Sentences with phrase «film studio distribution»

Just like film studio distribution now puts extra emphasis on a film's overseas take, international markets may be crucial for investors looking for returns to supplement domestically driven ones.

Just like film studio distribution now puts extra emphasis on a film's overseas take, international markets may be crucial for investors looking for returns to supplement domestically driven ones.

Not exact matches

Peretti first points to a company that started more than 100 years ago, Paramount Pictures, which owned a film production studio, its own cast of talent, and its own distribution channel in the form of theaters.

This would be a big shift in the business model of feature - film distribution for both the major studios and the theater chains.

While studios can lobby for their films to be included in that quota, there is no magic formula that guarantees distribution.

According to Screen Daily, the studio purchased worldwide distribution rights for Anderson's next film and its impressive cast list of Anderson returning players (Owen Wilson, Jason Schwartzman, Bill Murray, Adrien Brody, Edward Norton, Tilda Swinton, Harvey Keitel, Willem Dafoe, Jeff Goldblum, Bob Balaban) and newcomers (Ralph Fiennes, Jude Law, Saoirse Ronan, Tom Wilkinson, Mathieu Amalric, F. Murray Abraham, Tony Revolori).

Sony also had the lowest per - film average gross of the six major distributors in 2011, and its foreign box office growth (which includes a nice total for The Adventures of Tintin, for which Sony held the foreign distribution rights) didn't prevent the studio from finishing fifth in global market share for the second straight year.

VOD companies have swiftly established themselves as viable alternatives to the traditional big film studios, but there is still the issue of distribution.

Perhaps securing distribution, even direct - to - video with a Blu - ray edition nonetheless, is reward enough, especially from a studio that has recently handled films from James Franco, Twilight's Catherine Hardwicke, Shia LaBeouf, Nicolas Cage, John Travolta, and Robert De Niro.

Sundance remains perhaps the hippest film festival on the planet, and the best place to score a distribution deal with one of the big studios.

The studio system is in a spot of bother: twice in the past year, Paramount has put tens of millions into a science - fiction film, only to lose their distribution nerve and shunt it off to Netflix for international markets.

A distribution note: «Chapter 3» marks the first film to go out under Universal / Focus» revived Gramercy Pictures brand, intended to become the studio's new genre - film label.

The below list only includes domestic (U.S. and Canada only, unless otherwise indicated) grosses for specialty films — which we define to include independent, foreign (including Bollywood films), and / or documentary films — that opened in limited release (599 screens and under) in 2018 AND / OR were acquired or produced for 2018 distribution by an independent distributor (including STX Films, Annapurna, A24, Entertainment Studios, Amazon, Netflix, Aviron, Global Road, and Bleecker Street) or a studio or its specialty division (including Fox Searchlight, Sony Pictures Classics, and Focus Features).

The chart - topping duo from Disney defies the usual trend, as Disney titles tend to take a few weeks to build momentum in the rental market as the studio has no distribution agreement with Redbox, leading the kiosk vendor to acquire its copies of Disney films as any consumer would — at retail.

Her first studio film, Roadside's Forever My Girl, is receiving a far larger distribution and is dramatically different in tone and structure from Little Chenier.

The Toronto International Film Festival is underway and critics are weighing in on high - profile premieres from studios and films still seeking distribution.

Netflix will never nab films with mainstream cinematic quality, simply because another studio would spend more to capture that film for theatrical distribution.

Electric Entertainment is a full service film and television production and distribution company and studio headed by veteran producer Dean Devlin along with Marc Roskin and Rachel Olschan.

The film is due to be released on February 23 in North America and China, but its studio, Paramount, has sold all other international distribution rights to Netflix, which will premiere the film abroad just seventeen days after its North American release.

The atypical qualities of the film (which stand out all the more next to other 2002 Disney fare like Snow Dogs and The Country Bears) had the studio take a different approach for its distribution.

Speaking to Deadline today, Walt Disney Studios President of Theatrical Distribution Dave Hollis stated that the studio is not concerned whatsoever with the low audience scores, and think that the conversations this film sparks will lead to good word - of - mouth for the holiday weekend next week:

Meanwhile, though it was initially reported that FilmDistrict and Executive Releasing would be distributing the Jerusha Hess film «Austenland,» THR reported yesterday that Sony Pictures is actually the studio that has obtained the worldwide distribution rights, with its indie division Sony Pictures Classics distributing the film domestically.

SPE's global operations encompass motion picture production and distribution; television production and distribution; digital content creation and distribution; worldwide channel investments; home entertainment acquisition and distribution; operation of studio facilities; development of new entertainment products, services, and technologies; and distribution of filmed entertainment in more than 100 countries.

Directed by Academy Award winner Kathryn Bigelow, the film marks the launch of Annapurna's «long planned, full - service distribution and marketing operation,» as announced by the studio in January.

Film festivals mostly tend to feature a wide collection of upcoming indie films, including many of which that are seeking out major studios for distribution to audiences around the world.

Relativity is a next - generation studio engaged in multiple aspects of entertainment, including film production; financing and distribution; television; sports management; music publishing and digital media.

Netflix is the company that's most aggressively trying to disrupt the current studio system, lobbing films at customers at an unprecedented rate (it's planning to release 80 in 2018 alone) and largely ignoring theatrical distribution.

«Can you do what the studios normally do from a wide distribution standpoint, only with a lot fewer resources — spending on marketing — and with a much better economic structure for the people who actually made the film?»

Although the gritty indie aesthetic of «Diary» was a direct reaction to his experiences on «Land» — a studio effort starring Dennis Hopper, Asia Argento and Simon Baker and the most expensive film in the series — Romero always has bounced back and forth between mainstream acceptance (a few studio - funded pictures and various fruitless Hollywood production deals) and the scrappier terrain of independent financing and distribution.

However, when the small independent film — which depends on its artistic appeal rather than wide commercial distribution by an MPAA member — is denied access, the playing field becomes unfair and uneven... Artistic accomplishments in film should not be compromised in an effort to protect the interests of the major studios.»

As Ian Olney explains in his recent book Euro Horror: Classic European Horror Cinema in Contemporary American Culture, Hollywood stole distribution tactics from B - film production studios, such as saturated openings, while also recognizing the viability of cheap sequels to accompany these methods, where films could make so much money in one weekend, as to become profitable, that whether or not audiences actually liked the film ended up being an afterthought.

As a result, Deadline is reporting that Warner Bros. is talking to indie distributors about possibly selling the film to a specialty studio and letting them handle the film's distribution.

THE DVD by Bill Chambers Back when DVD was in its infancy and FILM FREAK CENTRAL was just another fledgling movie site, Fox became only the third studio to add us to their screener distribution list.

The Red Turtle, Ghibli's latest and their sixth film to receive an Academy Award nomination for Best Animated Feature, sees the studio collaborating with Wild Bunch, a Germany - based film sales and distribution company.

The film is currently in Post Production, but there is no major studio behind its distribution, nor a specific release date.

Relativity Media is a next - generation studio engaged in multiple aspects of entertainment, including full - scale film and television production and distribution, the co-financing of major studio film slates, music publishing, sports management and digital media.

This speaks, of course, of larger industry problems, of issues of funding and distribution, of what stories get made and marketed to larger audiences, of which films get studio backing, which stars get cast, etc. but it nevertheless seemed rather telling that stories of young black men and cross-cultural relationships, and foreign films about burgeoning and belated sexual awakenings end up ghettoized this way.

Amazon's LOVEFiLM, the leading European film and TV subscription service, announced new multi-year agreements with Twentieth Century Fox Television Distribution and NBCUniversal International Television Distribution, providing LOVEFiLM members in the U.K. exclusive streaming access to movies and TV series from the studios, including Despicable Me, Green Zone, and Robin Hood.

- coming from Japanese studio Marza Animation Planet - will feature Leon Kennedy, Chris Redfield and Rebecca Chambers - computer - generated - worked on by a crew whose credits include Ju - On (The Grudge), Ghost in the Shell, Death Note - domestic and international distribution for the film

Executives from both MTV Games and Bruckheimer's gaming studio will work together on all phases of development - from concept to platform - as well as on the production, distribution deals and marketing elements, with the potential that some of the game concepts could migrate to other entertainment media including film and TV.

Mediated and arbitrated disputes involving the financing, production, distribution, bonding, and insurance of film and television productions, and profit and licensing disputes between studios and talent

At Sony, I worked with a team of lawyers and business team members from multiple studios to create a business model for replacing physical film use in theatrical feature film distribution, with the use of digital projection.

Our lawyers have also represented studios and production companies in licensing copyrighted film and television content and characters for distribution and merchandising opportunities in markets around the world.

Some of our notable entertainment and media attorneys are: John Quinn, General Counsel of the Academy of Motion Picture Arts and Sciences, who has also represented entertainment and media clients in a number of high profile cases; Kathleen Sullivan, the former Dean of Stanford Law School, First Amendment scholar, and nationally renowned appellate advocate, who heads the firm's appellate practice group; Bob Raskopf, an expert in the sports, entertainment and media bars in New York, who is perhaps best known for his work on behalf of professional sports leagues and teams, newspapers and publishers; Claude Stern, who has represented a broad array of leading software developers, videogame manufacturers, online publishers and other media clients in all forms of intellectual property litigation, including copyright, patent, trade secret, trademark, and licensing disputes; Bruce Van Dalsem, who has tried and resolved disputes for studios, producers and performing artists in the film, television, music and finance businesses, securing a top five verdict in California based on the misappropriation of a film library; Gary Gans, an expert litigator in motion picture financing, production and distribution disputes, as well as copyright and idea theft cases, who has been named in 2012 by The Hollywood Reporter as one of America's «Top Entertainment Attorneys;» Jeff McFarland, who has litigated entertainment related cases for more than 20 years, including cases involving motion picture and television series profits, video game licenses, idea theft and the «seven year rule;» and Michael Williams, who represents a satellite exhibitor and other media clients in trademark, copyright, patent, antitrust and other commercial litigation.

HBO's exclusive deals with Fox and Universal restrict access to the studios» films from digital distribution once they enter the pay TV window, which generally comes six months after DVD release and lasts about a year.

The company has distribution deals in place with major studios like Warner Bros., 20th Century Fox, and Lionsgate that allow them to offer their films for rental soon after they're released on home video.

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