Sentences with phrase «film prints when»

20th Century Fox plans to release it in all widescreen formats and Imax but also in select 70 mm film prints when it opens on Friday.

Not exact matches

The manual set up of printed film after product changes can be time consuming and problematic for users of tray sealers, however by incorporating these settings into individual recipes in the screen, the Revolution automatically adjusts the reel position when the recipe is selected.

And these are innocent when compared to the triple - x rated sauces sold by www.sexsauce.net that have sauce names that can not be printed here and also feature graphic labels of adult film stars and Nevada brothels.

Because of its small footprint, it's easy to mount at a variety of angles when printing and coding on paperboard materials, plastics, bags, pouches and films, labels or aluminum.

Jean has a job nights printing color film for Econo - Color, and when Billy isn't working for Red Oster he is at his shop in Mesquite, Texas, where he sells and services shuffleboards for the National Shuffleboard Company.

Pinter & Martin was founded on May 9th, 1997 by the writer and film - maker Martin Wagner and childbirth educator Maria Pinter, when we realised that Stanley Milgram's extraordinary book Obedience to Authority was out of print in the UK.

When the electrodes and the active layer are printed as thin films on top of each other, defects in one layer will act as points of attack for the next layer to be printed.

When the autumn winds kick up, THE EXORCIST sits atop a demonic pedestal as my staple requirement in film, TV and print.

When the Spotlight investigation is temporarily halted in the wake of 9/11, we're reminded that the film is also a period piece, set during a time when print journalism had not yet entered its death thrWhen the Spotlight investigation is temporarily halted in the wake of 9/11, we're reminded that the film is also a period piece, set during a time when print journalism had not yet entered its death thrwhen print journalism had not yet entered its death throes.

When Anderson went on to make his next film, his ingenious Thomas Pynchon adaptation «Inherent Vice» (2014) he shot it in 35 mm but had a couple of 70 mm prints blown up from it that have only received a handful of public screenings to date.

When Cooper took a print of the film to Austin, Texas to screen it for Kristofferson, the actor / musician abruptly left the theater when the credits rolWhen Cooper took a print of the film to Austin, Texas to screen it for Kristofferson, the actor / musician abruptly left the theater when the credits rolwhen the credits rolled.

This horror - comedy — one that many have emulated over the years but that virtually none have been able to equal — is one of the best cinematic mash - ups ever made, and when it was announced that Mondo would be screening the film at Fantastic Fest with Rick Baker in attendance (and a special print created by Olly Moss), I knew I had to be there.

The film does scream 1970's porn when watching it but Grindhouse gave it a really sharp high - definition digital restoration from the the original U.S. theatrical version print.

This neglect began to change in 1991 when Ron Hutchinson co-founded the Vitaphone Project with a group of vintage record collectors, who set out to track down and reunite Vitaphone discs with film prints held by archives.

Led by Jesse Eisenberg — giving two distinct turns, as both the nebbish, awkward Simon James and his more confident and successful alter ego James Simon — the film tells the story of one man whose carefully regulated life, which includes a data entry job and pining for the girl in the print department, is overturned when his duplicate charges into his world, career and love life.

The print is relatively clear for the majority of the film, but there are moments when blemishes are noticeable.

The use of photographs - within - film to freeze characters in a milieu while defining it in modern terms was already a worn idea when George Roy Hill claimed it for Butch Cassidy and the Sundance Kid, and here it's handled with even less integrity, by way of a photographer whose 19th - century camera and anachronistic darkroom give him in a few short hours prints of a quality no photographer achieved before about 1920.

It's simple — increasing lines of resolution on a restored black and white print makes the film look crisp and pristine — maybe even as good as when it first came out.

However, if you're like me, when you're looking for some of these out of print titles, you don't care about extras — you just want the film.

«When we began to put the archive together, we found rolls and rolls of undeveloped film and thousands of negatives and prints that never made it into the magazine,» says Bill Shapiro, the editor responsible for creating the Web site.

authors traditionally get 50 % of print and even more when it comes to optioned film rights or stage plays.

Back in the»90s, when I was working for a rival comics company, and both Marvel and we were using a service bureau in the East»40s to output cover and text page films for printing at Quebecor, the bureau's staff were constantly bitching that the Marvel crew didn't know how to prepare files for print output, often failing to embed font files or sending low - rez (72 ppi) art.

When he died in 2010, the German artist left behind five decades of wildly diverse and formally innovative paintings, prints, sculptures, films, photographs and drawings, many of them large scale.

Paint lines left on transparent plastic film through a process of scratching away (as might be the case when creating the block for a woodcut print) reveal an abstract form and an obsession with materiality and process that eludes a clear concept — which is also a weakness of this body of work.

Central to her oeuvre is her use of 16 and 35 mm film, a dependency not without its problems such as in 2011 when her lab in Soho, London informed her they would no longer be printing 16 mm film to immediate effect.

Other Warhol source images a photograph of an electric chair that inspired «Triple Silver Disaster,» which he created in 1963, when he was transitioning from hand - painted to mechanically reproduced pop, and a publicity still from the 1953 Marilyn Monroe film noir «Niagara,» cropped tightly and used to create his iconic «Marilyn» prints.

It also happens to be about as L.A. as it gets: when Sofia Coppola wanted to convey rock - star living at the Chateau Marmot in her film Somewhere she propped one of these prints up in the antihero's hotel room.

Alongside established photojournalists such as the Iranian - born Abbas, the V&A will be showing the work of Youssef Nabil, who once worked for David LaChapelle and was championed by Tracey Emin when she discovered his hand - coloured photographic prints made in homage to old Egyptian film stills.

Sometimes the results look merely silly, as when the American conceptual artist Mel Bochner, whose work (consisting of vaguely related words printed in capitals on canvas in various tasteful colours) we filmed in the last Whitney Biennial in New York, waited until a few days before broadcast to announce, through his agent, that he «did not wish to participate» in our film.

In 1962, when he began, his first rolls of film were Kodachrome, and only after the first year of working in color did he realize that black and white prints enabled him to hold images in his hands rather seeing them on a screen.

We have a wide range of frosted films, plain, patterned or printed; we also do solar control films for when things get too hot or too bright, safety films to make old glass secure, stained glass film to give your windows that period look, and a whole range of bespoke products including house numbers, shop window stickers, printed wallpaper and wall murals.