Sentences with phrase «film production studio»

Participated in the Micheal Hoffman Foundation and involved in an independent film production studio.

At NSU Art Museum, Kambalu's site - specific installation will reference Thomas Edison's Black Maria, the world's first film production studio in New Jersey.

Most recently her series «12 Days of Dreaming» was showcased at The Salon — an exhibition highlighting a dynamic range of contemporary female artists, in partnership with The Peabody Essex Museum and hosted at Sweet Rickey, a female - helmed film production studio in Boston.

Peretti first points to a company that started more than 100 years ago, Paramount Pictures, which owned a film production studio, its own cast of talent, and its own distribution channel in the form of theaters.

As Ian Olney explains in his recent book Euro Horror: Classic European Horror Cinema in Contemporary American Culture, Hollywood stole distribution tactics from B - film production studios, such as saturated openings, while also recognizing the viability of cheap sequels to accompany these methods, where films could make so much money in one weekend, as to become profitable, that whether or not audiences actually liked the film ended up being an afterthought.

Not exact matches

Nintendo is nearing a deal with production studio Illumination Entertainment on an animated film set in the world of Super Mario Brothers, according to a Wall Street Journal report on Tuesday that cited anonymous sources.

Prince William and Prince Harry toured Pinewood studios to visit the production workshops and meet the creative teams working behind the scenes on the Star Wars films.

QINGDAO, China, April 28 (Reuters)- Wang Jianlin, the billionaire boss of China's Dalian Wanda Group, said on Saturday he will turn the northern port city of Qingdao into a global film production hub as he launched a sprawling studio complex in a ceremony attended by hundreds.

The former, which sells and installs beehives at various company locations, has inked contracts with clients including Delta and Chick - fil - A, while the latter works with film studios and directors including Darren Aronofsky — charging them as much as $ 50,000 a pop — to make a film or television production more ecologically friendly.

An Orange spokesperson told Reuters on Wednesday that the company denies a recent unsourced report by French magazine Challenges that Orange had reached a deal with Vivendi that would include Orange buying a stake in Telecom Italia — the Rome - based telecom in which Vivendi has a 24.9 % stake — and buying up to 20 % of the film and television production studio Canal Plus Group.

The Motion Picture Production Code, introduced by the major studios in 1930, was a direct progenitor of the Comics Code, while the modern film - rating system and the Parental Advisory labels created by the Recording Industry Association of America in 1985 are all part of the same bloodline.

Amazon Video, the company's digital streaming site, launched in 2006, while the retailer's production studio — which now makes award - winning films and television shows — launched in 2010.

DeFrancisco said he's not going to drop his criticism of the state's film tax credits, a program that awards $ 420 million annually to one industry and stands to benefit the hub's first tenant, The Film House, a movie production studio.

A large building designed as a film studio, built some years ago on town land at the industrial park in Wainscott, received a go - ahead specifically because the board at the time sought to bring film productions into the town as an economic stimulus.

Steiner Studios is building a new soundstage at its film and TV production studio in the Brooklyn Navy Yard, after receiving up to $ 5 million in state grants in July.

Ben Nabors is a filmmaker and founder of -LCB- GROUP THEORY -RCB-, a collaboration - driven production studio; his films include William and the Windmill, Palimpsest, and The Happy Film.

AIM Studios is the TV production unit of Warren Miller Entertainment, the original outdoor production company, and is equally adept at filming in our state - of - the - art green - screen studio and in extreme environments around the globe.

John Ford had several bitter disputes with RKO Pictures while making The Plough and the Stars, especially after the studio re-shot several scenes with another director to tone down the film's politics; while he distributed several independent productions through the studio, he never shot another picture for RKO.

Knaggs» career reached a peak in the mid -»40s, when he worked in supporting roles in ambitious major studio films such as None but the Lonely Heart (a fascinating but failed attempt at a serious drama by Cary Grant) and unusual independently made features like Douglas Sirk's early Hollywood effort Thieves» Holiday, while also making the rounds of such popular medium - budget Universal Pictures productions as House of Dracula, The Invisible Man's Revenge, and Terror By Night.

This was Martin Scorsese's fourth feature film, and his first as a Hollywood studio production.

But the film embraces cultural specificity in a way that no other Pixar production has before, combining the studio's customary emotional directness with a deep dive into a great nation's art, music, history, and customs.

In fact, the film's production studio, Paramount Pictures, voiced their concern on it being too intellectual and complicated for the masses and decided not to release it widely in cinemas in fear of losing money.

After making his name with three independent films in Shotgun Stories, Take Shelter and Mud, director Jeff Nichols approaches his fourth feature with a bigger budget, making it his first studio production and allowing him to operate on a slightly more ambitious and grander scale.

Before Marvel became a production studio powerhouse, a solo Black Widow film almost went into production over at Lionsgate.

Production designer Santo Loquasto created much of the sets at the Kaufman Astoria Studios in Queens, Allen's go - to film studio in New York.

It's a tribute to stars Benson and Moorhead, who combined to direct, write, edit and shoot the film, that their micro-budget project comes off more haunting than many big - studio productions with 100 times (at least) the budget.

Naturally, fans would be able to easily tell the difference between a film from a studio production and that of a low - budget film, but as you find out watching The Disaster Artist, Wiseau's The Room was hardly a micro-budgeted project.

I assume the shortcomings are the result of the film's production and not Well Go's Blu - ray mastering, although this represents my first taste of the small studio's output.

THR is reporting that, in addition to Patty Jenkins not being set to direct Wonder Woman 2 just yet, the studio is currently focusing on putting together the Justice League Dark and Batgirl films, with the hopes of having them go into production next after Aquaman.

The film was rightly savaged by critics, made just $ 50,000 at the box office, which must be close to a record for a major studio production (it was produced by Disney subsidiary Hollywood Pictures), and essentially ended Eszterhas» career.

Featuring George Clooney, Scarlett Johansson, Ralph Fiennes, Tilda Swinton, Jonah Hill, Josh Brolin, Channing Tatum, Frances McDormand, and others, the meta movie - making film follows a 1950s production whose star (Clooney) is kidnapped in the middle of shooting, and the studio must scramble to find a way to get him back.

The slate of HD extra features comprises the usual studio - sponsored assortment of interviews and B - roll highlighting what the filmmakers feel were the most impressive aspects of the production and post, plus some narrative material that didn't make it into the finished film.

Throughout the film's production, Reynolds and Deadpool 2 studio 20th Century Fox have been very crafty about not revealing any potential spoilers for the film, and in fact, made normal procedures such as casting announcements - like the addition of Cable (Josh Brolin) and Domino (Zazie Beetz) to the film - feel like pop culture events.

3D is already being heavily pushed on every director making a bigger budget film and studios are creating small production companies to make Paranormal Activity - like films.

Get Out was released by Jason Blum's Blumhouse productions, a studio that can easily be described as the modern - day saviour of the low - budget, major - release film, even if they most recently subjected us to the latest M. Night Shyamalan misfire, Split.

Photographed and their work described in intertitles are writers, directors, actors, casting, extras, wardrobe, cameramen, still photographers, production manager, drafting and construction, orchestra, the power house, lighting, dancers, film lab, publicity, and the studio barbershop, restaurant, and hospital.

Not until a film hits the ground does a studio realize a fix is needed, and finance sources inform us that with Last Knight «s reported production cost of $ 217M and a global take of $ 604M, it's generating a small loss.

During his lifetime, his films were dismissively referred to as «home movies,» but in the age of iMovie his kitchen - sink production studio looks positively prescient.

Besides these two films, the studio had a great video of Ben Stiller as Derek Zoolander for Zoolander 2, a video message from J.J. Abrams and director Justin Lin for Star Trek 3, a logo for Ninja Turtles 2 and production artwork for Bebop and Rocksteady, some footage from Monster Trucks, and more.

An in - house production by Paramount, this promotional film was put together in 1931 in anticipation of publicizing the studio's two years in business (1912 - 1932).

Robert Altman and Francis Ford Coppola, arguably the two pivotal figures of American cinema in the 1970s, both rose from the turmoil of the transition from studio - based to independent production, to emerge as leading forces in film production as well as film style.

Director Matthew Vaughn and his production team made this film without a studio, knowing that someone would buy it when they were done.

An independent production for the short - lived studio International Pictures, the film fell into the public domain when its copyright was not renewed.

Erik Olson will executive produce the film, which Universal's EVP of production Scott Bernstein will oversee for the studio.

A handful of earlier films had examined (for some, exploited) juvenile delinquency but these productions, such as Youth Runs Wild (Mark Robson, 1944) and I Accuse My Parents (Sam Newfield, 1945), had been low budget efforts of smaller studios.

Star Mel Gibson (Signs, What Women Want), who had picked Helgeland to direct the film based on his script to begin with, brought in a new, unnamed director (subsequently leaked as production designer John Myhre) and screenwriter (Terry Hayes) to make the changes the studio wanted.

«Star Wars» Sequel: All six previous «Star Wars» film have shot some scenes at U.K. studios, but almost all of the production on J.J. Abrams» upcoming sequel will be done in the country, including the visual - effects work.

But Marvel, like most major studios with hundreds of millions of dollars on the line, is not known for calling an audible just prior to production of arguably the most massive tentpole film in their roster, any more than it's going to green - light a Black Widow film until well after Jennifer Lawrence has made one of her own.

Titled The Hero's Awakening, the movie is being produced through the Russos» Anthem production studio, which they founded earlier this year to focus on making films for China's massive, highly lucrative movie market.

After the production company and film studio acquired Stuecken and Campbell's screenplay, Trachtenberg signed onto take the helm of «Cloverfield's spiritual sequel.