Sentences with phrase «film scene grew»

Emerging from the Sundance Film Festival, the US independent film scene grew into a distinctive and original creative movement.

Not exact matches

So we were watching the newest installment of the Chronicles of Narnia film series — Prince Caspian — the other night, and I found myself growing increasingly uncomfortable with the use of a Christ - figure (Aslan) in battle scenes.

Everyone I know who has grown up here or lived here for more than five years has a story, wants to tell you where this show was filmed, where that actor ate or where the scene where he finally kisses her was filmed.

The film wasn't great, but I had a really lovely night, and would recommend some of the other outdoor movies the British Film Institute are screening this summer, especially if, like me, you grew up watching the film Grease with the iconic Drive - Thru movie date scene... something it's otherwise very hard to recreate, living in the UK in this day and age.

The film's subtler truths seep through in scenes where one of the adults spends time with their children, who are more aware of what's going on than any of the grown - ups.

I can't even describe what happens in the scenes he has with the mystery - baby in a non-profane way, but when that kid grows up he's going to be either really embarrassed or totally popular for having been in this film.

By the time we get to the bar scene, we're willing them to get with things so much that we don't really mind whether they grow as people or not, and at the end of the film everything goes (more or less) back to the way things were.

It's a tremendously engrossing scene that ultimately stands as the film's high point, with Weaver's sitcom - like sensibilities ensuring that Weather Girl suffers from a pervasively uneven vibe that only grows more and more problematic as time progresses.

Long after British - born actor Herbert Rawlinson had passed from the scene, film fans who'd grown up in the teens and twenties retained vivid memories of his virile good looks and the solid reliability of his characterizations.

In between those two scenes comes a wonderfully crude film (we're talking Superbad levels of raunchiness), but one in which the overall vibe is sweet: kids patiently waiting for their parents to grow up already.

Something many teens might enjoy about the film is the idealized portrayal of the «way cool» (for adults, they will be «way too cool to believe») parents, Kat (Enos, Sabotage) and Denny (Leonard, The Shaggy Dog), who grew up in the punk rock scene, only to settle down and live a straight - laced life, though still instilling a sense of individuality and fun in their own children.

The fantastic Bruno Ganz (best known in the US for «Wingsof Desire») plays Hitler with a broken kind of humanity that makeshis evil subtler than expected, but by extension all the more chilling.His senior staff is accounted for nearly every moment of the detailed film, but none of them stands out except Ulrich Matthes as psychotically loyalpropaganda minister Joseph Goebbels, and Corinna Harfouch as his wife.She has the film's most disturbing scene, poisoning her children to «save «them from growing up in a world without National Socialism.

Every scene, every shot and every character helps build this driving energy, which manages to keep growing throughout the film.

Ratner grew no less shy this weekend, according to Twitter and several Vulture sources: After a screening of his film Tower Heist at L.A.'s Arclight Cinemas, the director came out for a Q&A, and when asked by the moderator whether he prepares and rehearses with his actors before shooting a scene, Ratner waved his hand dismissively and said, «Rehearsing is for fags.»

One of the key scenes in «Nebraska» comes fairly late in the film, when Woody and his wife and two sons (Forte and «Breaking Bad's» Bob Odenkirk) wander through the abandoned house in which he grew up.

Stiller's Josh goes ballistic way too early in the film, and after his big meltdown scene in the crooked banker's apartment, the character has no room left to grow.

She remembers Gortner as the high - energy den leader of the cast, on a shoot that ran far too long, and discloses that co-star Ida Lupino — herself a budget filmmaker of some renown — grew so fed up with the schedule that she wrote a death scene for her character, browbeat Gordon into filming it that very day, and went home.

If the ecologic message could have been more rooted into the plot of the film, and especially not treated with such harshness, this also would make the film a bit more palatable, as young children might feel a bit distressed during the later scenes of imminent danger to all of the characters they have grown to love.

One scene involving a certain early - 90s film is absolutely gut - busting, but even that smart joke grows a bit tired as it keeps getting mentioned.

Credit goes to Quaid and Grace for never playing any scene in a vacuum, allowing their characters the complexity to express without having to explain verbally, and to grow in their experiences before the film ends.

There are only a few action scenes in this drama but the first two films were often too graphic in their depiction of children being killed (something that often grew tiresome) so this film feels like a nice departure.

Pinocchio tries to escape, is locked in a cage by Stromboli, is visited by the Blue Fairy, and then (in one of the best movie scenes ever filmed) tells her lies and finds that his nose grows and grows and grows.

But lest this make BPM sound like a dry procedural manual for would - be change - makers, let me note that the movie also throbs with ecstatically filmed nightclub dance sequences and one of the hottest sex scenes of the year, between Pérez Biscayart's Sean and Arnaud Valois as a newcomer to the group who becomes his lover and, as he grows sicker, his caregiver.

The Cloverfield Paradox is an unholy mess... The characters here never feel like they could exist in a world outside of this space station, all of them barking in tech - speak at each other, rarely acting in what could be classified as recognizably human behavior... As the film bumbles from one confusingly mounted scene to the next, disappointment turns to boredom... The Cloverfield franchise is rumored to grow even more later this year with a second world war - set thriller potentially unspooling in October.

It's a rare film that makes you think deeply about the world around you while also making you laugh hard at scenes of nudity or a grown man walking down the street wearing a hairy monster costume.

The rare Woody Allen film that's sold as an ensemble piece but is in fact a star vehicle, Blue Jasmine essentially acts as its own Best Actress campaign, with Blanchett appearing in virtually every scene and growing more deliciously unhinged as each minute passes.

The film's final scenes, showing the actual figures themselves as grown adults, gesture at healing, closure and forgiveness.

It's a spellbinding film that manages to grow creepier as it progresses, and flows seamlessly from scene to scene.

With a trailer for his unreleased 2007 sex comedy «Oliviero Rising «hitting the web a few weeks back, the rare presence of Vincent Gallo on the film scene recently grew just a bit more noticeable.

Where the film eventually goes astray is when the screenplay by Carol Black («Growing Pains», «The Wonder Years») starts spewing forth scene after scene of well - intentioned, but completely patronizing material on how Mark shouldn't be punished for pretending to be Black because he learned that it isn't as fun as he thinks it is.

The «Peter Pan» Diamond Edition Blu - ray ™ Combo Pack (Blu - ray ™ + DVD + Digital Copy & Storybook App) is a «must - own» addition to everyone's home entertainment collection, filled with high - flying bonus features for all ages that includes — the groundbreaking feature Disney Intermission, Growing up with Nine Old Men short film, never - before - seen Deleted Scenes and a never - before - heard Deleted Song.

«grown - ish» star Trevor Jackson stars in an update of the»70s blaxploitation film about a young Harlem drug - dealer, this time set in Atlanta among the thriving hip - hop scene.

Thirty years on, the Austin Film Society has become the cornerstone of Austin's thriving film scene — the organization has grown to include more than 1,900 members and founded the offshoot production facility Austin Studios — supporting a community of filmmakers and cinema lovers devoted to AFS's mission of film appreciation.

It's not an exaggeration to say that, from this point on, almost every scene in the film feels pivotal, momentous, in much the way that the characters in this two - hander experience their growing attraction.

From the close - ups of the actor to his delicate scenes opposite Cynthia Nixon (who plays his cancer - stricken mother), the film is an intimate look at the main character as he struggles with his own demons and his mother's growing illness.

The film had a great story, intrigue, fun characters, good humor, fantastic fight scenes and most importantly, grew the Marvel Universe by adding so much to

She grew up on the sets of Francis Ford's films and even appeared as a baby boy in the christening scene of The Godfather.

Presented as part of the Club 57 exhibition, this survey celebrates film and video created during New York's post-punk period, including landmark examples of No Wave, Cinema of Transgression, and independent films that grew out of the East Village scene and were first exhibited in area venues like Club 57, New Cinema, Millennium, and others.

Home to more than 2.3 million residents, Metro Vancouver has grown in recent decades to reflect a more diversified economy — incorporating a vibrant film, television and video game production scene within an established high - tech sector — along with a strong service economy comprising engineering, construction, financial services and legal firms.