Sentences with phrase «film studio where»

One can apply for the specific form of dance to any dance institute or film studio where their skills can be properly utilized.

At the time, Sultan was deep in the creation of The Valley and didn't want to lose momentum, telling Wallpaper he would agree to the shoot only if he could photograph the furniture at Vivid Entertainment, an adult film studio where he had been photographing intermittently.

Terry Gilliam and Richard O Brien have thrown their support behind a campaign to save the famed U.K. film studios where the famous Hammer Horror...

Not exact matches

Schilowitz gave me a tour of the studios, pointing to where scenes from Spider - Man had been filmed.

The studio where «Chicago Fire,» «Empire» and other shows are filmed is taking control of adjacent Douglas Park streets to build outdoor sets of the sort you'd see in Tinseltown.

It's not hard to see a path where the number of faith - based films financed by major studios increase.

It's next door to where most of the Harry Potter scenes were filmed, and this studio holds nearly every costume, prop and set from the film.

Our drive to Hollywood was really scenic; we drove by Sony's and Fox's studios where their films are made.

There's some very candid, fascinating footage here capturing the process of making the film (in, for a surprise revelation, not a real Parisian flat but a studio - built apartment replica surrounded by green screens, not at all dissimilar to David Cronenberg's use of similar magic for A Dangerous Method, not that you can tell in either film in its finished form, where the technology is seamless and unobtrusive), with Haneke working with the actors in a rigorous, nitty - gritty way that lets us see what infinitesimal precision he's looking for in performance, in movement, in blocking, and in composition.

He was a mainstay of the fledgling Warner Bros. studios, where the profits from his films frequently compensated for the expensive failures starring John Barrymore.

I can't wait to write my review, but suffice it to say that it's unlike any film you'll see this year, just as its probably one of the last gasps of this kind of film from a major studio, where the shock and awe comes from expert artistry of the hand drawn variety rather than CGI (which Scorsese mastered in Hugo).

Daniel is back as Bond James Bond is back where he belongs as the world - famous Pinewood studios prepares to host the 22nd outing of the film hero.

James Bond is back where he belongs as the world - famous Pinewood studios prepares to host the 22nd outing of the film hero.

I've been up for studio films before where they basically said, «Who?

For instance, after the 2012 Aurora theater massacre during the midnight showing of Warner Bros» The Dark Knight Rises (where my cousin was murdered along with 11 others), the same studio was readying to release the period mob film Gangster Squad.

Last week at CinemaCon in Las Vegas, I got to attend the Universal Pictures presentation where the studio world premiered some fantastic looking footage from their upcoming slate of films.

Yes Many years ago, a fledgling animation studio introduced the world to a film where toys were actually alive and subject to be no more than play things for their human hosts.

Thanks to the obsession with blockbusters that has preoccupied major studios for the past 40 years or so, there have been many weekends where two heavily promoted tentpole films — sometimes even from the same studio — have occupied the top two slots at the domestic box office.

Long before the Noir period started, sound on film ushered in several great series of detective movie series where the lead was usually a bright crime solver, but the gumshoe, gritty detective was not far behind and Noir kicked in just in time for that kind of investigator as the classical detectives (Charlie Cahn, Mr. Moto, Sherlock Holmes, The Thin Man) were on a roll that even defied studio expectations.

Aquaman was announced at a DC press conference held in October, where the studio also announced Wonder Woman, Suicide Squad, Cyborg, and many more upcoming films based on DC comics.

A two - film partnership with playwright Hanif Kureishi later yielded My Beautiful Laundrette and Sammy and Rosie Get Laid, and they, along with the magnificent Joe Orton biopic Prick Up Your Ears, brought Frears to the attention of Hollywood, where he's since had his share of ups (Dangerous Liaisons, The Grifters, and High Fidelity) and downs (Hero and Mary Reilly, high - profile flops made back - to - back for the same studio).

Where most Australian genre films tend to be outback horrors, this one's a noirish sci - fi that plays like an immaculately produced American studio film.

Watch the full panel interview below, where Harlan actually tells a couple of Woody Allen anecdotes, including his offer to make a film for free if the studio would destroy Manhattan.

In August of 2014, as Doctor Strange was being written and as Marvel was figuring out where to film it in 15 months time, the studio underwent a significant restructuring.

While much has been teased regarding where each character finds themselves in the film, there's still quite a bit that the studio hasn't shown.

It overstates the emotion of each scene, sticks out like a sore thumb where it should be subtle, and often sounds like something from a made - for - TV movie rather than a big studio film.

He is also pleased with the Academy members» strong backing for another British pic distributed by the studio, «The Danish Girl,» including in the British film category, where Clark expects the film to be a strong contender.

In addition to investing in the LEGO brand and its massive DC slate, the studio is plotting three films based on J.K. Rowling's Harry Potter spin - off Fantastic Beasts And Where To Find Them to be released in in 2016, 2018 and 2020.

Violence: A movie studio films various scenes for pictures including: a western with a shoot - out where one of the actors is gunned down on screen, an underwater extravaganza where an actress is swallowed by a whale, and a Roman epic that depicts centurions beating slaves.

Shot entirely on a studio set, the film takes place in a quasi-glamorous Las Vegas where pudgy, uncouth Hank (Frederic Forrest) and awkward, dreamy Frannie (Teri Garr) celebrate their fifth anniversary as boyfriend and girlfriend.

A red Devo hat sits discreetly on a tabletop in Mark Mothersbaugh's recording studio, where the former Devo frontman composed and conducted the score for all four of Anderson's films.

The studio was looking for a unique point of view and they are heading into a new era films where they want to grow and change in a certain way that fits that new environment.

That's not to say he's done with studio filmmaking altogether — Warner Bros. is reportedly keen on bringing Ayer back for Suicide Squad 2 but the filmmaker wanted to do something different (see: Bright) first — but when he's not in the mood to helm an awards film or a massive tentpole, Ayer sees Netflix and the like as places where he can get other kinds of films done without a tremendous amount of compromise.

At the moment, there are nine films on Amazon's slate for 2017, though it should be noted that the studio was a major buyer at last year's Sundance Film Festival (where they acquired Manchester, Love & Friendship, and the documentary Oscar contender Gleason, among others), so that number could be beefed up by month's end.

But where Mr. Schultz's studio films often drifted into broad comedy (like the 1977 Richard Pryor vehicle «Which Way Is Up?»)

Here are some of the high profile directors, their films and studios (where available) for this year.

Though March wasn't always known as a month where you could score big at the box office, Zack Snyder's «300» changed all that, and since then, the studios have been more open to releasing some of their higher profile films in an attempt to cash in on the pre-summer excitement.

And the film even has the perfect bittersweet conclusion, which it then, unfortunately, ignores in favor of a completely unbelievable and illogical happy ending that feels as it had been mandated by studio test - screenings where the audience was unhappy with the original outcome.

Though most behind - the - scenes features showcase the production process once filming is underway, The Player gives us a glimpse of what goes on behind the scenes of the behind - the - scenes process, where the only dreams that come true are for the people up top — the people who feel that anyone can make a story that will entertain millions, while the lowly creators that nurtured the initial ideas are seen as little more then expendable goods hardly worth receiving input from once the studio handlers squeeze their foots in the door, symbolically getting away with murder — the figurative death of the writer in the Hollywood production process.

«Fantastic Beasts and Where to Find Them» (Nov. 18): Many major studios have been trying to replace the «Harry Potter» franchise, but the lucky folks at Warner Bros. simply went back to their source: J.K. Rowling, making her screenwriting debut with a film about a Hogwarts textbook.

Big budget studio films are a blast, but we're in a day and age where you can actually insure the influx of those little independent gems.

In 2013, he traveled to the former plantation where «12 Years a Slave» was filmed with director Steve McQueen, and more recently charted how the story of Columbine came to a stage in New York and watched Angelina Jolie take on her first big studio directing job, the «Unbroken» story of Olympian and USC alumnus Louis Zamperini.

Back when the studio was still in its infancy, it was still slowly working towards creating a cohesive universe where characters could pop from one film to the next, culminating in the formation of the Avengers.

Even though Deadpool screenwriters Rhett Reese and Paul Wernick are really busy writing Deadpool 2 at the moment, we managed to get them into our Collider Video studio a few days ago to talk about the success of the first film and where the character might go next.

Tweaked, re-tooled, shelved, then dumped into the cinematic wasteland of a January release (one might call January the «Season of the Ditch» where unmarketable major studio releases go to die), perhaps only Nicolas Cage's presence keeps this one from going straight to video, but also will make most potential viewers leery at the prospect of a good film worth paying full ticket price for.

Of course, it's the type of strongly delivered, socially conscious message that many critics and studio chiefs do like, and Sundance is one of several film festivals where 99 Homes screened while it waited for a theatrical release.

Peter joined us at our studio space in CineCycle during the 2014 Toronto International Film Festival, where his latest film, The Duke of Burgundy (2014), had its world premiere.

ShockYa: I'd be interested in that element of embraced fear you talk about, especially coming off of an experience like «Mr. Woodcock» (a film Gillespie left during production, with David Dobkin stepping in to direct) where there were disagreements about the final tone of the movie, where you couldn't bridge that gap [between what you and the studio wanted].

The details: Between 2006 and 2013, Pixar released a movie every year, but that streak was broken in 2014 when the studio decided that The Good Dinosaur — its deep - into - production film about an alternate Earth where dinos survived into the human era — needed to be completely retooled.

It was the first film from the studio where the main characters were human.