Sentences with phrase «film production did»

While thin - film production did not keep pace, it still grew by more than 60 percent.

Early Marker: Got her start in television and film production doing program acquisitions at her father's FX Networks in Los Angeles.

Just because China is working with the the U.S. on film production does not mean it's open to importing western tolerance.

Not exact matches

To pull it off, Catullo's team had to get over 180 permits to do the shoot, create a perimeter around the Acropolis that included over 400 security people, bring in their own TV truck and all key gear from the U.K., and become the first production granted permission to film at the Parthenon in almost 60 years.

While major production companies and distributors, à la Disney, typically get most of the credit for the success of Hollywood films, there are dozens of independently run startups like Rodeo that contribute in no small part to the success of projects, and without which these films would not look as glossy as they do.

«I know I'm biased because I'm their friend, but I think it'll be something that will live on for generations because it's done with excellence, not knocking anything else, it's just this is production 50 years past where some of the other films were made,» he said.

They're typically not the same production value as Hollywood films, but they were very successful selling tickets to Christians that didn't typically go to movies.

I promise to do all that I can to strengthen public opinion against the production of indecent and immoral films, and to unite with all who protest against them.

On Tuesday I had the pleasure of taking a film production crew from the Trinity Institute of Trinity Wall Street in New York around my hometown of Dayton, TN to introduce them to people in this community who are doing amazing work among the economically disadvantaged.

All that does is put more on film to clearly demonstrate he is fully recovered and a productive # 2 or # 3 WR (depending on production this year), increases his leverage and his price for next year.

Smith is a beast, the film and the production does not lie.

For example, a change in the filming dates for The WomenSuperstars finals resulted in a part of the production work being scheduled fora day when King was supposed to play doubles in a Virginia Slims tournament.Only after considerable discussion did she agree to switch the tennis date.

«So I then had a chat with another pal of mine, as I was clearly not a renowned film maker, and asked the advice of another Arsenal fan from the eighties who I knew who does some production.

Sam Hoyt, regional president of Empire State Development, explained that film makers are eligible for incentives if 80 percent of the production work is done within New York State, adding additional incentives if the work is done in Upstate New York.

Finally, the report said that a tax credit for film and television production, which Cuomo has proudly expanded, «should be scaled back because it does not appear to pay for itself in its current form.»

But it still filmed here, as did other productions — proving Nixon's point to the Buffalo News last month: «I don't think there's any real truth that that enormous expenditure of money is making a significant enough difference in production to justify it.»

Done and near - done deals Tax breaks for film production companies: This multiyear incentive is worth $ 420 million a year to the indusDone and near - done deals Tax breaks for film production companies: This multiyear incentive is worth $ 420 million a year to the indusdone deals Tax breaks for film production companies: This multiyear incentive is worth $ 420 million a year to the industry.

«We have developed a new type of protective coating that enables a key process in the solar - driven production of fuels to be performed with record efficiency, stability, and effectiveness, and in a system that is intrinsically safe and does not produce explosive mixtures of hydrogen and oxygen,» says Nate Lewis, the George L. Argyros Professor and professor of chemistry at Caltech and a coauthor of a new study, published the week of March 9 in the online issue of the journal the Proceedings of the National Academy of Sciences, that describes the film.

It does not refer to the size of the production or the budget, but to the poster for the film, in which the letters BEN - HUR are formed into a mountain - sized block of stone: see bit.ly / ben - hur.

Boslough was among the first western scientists to arrive in Chelyabinsk, where he did field research and accompanied a production crew filming Meteor Strike for NOVA.

I think the fact that they put so much love and attention into the details of each and every shoot and do not cut corners in making these basically full blown film productions is what has drawn the top trainers in the world to want to work with them.

Besides the fact that Franchise Pictures, the creators of this film, went bankrupt during its production, it looks like they didn't quite get a chance to finish it.

For National Public Radio and LA Theater Works Alma performed in the radio versions of Zoot Suit and Nilo Cruz's Pultizer Prize winning play Anna in the Tropics opposite Jimmy Smits.As a 25 year member of El Teatro Campesino (ETC) founded by Luis Valdez, she has appeared in landmark ETC productions of; Zoot Suit, both the film and play (1979 Los Angeles Drama Critics Circle Award - Best Play); Corridos, both the TV version (1987 Peabody Award) and play; I Don't Have to Show You Any Stinking Badges; and Mummified Deer (Back Stage West «Honorable Mention» for her role as Mama Chu), all written and directed by Valdez.Ms.

She attained star status with a 1929 New York production of The Wild Duck, but didn't consider film acting until she saw, and was impressed by, John Ford's The Informer (1935).

Don't look for this film during Oscar season, as the content beats the production, but give it credit for educating us on an important discovery, something perhaps we should all know about our potential.

The film feels like it's been assembled by committee, and news stories about the film's troubled production bear this out: after an initial round of photography during which the ending was being crafted almost on the fly, the film's release was delayed so that a new ending could be written and shot in an attempt to glue together two halves of a story that still don't feel like a whole.

In any shot that isn't a close - up, the transfer doesn't quite scream HD, although the aesthetic of the film as a whole, a definite throwback to the 70s style of indie filmmaking, doesn't necessarily lend itself as fair competition to a more polished 21st century production.

Whatever caused all the production angst on this film I don't know, but you never get the feeling that Forster loses control of the images, and «World War Z» contains several of the most effective big - canvas action sequences in recent history.

The joint audio commentary by Anderson, co-writer and star Jason Schwartzman, and co-writer Roman Coppola is more contrived and rambling, but does provide some interesting insight into the writing process and production of the film.

More detailed gore and suffering were likely shorn to ensure an already budget - bloated production had the best possible chances of recouping its cost with the broadest possible audience, but a zombie film does need gore, and the restored material could've been a little bit nastier.

«In the first film, he didn't think he was worthy of falling in love,» Mike Myers said in the film's production notes.

Sure, they have to force their AMD Opteron processors to conjure up all that flashy «ooh» and «aah» stuff, like, say swishy - whizzy magic - spell effects, or the impressive orange glow of dragonflame, but if you can't make the texture of Fiona's shimmery dress capture the light properly, if the audience don't truly feel they can reach out and caress that silky fabric, then the animators might as well all shut down their DL145 ProLiant servers, pack up their HP nx6125 notebooks («based,» it says in the film's fascinating production notes, «on AMD Turion 64x dual - core mobile technology to streamline a variety of production activities») and go home.

FYI, Gary Ross didn't leave for the second one, they started the process of building the second one before the end of production on the first film, so they always had a second team (including director) already in place.

The film is loaded with dodgy CGI (Wolvie's early bone claws look particularly bad, as does the de-aging makeup on a surprise cameo near the end), is poorly lit, and the production design seems incredibly rinky - dink for a huge summertime blockbuster - especially compared to last year's lavish IRON MAN.

The production design is fantastic and the action sequences extremely well done, particularly the brilliantly handled climactic battle and the film has a great deal of momentum that meant I enjoyed it more and more as it went on.

My favorite part of the film had to be the production and costume design and I usually don't pay attention to aspects like that.

Only nine months passed from the time that Spielberg read Liz Hannah's first draft of the script, to the time that he integrated John Williams» score into the final cut of the film, but «The Post» doesn't feel so urgent because it was rushed into production — it was rushed into production because it feels so urgent.

Being well - versed on the film's production from the book or How Did This Get Made (the hosts of which — Paul Scheer, June Diane Raphael and Jason Mantzoukas — all appear in this movie) only adds to this effect.

It was done before Star Wars and at a time when sci - fi films were mostly low - budget productions.

«Keith Carradine Demo» (12:06) sets the actor's four performances of three songs («It Don't Worry Me» twice, his Oscar winner «I'm Easy», and the unused «Big City Dreamin»») to film stills and production documents.

Though it does have its moments and a nice, creepy atmosphere, it seems more like a movie made for TV, with cheap production values, a lot of annoying clichés and a derivative plot that brings to mind a thousand better horror films that you could be watching instead.

But if it may not sound quite right, the production certainly looks splendid, with the natural live - action backdrops (filmed in England's Lake District as well as in Sydney, Australia) doing idyllic justice to Potter's world, while the CGI hits impressively photorealistic fresh heights — right down to the rabbit fur that oscillates convincingly in those gentle country breezes.

Ridley Scott «s 2012 prequel remains divisive and the public details about the new film paint the picture of a production that keeps everything that worked in that first film while quietly throwing away everything that did not.

While not quite as polished and satisfying overall as Chicago, the strength of the music, production and commentary on the ups and downs of the music industry do make for an interesting, thoughtful, and enriching experience to justify making a film version of, despite some of the more dated aspects of the original material.

Universal's creative team has been working closely with Stuart Craig and the production team from the Harry Potter films to make the new area as authentic and spectacular as possible — just as it did with The Wizarding World of Harry Potter — Hogsmeade.

We all wanted to love this film but the fact that it is about an African superhero and has an almost all black cast does not turn it from a mediocre production to an outstanding one.

They don't reveal any new plot details in the press release, but we do have a production photo featuring Villeneuve, Scott, Harrison Ford and Ryan Gosling hanging out around a bar and discussing the film.

Every October for most of the last two decades, director Adam Green and his production company Ariescope have released a new Halloween - themed short film, resulting in classics like Jack Chop (2009) and the hilarious Halloween «deleted scene» Driving Lessons (2012), and this year's 18th annual film, Don't Do It, has just arrived.

This is perfectly in keeping with the style of the Broadway production, which features much more of this style than the film does, with Condon beefing up the dramatic dialogue for purposes of an easier narrative and deeper characterizations.

I don't know if Kong: Skull Island will do well enough at the box office to justify its $ 185 - million - plus production budget on top of a dedicated park attraction, but what I do know is that I went into the film pretty skeptical... and came out feeling like the Summer 2017 film season had just kicked off three months early.