Sentences with phrase «film the exhibition early»

Not exact matches

As film production and exhibition rapidly embraces digital technologies, more and more contemporary films are paying homage to earlier modes of production when films were shot and screened on film.

The Tate Liverpool exhibition focused on the inspiration for the artist's style and featured drawings, collages and examples of the early commercial work of Magritte and rarely seen photographs and films.

The exhibition will present six of these rooms as well as sculptures, paintings, works on paper, film excerpts, archival ephemera, and additional large - scale installations that span the early 1950s to the present day.

Featuring nearly one hundred drawings spanning the artist's career to date, the exhibition will include Barney's earliest drawings made in the late 1980s, drawings created in conjunction with the CREMASTER film cycle (1994 — 2002), and those related to his current project RIVER OF FUNDAMENT.

From her early conceptual pieces to her current solo exhibition at the Guggenheim Bilbao, Ono's performance, film, musical, and written works engage the active participation of the audience.

Complementary exhibitions focus on early film and photographic imagery from the same era and on the iconic graphic design work of one of Israel's most important practitioners during the mid-1960s.

This exhibition will include her early paintings of the 1950s, her «painting constructions» with moving parts of the 1970s, and later crossovers between painting, performance, and film.

The exhibition concludes with a selection of ephemera and some of Waters» earliest films presented in a peep - show format.

Julien's contextual depth and aesthetic vision can be seen again in his latest exhibition that refers to his earlier film, ««I dream a world» Looking for Langston» at Victoria Miro Gallery.

And the one film running the entire exhibition examines a minor late Mannerist and early Baroque artist, Hercules Seghers, thanks to Werner Herzog.

This exhibition follows the artists from their early video installations and websites to later large - scale sculptural work and feature - length films, screened daily in a gallery cinema.

The solo exhibition features Acconci's early works, including his writing, photography, and film.

The exhibition surveys the scope of Jonas Mekas oeuvre from the 1950s to the present, and will include the celebrated earlier films Diaries, Notes & Sketches a.k.a. Walden 1964 - 1968, Lost, Lost, Lost 1949 - 1963, He Stands in a Desert Counting the Seconds of his Life 1969 - 1963 edited 1976, Reminiscences of a Journey to Lithuania 1971 - 1972, As I Was Moving Ahead I Saw Brief Glimpses of Beauty 2000, Biographical Quartet 1992 and one of the most recent films A Letter From Greenpoint 2004.

When Artspace visited Morris's immaculate Long Island City studio earlier this month, the artist — looking stylishly severe in a uniform - like black ensemble with a red belt that matched her lipstick — was getting ready for Basel while also working on paintings, researching her next film, and preparing for a solo exhibition that opens in October at the Museum Leuven in Belgium.

Presenting early film footage together with souvenirs created by the artist and workshop participants from Ousedale School and Milton Keynes Arts Centre, the exhibition serves as a make - shift souvenir shop, designed to encourage a nostalgic look back at the early development of The Point entertainment complex.

Sarah Dobai's first major solo exhibition in the UK took place in 2006 at Kettles» Yard, Cambridge, coinciding with the end of her two - year residency at London's Delfina Studio Trust and featured photographic and film works made during that time, including a new, specially commissioned, two - screen film installation, as well as key earlier works.

The exhibition also explores McCall's early work in film and light from the 1970s, and examines his working process.

The publication draws connections between recent works, including those on view at the SITElab exhibition, and earlier series including animated films The Simpson Verdict (2002) and The Unbearable Lightness of Being (2005), as well as his ongoing drawing series The History of Photography Remix.

This exhibition features a group of four videos, originally shot on Super 8 film, from the 1970s and early 1980s that use the body to express the experience of living under an oppressive regime.

From the early Foley Artist (1996)-- a celebration of the unseen sound artists of film that scripts an imaginary film entirely through the efforts of two foley artists — to the «bewilderingly intricate» Event for Stage (2015) in which actor Stephen Dillane delivers (in four performances cut into one) scripts given to him, page by page, by the artist, the exhibition examines performance and its relationship to narrative, the imagination and the collective effort of artist and audience in film, theatre, drawing and photogravure.

On completion of the film in early January, the second phase of the exhibition will begin with a complete reinstallation of the galleries transforming it into a theater space.

Beginning with Aleister Crowley's trance portraiture and Austin Osman Spare's automatic drawing of the early 20th century, the exhibition traces over 100 years of occult art, including Leonora Carrington and Kurt Seligmann's surrealist explorations, Kenneth Anger and Ira Cohen's ritualistic experiments in film and photography, and the mystical probings of contemporary visionaries such as Francesco Clemente, Kiki Smith, Paul Laffoley, BREYER P - ORRIDGE, and Carol Bove.

Kambalu's co-current exhibition Introduction to Nyau Cinema at the Whitechapel Gallery is inspired by early cinema and the experience of watching films as a child in Malawi.

A section of the exhibition will present a selection of experimental films and videos realized with early computer technology.

At the same time, the exhibition will establish a bridge to caricature, comics and the animated films of the nineteenth and early twentieth centuries, and thereby illuminate the beginnings and interconnections of this thematic area.

The exhibition will continue to highlight the dialogue between film, fine art, fact and fiction through early Western films to John Ford's classics, and examines the complex dialogues in post-World War II films.

As a painter, writer and curator, Professor Lubaina Himid has participated at an international level in exhibitions conferences books and films on the visual art of the Black Diaspora since the early 1980's.

Sherman rapidly rose to celebrity status in the international art world during the early 1980s with the presentation of a series of untitled «film stills» in various group and solo exhibitions across America and Europe.

As a coda to the exhibition of his work at MoMA PS1 earlier this year, Alejandro Jodorowsky (b. 1929, Chile) introduces his visionary 1973 cult film The Holy Mountain.

What / Why: «Presented in conjunction with the exhibition, Isaac Julien: Ten Thousand Waves, this selection of Julien's earlier films includes 2001 Turner Prize — winnersThe Long Road to Mazatlán (1999) and Vagabondia (2000), as well as the acclaimed poetic documentary, Looking for Langston (1989).

Billed as the first «UK institutional exhibition», Beloufa's 2007 film «Kempinski» was exhibited earlier this year as part of The Sunday Painter's Fulfilment Centre group show in London.

Sarmento's exhibition is comprised of a group of new mixed media paintings and drawings as well as his early film, Faces, from 1976.

Starting March 17, and running until August 26, 2018 the exhibition «Bruce Nauman: Disappearing Acts» provides the international art world with a long - awaited opportunity to rediscover the full spectrum of the American artist's work in a wide range of mediums, from early performances recorded on film and video to drawing, printmaking, photography, sculpture and neon to installations.

The exhibition is the first retrospective dedicated to John Giorno, American poet, performance artist, and iconic figure of the underground scene of the Sixties, whose work was influenced by the encounter with artists like Andy Warhol (he played in many of Warhol's early films), Jasper Johns, Robert Rauschenberg, John Cage, Trisha Brown, and Carolee Schneeman.

One of a number of art shows and events this season honoring the late great icon Elizabeth Taylor, this exhibition of early works by Iranian - born photographer Firooz Zahedi offers more than a film - star tribute.

Earlier this year, his multi-floor exhibition inaugurating Gavin Brown's new Harlem mega-gallery, which featured uncanny - valley - born CGI videos of men falling into sinkholes or other forms of unusual misery, seemed to announce a new era of immersive art experience that can compete with TV, film, and the other attention - devouring screen - based sirens.

As explained on the website of the present - day Studio One, «Steen's Studio One was one of the earliest alternative arts spaces in the city, presenting exhibitions, lectures, film screenings, musicians, and performances [and] inspired Charles Gallagher to open DiverseWorks in 1982.»

The exhibition focuses on expanded cinema, a film movement which came to prominence in Britain in the early 1970s, at the time Sherwin started making films.

An exhibition of films from the collection that are associated with the Abstract Expressionist movement will be featured in The Roy and Niuta Titus theaters in early 2011.

This exhibition includes a selection of Wilke's early sculptures, films, drawings and collages alongside photographic works from her S.O.S. Starification Object Series.

ANNANDALE - ON - HUDSON, NY, May 11, 2016 — Imponderable is an extensive research project, exhibition, film, and publication that investigates the personal collection of American artist Tony Oursler, a remarkable trove of more than 2,500 photographs, documents, publications, and unique objects, tracking a social, spiritual, and intellectual history of the paranormal dating back to the early eighteenth century.

Earlier this year he curated Viva L'Italia an exhibition of film and video for Artefiera Bologna focusing on the legacy of the 1970s socialist culture in Bologna.

The first solo exhibition in the UK by Danish artist Jesper Just will premiere the newly commissioned film trilogy A Voyage in Dwelling in addition to a selection of earlier works, including Just's acclaimed film A Vicious Undertow.

Now, over 40 years later, Yoko Ono: One Woman Show, 1960 — 1971 surveys the decisive decade that led up to Ono's unauthorized exhibition at MoMA, bringing together approximately 125 of her early objects, works on paper, installations, performances, audio recordings, and films, alongside rarely seen archival materials.

The title of Broomberg and Chanarin's exhibition was originally the coded phrase used by Kodak to describe the capabilities of a new film stock developed in the early»80s to address the inability of their earlier films to accurately render dark skin.

An earlier exhibition, Cinema Remixed and Reloaded: Black Women Artists and the Moving Image (2008), which she co-curated with Andrea Barnwell Brownlee, was nominated for the prestigious AICA (International Association of Art Critics) award in the digital media, video or film category and was later presented at the 11th Havana Biennial in 2012.

Features VanDerBeek's early paintings and collages, experimental films, recreations of immersive projection and film environments, and documentation of site - specific and telecommunications projects - including a «telephone mural» meant to allow for the simultaneous exhibition of artworks at multiple sites.

That hilarious exhibition included a miniature Michael Jackson in a baby - grow crawling across the floor towards a toddler Charles Manson, as well as an authentic peep - show - booth installation of his early films (complete with rusty chairs and boxes of tissues).

The exhibition title To Photograph the Details of a Dark Horse in Low Light appropriated by Broomberg and Chanarin, is in fact the coded phrase used by Kodak to describe the capabilities of a new film stock developed in the early 80s to address the inability of their earlier films to accurately render dark skin.

Below are some of Orquidea Morales» thoughts about Raphael Montañez - Ortiz's 1958 recycled film Cowboy and «Indian» Film, which will be the earliest work included in our upcoming exhibition Our America: The Latino Presence in American Art.