Sentences with phrase «film the art talk»

Part 1 - Introduction by Amon Carter Director, Andrew J. Walker, Ph. D Part 2 - Sedrick Huckaby Talk Part 3 - Performance by musician, Dewayne Washington Part 4 - Questions We want to thank The Amon Carter and Sedrick Huckaby for allowing us to film the Art Talk.

On February 14, 2016, Art This Week filmed the art talk on Corita Kent by Dr. Susan Dackerman held at the San Antonio Museum of...

Not exact matches

Aiming to highlight the advantages of meat - free eating, it will include 140 stalls, talks, cookery demos, workshops, arts and crafts, short films, five all - day bars and music in the evenings.

The government's proposal will not ban violent pornography that doesn't include penetration (and it's important to remember we're only talking about hardcore porn, not normal films, documentaries, or art).

I enjoy talking about the universe, socio political issues, science fiction, cult films, mathematics, art, and music.

It was crazy at times, there wasn't much talking and sometimes I felt it wasn't really trying too hard to not be what it was supposed to - an art - house film.

For someone who performs so many roles on this film [writer, director, producer, composer, editor, production designer, art director, costume designer, etc.], it seems like the screenwriting aspect gets talked about the least.

Arts journalist and broadcaster Richard Watts guest hosts this episode of Hyphenates, talking about the films of December 2014, comparing notes on the best films of the year, and looking at the films and career of indie filmmaker and key figure in the New Queer Cinema movement, Gregg Araki.

The co - writer / director, who also made «Drive» and «Only God Forgives,» and the star sat down with us this week in Chicago to talk about the divisive response to the film, the purpose of art, and even «Beyond the Valley of the Dolls.»

Multi-layered and beautifully - filmed by Oscar winner Danny Boyle, prescription Trance lets viewers into the world of art and hypnosis in a tale that deserves to be talked about long after the credits roll.

Since both films well pre-date the preservationist era of film - as - art - and - heritage — Greed was released in 1925, The Magnificent Ambersons in 1942 — they have suffered the further indignity of being unreconstructible; studios back in those days didn't hang on to excised footage for the sake of future director's cuts on DVD, so the reels upon reels of nitrate film trimmed from the original versions were — depending on which movie you're talking about and which story you believe — burned, thrown in the garbage, dumped into the Pacific, or simply left to decompose in the vaults.»

The remaining slots, if there are any, are left for the year's most talked - about art and indie films.

IndieWire reviews Cate Blanchett in Manifesto, a new art film installation Variety Ryan Reynolds gets his star on the Walk of Fame and talks about the Green Lantern valley before the Deadpool peak

MIDSECTION: SCREENWRITERS Some of the most talented writers for film and television — Ruth Gordon and Garson Kanin, Howard Koch, George Axelrod, Robert Benton and David and Leslie Newman, Richard Levinson and William Link, and Paul Schrader showed up at The Museum of Modern Art last fall to talk about their funny and frustrating adventures in Hollywood.

The film also weaves in lots of scenes that are meant to make us think that Barnum was the first 21st century - style «woke» white straight man in America — a goodhearted fellow who gave circus jobs to outcasts of one kind or another (talk about a big tent: the repertory company includes African - Americans, little people, giants, conjoined twins and a bearded lady), not just because they happened to possess certain talents or physical characteristics that Barnum could exploit (often by appealing to the majority's prurient interests or bigotries) but because the onetime poor boy Barnum sees himself in their striving, and wants to build a theatrical - carnival arts utopia in America's largest city with help from his new partner, rich kid turned playwright Philip Carlyle (Zac Efron).

In the latest episode of my new Deadline video series Behind The Lens, in which I explore the art and style of directors in one - on - one conversations, I talk to a relative newcomer to helming, Stephen Chbosky whose third feature film, Wonder, has turned into an out - of - the - b0x hit for Lionsgate since it opened in November, so far grossing well over $ 100 million domestically and going strong.

In addition to the films that played at Park City, some filmmakers were in attendance for a series of panels talking about the art of film in a variety of ways, and one panel in particular will be worth your time.

In an exclusive interview, the multi-talented RZA talked about the genesis of the project, what appealed to him about his character, how he prepared for the role, his collaboration with Delamarre on his feature directorial debut, working with Belle and the late Walker and what they brought to the film, his bold line of dialogue, what he learned about himself while making the movie, how Walker inspired him, his role in the upcoming martial arts sequel «The Protector 2» with Tony Jaa directed by Prachya Pinkaew, and his new Fox Network TV series, «Gang Related,» that premieres May 22nd.

You've sported a red equal sign on Facebook, watched Nancy Pelosi show Michele Bachmann her politically correct middle finger, and read some of those other lists that have compiled lesbian, gay, bisexual, and transgender (LGBT) films, hailing usual suspects like High Art and Brokeback Mountain as gay equivalents of Vertigo (oh, don't Citizen Kane me; we're talking regime upheaval here).

In this Reverse Shot Talkie, director Matías Piñeiro browses the aisles of a Greenwich Village bookstore with host Eric Hynes to talk about adaptation as an art of taking liberties, the beauty of mess, and his ongoing relationship with William Shakespeare, whose plays have inspired many of his films, including his latest, The Princess of France.

Special Features In Walt's Words: «Snow White And The Seven Dwarfs» - Hear Walt himself talk about Snow White Iconography - Explore how this film influences pop culture, art and fashion Disney / Animation: Designing Disney's First Princess - Modern - day Disney artists discuss the design of Snow White and how it influenced the look of some of your favorite Disney characters The Fairest Facts Of Them All - Disney channel star Sofia Carson reveals seven intriguing facts about Snow White And Much More!

Here, Billie Jean King talks with Emma Stone, who plays her in the film, and Andrea Riseborough, who stars as Marilyn, about turning life into art, teaching girls to be ambitious, and why the issues of 1973 are just as vital and resonant today.

No film better captures the psych - out art of athletic trash - talking than Ron Shelton's ode to playground B - ballers.

After screening the film in his home, Andrew Dominik talks about the art of filming grief in 3D black - and - white.

In this Reverse Shot Talkie, director Matías Piñeiro browses the aisles of Greenwich Village bookstore Mercert Street Books with host Eric Hynes to talk about adaptation as an art of taking liberties, the beauty of mess, and his ongoing relationship with William Shakespeare, whose plays have inspired many of his films, including his latest, The Princess of France.

It's So Easy and Other Lies (Masa, Expansions, KEXP Blog) NEW Interview: «808» Producer Alex Noyer (Masa, Expansions, KEXP Blog) NEW Two Movies Co-Exist in «Love Among the Ruins» (Tony Kaye, City Arts) NEW Rock Radio Royalty (Tony Kaye, City Arts) NEW SIFF interview: The creators of «The Automatic Hate» talk about one of #SIFF2015's most unforgettable films (Chris Burlingame, The Sunbreak) NEW All Things Must Pass (Janice Headley, KEXP Blog) NEW The Glamour & The Squalor (Chris Estey, KEXP Blog) A Rock and Roll Beach Movie of the Mind (Tony Kaye, City Arts) Creative Control (Cat McCarrey, City Arts) SIFF Thriller «Circle» Isn't Spinning its Wheels (Tony Kaye, City Arts) PNW Filmmaker Ventures into the «Valley of the Sasquatch» (Tony Kaye, City Arts) «Uncertain» Sets the Bar for SIFF Documentaries (Tony Kaye, City Arts) 808 (Chris Estey, KEXP Blog) Itsi Bitsi (Chris Estey, KEXP Blog) Don't Think I've Forgotten: Cambodia's Lost Rock and Roll (Chris Estey, KEXP Blog) Beats of the Antonov (Janice Headley, KEXP Blog) Is There a Way Forward for Superhero Movies?

Here, he talks about making his North American film debut as Bruce Lee in Birth of the Dragon, a biopic about the legendary martial arts icon.

The ceremony also highlights films that «unpack the culture» and «get people talking about the art around the film.»

Publishing Art Ayris, CEO of the Christian publisher Kingstone Comics, talks about his latest project, a graphic novel adaptation of the post-Rapture film The Remaining, which will actually come out before the movie.

All this week (Monday 9th — Sunday 15th October 2017), there's a wide range of events, talks, workshops, live performance and film screenings as well as a daily visual arts exhibition.

Award - winning publicist Charles A. Barrett has served as an invited speaker at numerous literary events and also a talk panel member at book and film festivals in addition to also authoring numerous articles for magazines and newspapers on the performing arts and books.

«If you look at genres of films, they're all divided by emotions,» said Jenova Chen during his talk at the DICE summit, from which the above early concept art is also taken.

The organization stages art exhibitions, talks, installations, events, and film screenings around the world.

Room for Performance is three weeks of performance art, featuring live performances, artist talks, lectures and film screenings.

The programme includes films and talks that provide an insight into contemporary performance art, as well as three artist - led workshops.

On March 29, 2018, for our series Voices on Art, Art This Week Productions filmed this artist talk by James Surls at the Amon Carter Museum of American Art.

The exhibition at the University Museum of Contemporary Art will be the context for which a program of panel discussions, public talks, film screenings, readings, and an outreach school program is being organized.

He has written on contemporary aesthetics, art, film and television for The Journal of Aesthetics and Culture, Screen, Monu, Frieze, and various collections and catalogues, and has given talks for Documenta and Frieze Art Faart, film and television for The Journal of Aesthetics and Culture, Screen, Monu, Frieze, and various collections and catalogues, and has given talks for Documenta and Frieze Art FaArt Fair.

In this short film, curator of the New Hall Art Collection in Cambridge, Eliza Gluckman, talks about Phyllida Barlow's show at the British Pavilion.

The US artist Lynn Hershman Leeson, known for her performance art and film - making, talks about her l...

Watch the video below filmed at Walker Art Center in Minneapolis, where Whitten talked about his desire to «map the soul.»

Lectures, talks, and symposia with leading artists, critics, and scholars from the visual arts, design / architecture, film and media studies, performing arts, literature, and other areas of culture.

Paintings, drawings, sculptures, films - works of art which talk about what art is, what the image is, what art can represent and what it can't - all appeal.

Sign up below to receive emails from Phoenix Art Museum about upcoming exhibitions, talks, films, special events and more:

DIY Cultures is a day - long festival of zines, artist books, comics, talks, films, animation, video art, exhibitions, workshops - the spirit of independence, autonomy & alternatives.

The line - up will consist of film, exhibitions, talks and debates, literature, music, politics, visual arts, fashion and cuisine, including: Light from the Middle East, an exhibition of contemporary photography from the Middle East, an evening of song with Emel Mathlouthi, a discussion of the role of art and culture in Syria with journalist Malu Halasa and an evening with poet Al Saddiq Al - Raddi whose work reflects his identity as an African poet writing in Arabic.

Here, the filmmaker and art historian talks about the process of making the film.

The artist — popular both within and beyond the art world for his darkly subversive, laugh - out - loud drawings and sculptures — takes his place alongside Tino Sehgal, whose Tate Modern Turbine Hall piece last summer saw performers talking to gallery - goers, telling them intimate stories from their own lives; Laure Prouvost, the French - born, London - based maker of warmly mischievous installations and films; and Lynette Yiadom - Boakye, whose apparently traditional portraits of ordinary sitters turn out to be fabrications drawn from her own imagination.

Working closely with our 2015 Visiting Artists Carolyn Swiszcz and Lisa Sanditz, Erica Mohan created, filmed and edited the following videos showing a glimpse of their public art talks at Girls» Club.

Further Information This talk gives a deeper understandings of Dick's unique approach to film that continues to evade distinctions of documentary, fiction, video art and music in dealing with social and sexual politics.