Not exact matches
This crime
film, in the tradition of Bonnie and Clyde, is the directorial debut of writer John Ridley,
scripter of Oliver Stone's U Turn.
Well now word has come from the
films original
scripter, Larry Cohen, that both he and Lustig will co-produce the upcoming remake alongside DRIVE and BRONSON director Nicolas Winding - Refn.
The USC
Scripter has announced their nominations: The finalist writers for
film are, in alphabetical order by
film title: Scriptcreenwriter Eric Heisserer for «Arrival,» adapted...
But I'm obviously applying way too much thought on a
film that clearly wasn't thought out, certainly not by director Adam Shankman and
scripter Karen Janszen, working from Nicholas Sparks» novel; «When in doubt, resort to a cliché or stereotype» seems to be their philosophy.
Everything in the new
film plays exactly as it did in the
film from nearly 40 years ago, with a few contemporary wrinkles thrown in by Van Sant and Joseph Stephano,
scripter of the original.
The screenplay by Four Weddings and a Funeral
scripter Richard Curtis (who «devised» the Mr. Bean character with Atkinson) and Robin Driscoll does not offer much in the way of plot; the
film hangs upon a very basic premise (inept, clumsy London National Art Gallery employee Bean is sent to a Los Angeles gallery as an art expert).
And although the movie does slow down considerably as it progresses, Felony benefits substantially from an influx of surprising plot twists throughout its midsection - as
scripter Edgerton peppers the narrative with unexpected occurrences that effectively perpetuate the
film's forward momentum.
Extras include audio commentary by
film critic Richard Schickel on East of Eden, author Douglas L. Rathgeb (The Making of Rebel Without a Cause) on Rebel Without a Cause, and filmmaker George Stevens Jr., Giant
scripter Ivan Moffat and
film critic Stephen Farber on Giant; four documentaries on Dean, two on Stevens and two on Giant, all generally running 60 - 90 minutes apiece; making - of featurettes, deleted scenes and screen tests for East of Eden and Rebel Without a Cause; and theatrical trailers.
While not in the upper echelons of celluloid le Carré — The Constant Gardener and The Spy Who Came In From the Cold are still the ne plus ultra of his adaptations, if you ask me — The Russia House is nevertheless a worthwhile endeavor, benefitting from the combined talents of director Fred Schepisi (a perfectly lovely man whom I had the opportunity to meet at the 2012 RiverRun International
Film Festival, there to hold a Q&A following the screening of his
film The Eye of the Storm; photos and coverage here),
scripter Tom Stoddard, and an exceptional cast.
Chaired by USC professor and past president of the Writers Guild of America, West, Howard Rodman, the 2018
Scripter selection committee selected the finalists from a field of 91
film and 28 television adaptations.
But, of course, this is all just a flimsy foundation upon which director / co-writer Rick Friedberg and fellow
scripters Dick Chudnow, Jason Friedberg, and Aaron Seltzer hang set pieces parodying specific
films such as Pulp Fiction, True Lies, Speed, and In the Line of Fire, to name a few.
It's similarly
scripter Josh A. Cagan's less - than - subtle handling of the material that slowly - but - surely cements the
film's failure, as the movie, to an increasingly aggressive extent, adopts an afterschool - special vibe as Cagan hammers home his «it's okay to be a DUFF» message over and over (and with as little grace as one could possibly envision).
To prime at least two generations for this upcoming family comedy, Disney delivered the official teaser poster for the
film, a movie that's garnered over a year's worth of buzz thanks to its screenwriter, actor -
scripter Jason Segel, penning his first
film since the impressive Forgetting Sarah Marshall.
Accordingly, with all the necessary exposition and basic plot and character foundation taken care of in the first
film, in X2 Singer and
scripters Michael Dougherty and Dan Harris waste no time in continuing the angst - ridden lives of our genetically - mutated heroes and villains from right where the first
film ended.
Call Me By Your Name and The Handmaid's Tale won the USC
Scripter awards for
film and television (respectively) last night.