Sentences with phrase «film scene after scene»

Not exact matches

For The Amazing Spider - Man 2, her efforts led to the use of biodegradable snow, the use of steel and glass materials that could be re-purposed after the film wrapped, and replanting trees and fixing benches in a Hurricane Sandy - damaged area for a scene.
It's similar to the ways movie directors set up blue screens behind actors so they can overlay scenery after they film a scene.
Despite a real - life narrative stuffed with secrets and suspense, the film version quickly feels bloated as Stone treats us to scene after scene of Snowden struggling with his inner dilemma and, especially, with his devoted girlfriend, Lindsay, who is a major character in her own right.
In the most haunting scene in the film, sometime in the middle of the wintry night after he drives by Akron, Ohio, where he knows his two - year old child lives, whom he until recently thought was aborted, Davis encounters one of those cats again, apparently one he abandoned, when it darts out in front of his car.
Ancelotti is currently taking some time out from football management after being let go by Real Madrid at the end of the 2014/15 campaign, and is said to have already filmed his scene in the movie in Vancouver, where his wife Mariann is from (via Metro).
It wasn't until after I moved here in 1989 that I slowly learned where certain movie scenes were filmed.
I was passionately engaged in the music scene in New York City and married my husband just after filming a video for MTV...»
Dietl was set to play the mayor of New York City in a movie scene being filmed Saturday afternoon, shortly after his appearance at Council Member Eric Ulrich's Howard Beach campaign office opening.
they must film this scene in the first person, the applause and cheering muffled, like they do in war movies after big explosions.
There's a row in the Assembly after a bid to film behind the scenes in the run up to next May's election was blocked by one of the parties
After watching a scene from the film Trainspotting, in which a character reaches into the bowl of an indescribably filthy toilet, they sold a pack of pens for an average of $ 2.74, compared with a price of $ 4.58 for participants shown a neutral clip of coral reefs.
San Francisco - based sex therapists Danielle Harel, PhD and Celeste Hirschman say their favorite scene comes from this 2006 film: when Norton and Biel's forbidden lovers reunite after being separated for 15 years.
Apparently, Alix Tichelman and Mr. Hayes met on this dating site and agreed to go for a cruise on his yacht where she provided him with heroine, after which it is alleged to be on film showing that Mr. Hayes got violently ill and Alix Tichelman is said to have hid the drugs and fled the scene.
About Insurgent star Theo James smolders in London after admitting to needing booze before filming hardcore sex scenes.
American Idol runner up Katharine McPhee films a Scorpion scene with ex Elyes Gabel amid confirmation she's dating music producer David Foster Katharine McPhee and Elyes Gabel have split after almost two years of dating, a source confirms to Us Weekly — details
He was named after Insurgent star Theo James smolders in London after admitting to needing booze before filming hardcore sex scenes.
I think that it's been certainly proven that this was not the case after seeing The Spirit, Robert Rodriguez clearly directed that film (with the obvious exception of Taratino's scene).
Already revered for his obnoxious turns on The Daily Show and Anchorman, among others, Carell proves himself a genuine leading man, somehow maintaining Andy's good - hearted dignity under extreme circumstances (in the film's most emphatic gross - out scene, a drunken pickup vomits on him after a death - defying drive, then says she'll still have sex with him if he wants, which... he doesn't).
Haneke's methods are clear from the opening: after a long, quiet stretch of simple credits, followed by an extended black screen as silent as the grave, the film smash - cuts into its first scene with a terrifying jolt.
(Oddly enough, that shopping spree makes The Apparition only this summer's second most Costco - obsessed film, after The Watch, which stopped short of featuring a scene in which cancer - stricken children were healed just by walking through the store's aisles.)
A late - film bit of business featuring Trintignant catching and freeing a pigeon flying loose in the apartment has been criticized for its heavy - handedness, but the problem with this expertly directed scene has more to do with whether such a gesture feels tonally earned after so much horror.
At least, they could have filmed this in somewhere better to view, instead of such a drap scene after scene.
After a lyrical introduction that layers wistfully reflective voiceover over a spun - sugar cloudscape, the film's opening stages are less concerned with setting a scene than they are with establishing a vivid and unshakable sense of trauma — zeroing in on isolated images of slaughter, human and otherwise, in disorienting darkness.
This is a film that stays with you long after the end credits have rolled - not for any specific scene, but because of the sheer darkness of it all.
In most cases, flashbacks often do nothing for a film, except oversell the protagonist's loss with affected sentimentality, in a scene that depicts happier times, where the grieving spouse gets all red - eyed after waking up from a reverie.
In the film's scariest scene, her enraged father, Jerry (Daniel Baldwin), goes after Tommy with a baseball bat.
John Ford had several bitter disputes with RKO Pictures while making The Plough and the Stars, especially after the studio re-shot several scenes with another director to tone down the film's politics; while he distributed several independent productions through the studio, he never shot another picture for RKO.
Well the film was wide release, so it makes sense there wasn't an entirety of focus on the specifics, but I still think it would have worked better if it was more like the trailers professed intentions; doco style, with vignettes of alien / human scenes that emphasized and helped explain, not found footage either, like for example, after talking about Wikus in the past tense, it could focus on him for a bit then move on, but it stuck with him, and the film changed gears, I just thought it would have been better to focus on other things, as opposed to dumbing the plot down to one man and his battle against the evil government / corporation, and still stay in the doco style, it could have worked, no?
To draw out of him natural crying during a scene in the film, for example, Levy played for Goyo «First Breath After Coma» by Explosions in the Sky.
It is a measure of the shortcomings of this genial, well - meaning but ultimately unenchanting film that scene after scene is stolen by the second bananas.
After this lengthy introduction in Scott Neustadter and Michael H. Weber's screenplay (based on a book by the real Sestero and Tom Bissell), the film turns to a lengthy recreation of the in - front - of - the - camera and behind - the - scenes mishaps of the making of The Room.
The songs are familiar but more importantly they're kind of perfect songs within the context of the scenes, God knows I was singing «Gloria» in my head for a few days after seeing the film.
The film is surprisingly explicit, both in terms of nudity and some unexpectedly gruelling torture scenes — six months after the phantasmagoric depredations of Mother!
Despite the film being set in the late 90s / early 00s, the music is all from the early 90s and, clumsily, a number of posters in the background of scenes are of films released years after.
But on each occasion another scene starts up soon after, which gives the distinct impression of a film which either doesn't know how to end or which has multiple endings, none of which are conclusive.
Not only are these scenes a lot longer and more expository than they need to be, but they give the sense of a film crew fighting against the material; the camera chases after the story, rather than grabbing it by the scruff of the neck like a proper adaptation would.
While the film has a few mildly humorous and even tender moments, they are mostly drowned out by one outrageous scene after another.
The film editing is a bit clunky, with the camera sometimes lingering too long on actors after a scene has concluded, making the transitions a little rough.
Once Ricky and Hector, or Hec (Sam Neill)-- the latter an older bushman Bella cares for before she suddenly dies — go on the run in the wilds of New Zealand after child protective services seeks to return Ricky to a care home following Bella's passing, Paula reveals herself as more of a fanatical zealot than she let on in that first scene («no child left behind» is her frequent motto, which she utters in the film with seemingly unthinking reflexivity).
Not long after our intrepid heroes» arrival in Hollywood, there's a big showdown including most of the characters from the film, and this single scene probably packs in as much madcap insanity as the whole running time of Meet the Feebles.
On a second viewing, I hope that the film undergoes a transformation from a structuralist to a post-structuralist school of thought after that demolition scene.
Long after British - born actor Herbert Rawlinson had passed from the scene, film fans who'd grown up in the teens and twenties retained vivid memories of his virile good looks and the solid reliability of his characterizations.
Later, we observe the filming of a scene in which Vera Farmiga's Lorraine Warren is dusting herself off after taking a nasty fall into a musty, creepy, crawlspace.
Spider - Man: Homecoming hits theaters tonight and fans will want to know if there's an end credits scene after the film!
Although they help set the tone at the outset of the film, we don't need more of these scenes after her first action sequence as her character's MO is very clear.
Nicholson's come in a graveyard scene at the beginning of the film and in the long stretch after he returns to his home.
About Photo # 3924187: Spider - Man: Homecoming hits theaters tonight and fans will want to know if there's an end credits scene after the film!
David Fincher was once attached to the film but departed due to «creative differences» after Universal reportedly wanted to portray Shyamalan's 2008 film «The Happening» as a massive box office hit, including a scene where «The Happening» won Best Picture over Fincher's «The Curious Case of Benjamin Button.»
After that, it was a collage of scenes from the film (which Spielberg noted represented some of the earliest renderings out of Weta).
-- There is a short mid-credits scene and an end - credits stinger that teases what is to come after this film.
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