship between the visual arts and psychotropics.

On the occasion of Julien's exhibition of photographic works «I dream a world» Looking for Langston, at Victoria Miro (until 29 July 2017), Isaac Julien and Hilton Als discuss the genesis of the film, their shared love of Langston Hughes and the Harlem Renaissance, the work's relationship to black gay desire, to AIDS and to questions of discrimination, and how, as Julien says, «these questions return to haunt the present.»