Sentences with phrase «film studios do»
Justin's Review: God bless New Line Cinema for taking chances where other film studios don't dare to tread.
https://mutantreviewers.wordpress.com/ Not exact matches
One more thing Netflix has over traditional studios: It is so good at cloud computing that it has put its «studio in the cloud,» Hunt says, and uses cloud computing to do everything from managing logistics (like union drivers delivering cameras to a location) to film editing (uploading the footage to be edited immediately in another country).
He made and uploaded his first, the 68 - minute Enfin l'Automne (Fall, Finally) to YouTube last year, largely just to see if he could do it, and he's now on the verge of signing a deal with a Hollywood studio to do a proper film.
«The studios are doing fewer films and bigger global tent - pole films.
While the studio did not name the troubled film, Variety and other outlets reported that the culprit was believed to be the live - action, computer - animated hybrid Monster Trucks, which cost more than $ 100 million to make.
Avnet (whose father, Jon, is a veteran Hollywood director and producer as well as the studio's co-CEO) told Fortune the studio wanted to maintain the film's authenticity — they wanted viewers to think the horror film playing out in real - time might really be happening — so they avoided marketing the movie and, in fact, they did not even run the idea by Snapchat before proceeding.
Seth Rogen, who co-starred in the film and has an office on Sony's lot as well as a deal with the studio, didn't fare too well this past weekend.
Some of the reason is simple math: R - rated movies just don't make as much money as PG - 13 movies do, so studios are eager to chop their films into relatively tame affairs.
The Act's relevance has also been called into question following a recent successful application for a court injunction by the Motion Picture Association, a group representing film studios, forcing BT to block access to a website called Newzbin2, which did not make use of the Act.
But the subsidies covering other costs make it easier for the films» studios to pay the actors and directors, and Nixon didn't even have to leave her hometown to shoot.
Youtube pros all seemed to have studio lights, screen backdrops, fancy camera gear, background music that didn't infringe copyright laws and complicated looking film editing tools.
Eleven hours with minimal fading is the longest I have gone, but no matter if I exercised, had studio lights flaring at me for filming or rested my chin in my hand for a whole workday (typical office pose), the foundation did not budge.
Commentary 3 — The Picture - Director of Photography Darius Khondji, Prodcution Designer Arthur Max, Editor Richard Francis - Bruce, Richard Dyer and David Fincher talk about the look of the film itself, the color processes used on the print, the locations scouted for the various shots, the detail used in the studio backlot constructions, the style David wanted to achieve and succeeded in doing, the clothing, the grittiness, the absolute black Fincher always wanted in Alien 3 but could achieve until now and more.
While that isn't remotely surprising in 2011, when studios have been comfortable doing direct digital transfers on computer - animated films for over a decade, it still is supremely satisfying, especially since the movie is one of the nicer - looking cartoons to hail from DreamWorks (or any non-Pixar studio).
Giving the couple free reign (as long as they don't criticize the regime, that is), Kim became a film studio boss and his charges had what every filmmaker on the planet craves, a greenlight for every project and the best possible resources at their disposal.
If the pilfering of «80s films must continue (though ideally, it will stop, soon), the other studios could learn a thing or two from what Paramount did here with «Footloose.»
Take away The Wind Rises, which was briefly screened in 2013 only to qualify for awards (which it did, collecting an Oscar nomination for best animated film), and Disney's 2013 average drops to 53.4 (the studio's lowest average since 2010), though that was still higher than four other major distributors last year.
It will be extremely hard for the studio to match those figures in 2016, as many of its biggest franchises are sitting out the year and Universal's planned 21 - film slate doesn't feature any sure - thing blockbuster hits aside from (maybe) a still - untitled Bourne sequel.
Why did the studio behind the year's highest - scoring film (nine - time Oscar nominee 12 Years a Slave)-- and a fairly strong overall film slate — finish 2013 with only the eighth - highest average Metascore?
That aspect of the film is clearly in a fight with all the «why did you come here» Syd Field motivational padding between its troubling setpieces, and it's a very studio - suit move to assume that the only way to give «meaning» to a film is to have people talk about it.
The 71st edition of the Cannes Film Festival began with another Netflix controversy, as the upstart studio pulled its films (including Alfonso Cuarón's Roma and Orson Welles» recently completed final feature, The Other Side of the Wind) from the competition in response to Cannes banning any film that does not get a theatrical release in France.
A few studios did release at least 7 film sin the U.S. last year but are not listed because some or all of their films do not have Metascores.
There are striking similarities between certain, um, elements in this film and «Avengers: Infinity War» — a fluke of timing, surely; the movies don't even share a studio (yet).
Just when you thought we were done with our review of the past year in film (including our recent report on 2013's best and worst movies), we have one last look back to offer you: our annual evaluation of movie studio performance.
Some of the idiocy that is being poked at for laughs doesn't seem so strange when you look at YouTube comments and E! Many of the things that are wrong with this film stem from the fact that it is very low budgeted and didn't get much financing from its studio.
The studio did manage to raise its average Metascore by 10 full points in 2013, while going 6 - for - 10 with critics; back in 2012, by comparison, Paramount released only one positively reviewed film.
At least that's what I assume, maybe I'm wrong, because the studio seems to think that what we want are shots of Ana in various states of undress, which I'm all for, but I also don't think that's a great base for a film.
The studio did have one film gross over $ 1 million in theaters: Kill the Irishman 50.
And the studio was unable to launch a new superhero franchise in Green Lantern; though the film grossed nearly $ 220 million worldwide, that didn't come close to making it profitable.
Sony also had the lowest per - film average gross of the six major distributors in 2011, and its foreign box office growth (which includes a nice total for The Adventures of Tintin, for which Sony held the foreign distribution rights) didn't prevent the studio from finishing fifth in global market share for the second straight year.
This must be the age of bliss for Harry being he loves absolutly every movie he sees... it's fairly obvious he's being paid off, after the Batman And Robin fiasco (back when the site was pure) studios realized how powerful this kinda site can be so they decided to give knowles a wad of cash to give their films a good review... Only reason Star Trek Nemesis didn't get a good review was because Moriarty and others bashed Rick Berman so much he didn't wan na give them Money he was so insulted... everyone do a favor and goto http://www.corona.bc.ca/films it's a real movie lovers site withreal reviews and NEWS... no shit about how they got the news or that they think the film reminds them of from their youth, just news..
The studio did pick up an unexpected best picture nomination for Extremely Loud and Incredibly Close, however, though that film doesn't really qualify as «good.»
Generally, when a movie studio is trying to promote an upcoming film, it doesn't make a big show of how much fun everybody had while making the movie.
It didn't take long to deduce why the big studios didn't back this particular film — it's horrid.
Due to studio turnarounds, the film didn't end up starting principal photography until March of 2015.
For those who don't know, most studios use the fall film festivals as a kind of launching pad for their big awards contenders.
The chatter of this strange assortment of upper - middle class Brits might work better in the theater, since the action takes place in real time set wholly in an extensively furnished London home (actually filmed in a West London studio), with the women doing most of the talk and much of the witty liftings.
For Road Trip, the studio also does the decent thing by providing both the film's theatrical and unrated cuts, heretofore only sold separately.
But before anyone gets ready to write off the movie, Padilha still believes he can make a good film, but don't count on him returning to the studio system any time soon.»
Apart from the occasional studio interference, most film editors are good at what they do, hence the Academy Award in that category.
The million - dollar film does not exist anymore; one - and - a-half to two million dollars is now the standard low - budget film in the studio system.
The slate of HD extra features comprises the usual studio - sponsored assortment of interviews and B - roll highlighting what the filmmakers feel were the most impressive aspects of the production and post, plus some narrative material that didn't make it into the finished film.
Fox announces their distrust of critics with this title by splaying «Property of 20th Century Fox Publicity Department» in huge letters across the screen for the duration of the film on both sides of the disc (the first time a major studio has done so since DreamWorks sent out advanced copies of the Gladiator Signature Selection in 2000 — which is why you never saw a review of it at FILM FREAK CENTRAL), in turn prohibiting an ethical assessment of the imfilm on both sides of the disc (the first time a major studio has done so since DreamWorks sent out advanced copies of the Gladiator Signature Selection in 2000 — which is why you never saw a review of it at FILM FREAK CENTRAL), in turn prohibiting an ethical assessment of the imFILM FREAK CENTRAL), in turn prohibiting an ethical assessment of the image.
It is a studio film so I don't really know if there was any other way to end this film without it feeling either farfetched or lazy or anticlimactic.
But we didn't know any of that was going to happen in April 2016, when the studio invited us to visit the film's Atlanta set.
Not until a film hits the ground does a studio realize a fix is needed, and finance sources inform us that with Last Knight «s reported production cost of $ 217M and a global take of $ 604M, it's generating a small loss.
Last year was the first since 2005 that Pixar did not release a film, but the animation studio is making up for it 2015 with a pair of new titles: The Good Dinosaur (planned for November 25) and this month's Inside Out.
One of the studio's bragging points that I read it in USA Today: Renée Zellweger doesn't wear the same article of clothing twice in the whole film.
It wouldn't surprise me if that was true, because «The Legend of Tarzan» — a would - be event film that happens to be pretty uneventful — has the air of a big budget movie whose studio didn't realize its mistake until it was too late.
▪ Before filming began, the actors «did horse training, gun training, learning how to twirl and spin the guns,» director Antoine Fuqua said in a studio statement.