Support for travel to Iceland to
film the artists moving in extreme landscapes for a new video / performance piece involving the feminist reworking of the «man alone» trope.
Not exact matches
On the one hand, emotional manipulation has always been at the heart of our cultural artefacts; in fact, we have always lauded the best
artists, writers,
film - makers, composers and the like for their seamless skills in
moving us and enlarging our horizons.
I have decied to make or brak option in life and I have give it the word tacofic it is a learing experince the machine whats me to give what I am ok im an
artist righter I read I love waiching
moves but some of my tasts can be very cheesey in
film film is a love of mine cooking is...
I would argue the latter as I believe that even without prior knowledge of the
artists involved, anyone can understand the majesty of «Eleanor Rigby» or be significantly
moved by Charlie Chaplin's 1931
film «City Lights.»
The
film is a deep character study of Riggan Thomson played by a
moving and stellar Michael Keaton a once - time big movie star struggling to regain importance in his contemporary setting while trying to establish himself as an
artist worthy of praise and to get rid of his «Birdman» image.
Theo Taplitz, in a remarkably mature, nuanced feature
film debut, plays Jake, an introverted thirteen - year - old with dreams of being an
artist who
moves with this family from Manhattan to Brooklyn when his father inherits an apartment and a storefront there.
The last movie I want to mention before I hand off the mic to Amy is James Franco's The Disaster
Artist, another
film that performed the generous service of allowing me to forget everything else for a funny,
moving, technically impressive two hours.
Moving up from Senior Programmer at the fest, Yutani will lead the curation of
film, media and off - screen programming at the Sundance
Film Festival and other year - round public platforms and programs that showcase and elevate independent storytellers and
artists.
The
film captures the dilemmas and inevitable consequences of ambition, observing the
artist in both private and public settings,
moving between uninhibited scenes of life at home, grueling rehearsals, and Bobbi Jene's revealing choreography.
Adapted by Scott Neustadter («The Disaster
Artist») and Michael H. Weber («The Spectacular Now») from a novel by the late Kent Haruf, Our Souls at Night was shown at the Venice
Film Festival then went directly to Netflix, a
move that in today's multi-layered media environment is not reflective of the
film's quality, but only its box office potential.
Focused on
films and videos by
artists, it aims to screen
films that use the
moving image to change the way we think of
film and how it functions.
These young adult movies have seen some impressive names step behind the director chair but Maze Runner finds itself as the feature debut of visual effects
artist Wes Ball and there's no doubting the fact that this feels like a first - time effort of someone who can't bring the energy required to keep a
film's pulse
moving.
Based on The Disaster
Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made by The Room star Greg Sestero (played by Franco's younger brother Dave in the
film) and Tom Bissell, The Disaster
Artist combines elements of Ed Wood, American Movie, and The Producers to tell the story of how Wiseau and Sestero became friends in San Francisco during the late»90s,
moved to Los Angeles, and eventually teamed up to make The Room (which had a possible, unverified production budget of $ 6 million).
«The ending was really
moving to me in a way that really helped me see this whole thing from a different perspective,» he said of the
film, whose distributor, A24, recently put up a Disaster
Artist billboard above Highland near where The Room one once loomed.
That
film would be «Man On Wire,» James Marsh's crisp, witty and ultimately very
moving documentary about Philippe Petit, the charismatic French performance
artist who in 1974 committed the so - called «artistic crime of the century» — an illegal tightrope walk between the Twin Towers of the New York's World Trade Center.
The Disaster
Artist follows Wiseau and Sestero after their
move to Los Angeles, when they both started auditioning for TV and
film roles — Sesterk successfully, Wiseau less so.
For the French, it's something else entirely, and the proof is in «Faces Places,» the sweetly
moving documentary chronicling the cross-country art project undertaken by then 33 - year - old photo - muralist / poster
artist JR and 88 - year - old
film director Agnes Varda, one of the giants of the French New Wave.
If we can separate the art from the
artists and overlook the powderkeg role that an undocumented rape plays in this
film, there is enough that makes Birth a
moving and powerful drama.
The
film, like «Fink,» is a sort of portrait of the
artists as young men, and anyone who has, or had, creative ambitions will identify with Davis, who is talented enough to acquit himself (Isaac's performances are excellent: he's arguably better than the character is meant to be), but probably not enough to
move up to the next level (like Garrett Hedlund, now that we think about it...).
That's the sign of a true
film artist at work, and the proof is the
moving, magnificent masterwork that is Magnolia.
On Friday, December 8, 2017, Linda DeLibero — Director,
Film and Media Studies, Johns Hopkins University — and Christopher Llewellyn Reed (that's me)-- Chair and Professor, Department of
Film &
Moving Image, Stevenson University — joined Dan Rodricks on his Baltimore Sun podcast, «Roughly Speaking,» to discuss the following topics: the ongoing revelations of sexual predation and harassment in both Hollywood and the political realm; what's currently getting Oscar buzz; what is currently out in cinemas that we recommend (including Coco, The Disaster
Artist, Lady Bird and the upcoming The Shape of Water); and highlights from the careers of actor Claude Rains (1889 - 1976) and
film composer Ennio Morricone (1928 ---RRB-, both of whose birthdays are on November 10, when we originally planned to celebrate them (a podcast we had to cancel for various reasons).
As the
artist filmed each statue, he
moved his camera gently up and down, so that in the resulting footage, the statues appear to trot along like cowboys in a western or horses on a carousel.
Cinema Remixed and Reloaded: Black Women
Artists and the
Moving Image since 1970 was nominated by AICA / USA in the «digital media, video, or
film» category.
Amy Granat creates 16 mm projections in which the
artist hand - scratches the
film emulsion to produce abstract
moving images.
Mickalene Thomas: Mentors, Muses, and Celebrities, an exhibition featuring photographs,
film, and video, is a richly textured, and
moving portrait of the multiplicities of womanhood that builds upon the
artist's ongoing reconsideration of black female identity.
British
moving image
artist Isaac Julien made the
film Looking for Langston in 1989.
In a new «New York Close Up»
film,
artist Marela Zacarías
moves a suite of sculptures from the Brooklyn Museum to different spaces in the borough.
The story of how Britain's favourite
artist teamed up with Britain's favourite
film director to put on a
moving nativity play under the gaze of snipers in the West Bank
The transparencies
move like that of a
film chronicling the
artist and an assistant on a boat powered by a wood - burning steam engine.
Now in its fifth year, the annual Bushwhack Series is a «diverse mix of theater, dance,
film, and sports,» featuring new work in development from mostly local
artists The Maya Project, William Burke, Rafael Gallegos / Nueva Bohemia (a Bushwhack veteran, in his last Brooklyn hurrah before
moving to New Mexico), Engine Company No. 11, and Modesto «Flako» Jimenez.
Co-presented with Anthology
Film Archives, AFROGLOSSIA's commissions will be contextualized by a special four - day
film program comprising
moving image works that influenced the participating
artists» commissions or their overall practice.
The
Moving Image Fund is designed to help museums and galleries across the UK collect and share with audiences the work of contemporary
artists working with digital media, video and
film.
In Sydney in 2014, the British
artist presented her first theater piece, a monologue for the actor Stephen Dillane on death, families, and the nature of performance; in New York two years later, she transformed it into Event for a Stage, a
moving and dizzyingly intricate 50 - minute
film.
Drawn largely from the Guggenheim Museum's permanent collections,
Moving Pictures focuses on the variety of approaches utilized by
artists working with
film, video, and photography today.
Moving Pictures brings together some 150 works by 55 contemporary
artists who use photography,
films and video as a means of creative expression.
The inaugural ICA / LUX Biennial of
Moving Images was launched in 2012, and the ICA Cinema continues to screen rare
artists»
film, support independent releases, and partner with leading
film festivals.
Simon Lewandowski is an
artist based in London whose practice encompasses making useful things and useless things, making things that
move and things that look as if they are moving.Solo exhibitions include «The Reversing Machine» (with Sam Belinfante), Art Laboratory Berlin, Berlin (2012) «Giochi, Passatempi, Harbingers» Nowhere Gallery, Milan (2011), «HOTEL / MOTEL / MOTET» installation and animated
film with poet Richard Price, «Humbermouth» Literary Festival, Hull (2008), «The Imagining Machine: an Investigation», East Street Arts, Leeds (2008), «Crimes of Futility No. 8: The ArtistMachine», City Art Gallery, Leeds (2006).
A brazen multidisciplinary
artist who studied
film history and theory, C. Spencer Yeh presents a program of two new
moving image works combining diaristic and documentary footage.
Chicago
Artists Coalition is pleased to announce the addition of film, video and moving image coverage on its professional development website for artists, Chicago Artists Resour
Artists Coalition is pleased to announce the addition of
film, video and
moving image coverage on its professional development website for
artists, Chicago Artists Resour
artists, Chicago
Artists Resour
Artists Resource.org.
SCREEN COMPOSITIONS 14 curated by Katherine Liberovskaya For the 14th year, Screen Compositions brings you, as every time, a collection of intersections of
moving image with sonic art; a program of screen works representing dynamic two - way collaborations between video /
film artists and sound / music
artists specifically intended for single - channel projection with no live or performance component: «Parachora», 2009 by Milosz Luczynski -LSB-...]
After working in theater and
film across Europe, Yoland
moved from London to West Texas, to be the inaugural
artist - in - residence with Marfa Contemporary.
Then we will turn to the beginnings of
film and
move through video to contemporary
moving image technologies used by
artists including Philippe Parreno, Trisha Baga, and Josiah McElheny, among others.
After
moving to New York in 1961, the
artist got involved in the avant - garde developments of the downtown art scene in
film, dance, happening and event.
About the
Artist Wu Tsang's
films, installations, performances, and sculptures
move fluidly between documentary, activism, and fiction.
Steve McQueen is a British
artist celebrated for his
moving image work, and is also the acclaimed director of feature
films such as Hunger, Shame and 12 Years a Slave.
In addition to paintings, Applebroog has also created sculptures;
artist's books; several
films (including a collaboration with her daughter, the
artist Beth B); and animated shorts that appeared on the side of a
moving truck and on a giant screen in Times Square.
ALEXEIEFF:
MOVING PICTURES was a three month summer exhibit featuring original lithographs from a rare 1920's illustrated version of The Brothers Karamazov by the Russian born Parisian
artist Alexander Alexeieff, as well as a looped screening of three of Alexeieff's short animated
films created with his own invention, the Alexeieff - Parker pinscreen.
Melika Bass is a
moving image
artist who creates experiential installations and experimental narrative
films.
Modern Mondays is a weekly program that brings contemporary, innovative
film and
moving - image works to the public and provides a forum for viewers to engage in dialogue and debate with contemporary filmmakers and
artists.
FIAC also supports creatives working with the
moving image:
artists»
films are being shown at the Auditorium of the Grand Palais and the Cinéphémère returns to the Tuileries Gardens.