Sentences with phrase «film reels for»

This is why people were unnerved watching The Hobbit at 48 frames per second as opposed to the 24 fps we've been seeing from film reels for decades, later mimicked by digital cameras and projectors.
More unusual, however, is film and textile, which is the intersection Greg Climer is investigating with his literally huge undertaking «Knitted Film,» for which he plans to have every frame of a film knitted into an impossibly long scarf, which will then serve as the film reel for a video.

Not exact matches

A third film, The Law and the Prophets (McGraw - Hill Text Films, 1970; 51 min., 2 reels, color), not only offers a good summary of the Old Testament but also demonstrates the influence of the Bible on Western art, for, it shows great works of painting and sculpture inspired by the Bible.
The manual set up of printed film after product changes can be time consuming and problematic for users of tray sealers, however by incorporating these settings into individual recipes in the screen, the Revolution automatically adjusts the reel position when the recipe is selected.
BOX 13, C -4-4; 30215271 / 734809 Film - Program Series «Here's Science» Part 7 Reel No. 2, 29 minutes Reel No / 4 Reel No. 1, 31 minutes Black and White Film - Predicting 2 (Kobin), mag stripe work print, 23 minutes (Kobin), mag stripe work print, for editing, 23 minutes (Podendorf), mag stripe work print, for editing, 23 minutes «Discovery», A.T. and T. Science Film, 28 minutes, Sample Print # 7, 1 Jan. 1975 unlabled film
Researchers from the Kavli Institute of Nanoscience at Delft University and EMBL Heidelberg now managed for the first time to isolate and film the process, and witnessed — in real time — how a single protein complex called condensin reels in DNA to extrude a loop.
April 20, 2018 - MIT engineers develop reel - to - reel technique for making graphene film, which could be particularly useful for making filtration membranes.
For example, when you look at a person's profile, you can see a lot of icons with numbers beside them: a question mark, a people icon, a book, a film reel, a television, and a camera.
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For what it's worth, The Hills Have Eyes II's unrated DVD features four minutes of deleted scenes (nothing the least bit distinguishable from what finally wound up the film) and a short gag reel (again, could've plugged it into the picture proper with no disruption to continuity — or lack thereof).
What the film lacks is genuine suspense, because for all of its twists and turns, the set - up never reels us in effectively enough to bother paying attention when things become odd, and all interest is jettisoned in time for the epilogue where all is supposed to be explained.
If anything, the tiny - budgeted film (though not that poor considering the filmmakers licensed a David Bowie song) is a sizzle reel for Josh Trank who shows he can do on a fraction of the budget what many directors in Hollywood can't do with hundreds of millions.
For the release of the film, Reel FX Creative Studios, Relativity Media and Odd City Entertainment teamed up to produce a great screen print from one of our favorite artists, Graham Erwin!
(For the record, I've seen it twice — and my Reel Faith co-host David DiCerto has seen it four times — and we've both found that the film benefits from repeat viewings... which is a good thing.)
EXTRAS: The two - disc set doesn't have much for a movie its size, but there are three production featurettes — on location shooting, filming the train chase sequence and cowboy boot camp — as well as a deleted scene and blooper reel.
The premiere's yakker concentrates on the presentation reel submitted to The WB (and Spielberg, for clearance on the use of E.T. and posters for his films) and items specific to the pilot, such as Steve Miner's direction and Williams's sundress pulling a Seven Year Itch.
Actor Michael Cera was left reeling in pain after Rihanna slapped him for a scene in new apocalyptic comedy movie This Is The End.The film marks Seth...
After a number of archival film elements were scanned at 4K resolution at Warner Bros.» in - house Motion Picture Imaging lab in Burbank, the original camera negative of the film came to light, providing the basis for the majority of the restoration — that is, until the negative's inferior final reel necessitated dipping into another archive altogether.
Watch a kick - ass new sizzle reel for the upcoming action film «Guido» by director Colin Campbell and starring Alki David (The Bank Job, Fishtales), Billy Zane (Titanic), Armand Assante (American Gangster, Judge Dredd) and Gary Busey (Piranha 3DD).
Three years later, he and I attended Spider - Man 3, and I remember so well, because the movie company for the second film had open concession for press, the reels were out of order so we had to wait a long time for the projectionist to reorder them, and when the villain, Venom, hit the screen, Case turned to me, took hold of my shirt and said «I am ready to go Meema» — his eyes wide.
We've seen some deleted scenes, and today we have a glimpse at the gag reel for the film.
Galleries of production stills, production art, filmmaker biographies, posters, lobby cards, merchandise, set documents (call sheets and the like), and a screenplay excerpt of the film's climax (Felton had a beautiful command of language), three radio spots, storyboard - to - screen comparisons for the scuba and squid scenes, an outtakes reel, and 20,000 Leagues Under the Sea's 1954 theatrical trailer finish off this exhaustive treasure chest of a DVD.
Since both films well pre-date the preservationist era of film - as - art - and - heritage — Greed was released in 1925, The Magnificent Ambersons in 1942 — they have suffered the further indignity of being unreconstructible; studios back in those days didn't hang on to excised footage for the sake of future director's cuts on DVD, so the reels upon reels of nitrate film trimmed from the original versions were — depending on which movie you're talking about and which story you believe — burned, thrown in the garbage, dumped into the Pacific, or simply left to decompose in the vaults.»
A 3 - minute gag reel in which Cuthbert cracks up while faking an orgasm acquaints us with a moment or two found only in the section of deleted / extended scenes (16 in all, totalling 11 minutes), wherein Greenfield, providing optional voice - over, repeats «cut for time» like a mantra and generally demonstrates — as he does in his yakker for the film proper — that he rolls over easily when confronted with studio research.
The idea of properly introducing the eponymous monster in the first reel might seem to go against the genre's rules of suspense, but it's crucial to the tone of the film: it moves us past the usual build - up and straight into the conflict typically reserved for the final act.
«Whisper of the Heart - Special Trailer Collection» (10:45) is one long reel that joins numerous teasers, TV spots, theatrical trailers, and promotional films for the movie.
Russell and Carpenter return in a recently - recorded optional commentary for the film's fabled «missing reel» (11 mins.).
The funds raised will support the costs of the NFPF streaming the film (that is, the four reels of it that still exist) on their website for four months.
Home Video Notes: Spider - Man: Homecoming Release Date: 17 October 2017 Spider - Man: Homecoming releases on home video (Blu - ray / DVD / Digital Copyor Blu - ray 3D / Blu - ray / Digital Copy) with the following extras: - The Spidey Study Guide - 10 Deleted Scenes - Gag Reel - Seven Featurettes: «A Tangled Web» «Searching For Spider - Man» «Spidey Stunts» «Aftermath» «The Vulture Takes Flight» «Jon Watts: Head of the Class» «Pros And Cons of Spider - Man» - Rappin» with Cap: Captain America PSAs - Photo Gallery 4K Ultra HD Bonus Materials Include: - Feature film presented with Dolby Vision high dynamic range and Dolby Atmos sound - The Spidey Study Guide - Photo Gallery
As reported by Pamela Hutchinson at Silent London, silent film historian Jon Mirsalis unexpectedly rediscovered the second reel of Laurel and Hardy's 1927 film The Battle of the Century, lost for 60 years.
Reel News Daily is exclusively premiering a clip from the politically relevant film, FOR HERE OR TO GO?
is a contemporary promo reel for the film with more such behind - the - scenes banter about story, locations, and performers.
The end results are plenty of production details, backgrounds on cast and crew members, and with the exception of the final reel, the pacing is pretty brisk; it's only their admiration for actor Arthur Dignam that results in dead spots during the film's denouement.
He's dutifully sincere and in awe of the efforts that crafted the film's striking look, but with zero info on the novel, script adaptation, lead actors, memorable character actors, and Mamoulian's obvious style and use of heavy subtext in so many scenes (including the heavy religious iconography that goes bonkers in the final reel), it's a huge lost opportunity for film fans.
We're talking about biopics: those films that take the real - life stories of musicians, politicians, artists, atheletes and other famous folks, and mine them for reel - life fodder.
He writes for his own film site, Reel Nutrition.
That's followed by a 12 - minute making - of featurette, five deleted scenes (each presented with the optional accompaniment of the commentary crew), a fun and brief piece called «The B Team» that spends some time with three cast members (Juliette Lewis, David Koechner, and Kick Gurry) who felt left out after they joined the filming a few days late, a blooper reel, and a music video for «Put Your Head on My Shoulder» by Blue Mother Tupelo.
Reel FX launched its feature length development and production slate in 2010 after almost 20 years of experience as an award - winning one - stop studio for the creation of animated content including films, special attraction / live venue projects, and interactive projects for companies like Fox, Warner Bros. and Universal Studios.
Reel FX's own film slate follows almost 20 years of experience as an award - winning one - stop studio for animated content including films, special attraction / live venue projects and interactive projects for companies like Fox, Warner Bros. and Universal Studios.
Fulfilling another commonly - found Ghibli supplement staple, a 12 - minute reel of Japanese trailers and TV ads for Howl's Moving Castle illustrate how the film was previewed in its homeland for its fall 2004 theatrical opening.
in full - frame with lots of film clips, B - reel footage, and an interview with Parker that consists mainly of him thinking back on how many people he saw for the flick and a couple of casting interviews.
Washington, D.C. — In a historic year for African - Americans in films, in front of and behind the camera, the year's biggest winner at the 17th Annual Black Reel Awards was the small and intimate coming - of - age story of a young boy growing up in a tumultuous, yet nurturing community environment, searching for answers about his sexual identity in Barry Jenkins» cinematic masterwork, Moonlight.
The Black Reel Awards is the major fundraiser for the Foundation for the Augmentation of African - Americans in Film (FAAAF) and annually spotlights Black cinematic excellence in films and performances in theatrical, independent, television and world cinema films.
«Momo: The Sam Giancana Story» has played at film festivals and won two awards — best doc at the Hollywood Reel Independent Film Festival (which runs through Dec. 12) and the jury award for best doc at the Bel Air Film Fest in October.
'' «Sucker Punch» reportedly shed nearly an entire reel's worth of footage in order to land a PG - 13 rating, and even then, the film feels highly inappropriate for young viewers.
For those still unfamiliar, the film is an attempt to reel in all of whom Greenberg failed to hook.
A new Ant - Man and the Wasp trailer debuted today, and for those still reeling from the heavy events of Avengers: Infinity War, it appears this Marvel Studios sequel will do exactly what the first film did following Avengers: Age of Ultron: allow some levity and fun to permeate the Marvel Cinematic Universe.
EXTRAS: In addition to a pair of production featurettes, there are some fictional promo videos made for the film and a gag reel.
She must have confused him with someone else, for the final extra pretty well sums up the worth of the female roles in this film: «Action Overload,» which edits together all the bartenders» dance sequences — «the hottest moments from the movie,» according to the disc box — into one MTV - ready reel.
The film premiered at the 2013 Toronto International Film Festival and was nominated for «Outstanding Television Documentary» at the Black Reel Awards.
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