You can't make a British horror
film these days without straining to articulate class anxieties, and Ciaran Foy's Citadel is no exception.
You can't watch an action
film these days without Hong Kong cinema's influence.
Not exact matches
The marketing for the
film is sickening: posited as «an incredible fairytale love story,» encouraged as a date - night movie, and set to release just in time for Valentine's
Day, Fifty Shades barrels ahead
without an ounce of self - awareness — or, perhaps, of conscience.
In the meantime, Ms Marsh, who played a starring role in Mr Smith's controversial Australia
Day television advertisement which was
filmed at the Cowra cannery, can now only join her former co-workers in looking to the first creditors meeting at the bowling club next Tuesday to provide them with some explanation as to why the company of one of the town's largest employers shut up shop
without warning.
A 2005
film would focus on the fact that V, who - like Dredd, his opposite - is never seen
without his mask, was a terrorist and used it to chime with the «war on terror» narrative of the
day.
In the
days of
film photography, one long exposure would do, but a digital camera can not easily record long exposures
without buildup of electronic noise, which degrades the image.
Well, they are right in that regard, which seems to be the real point of the
film in the end, as these are people who live from
day to
day without much to look forward to except to go to work and drink all night, then do it all again the next
day.
For though «Insurgent» can't quite do
without its pro forma personal moments between characters (the
film even includes a sex scene so chaste it wouldn't have disturbed Doris
Day in her prime), its heart is not there but in its action sequences.
It's probably the best thing about Oscar season, when they run the great
films on TCM
without commercials for 31
Days of Oscar (you know, with the date change, it's no longer 31 days but it used to
Days of Oscar (you know, with the date change, it's no longer 31
days but it used to
days but it used to be).
Without the emotional gut punch that seemed to come in every frame of Mungiu's masterpiece 4 Months, 3 Weeks And 2
Days, this picture truly opens up on multiple viewings, and with its eyes set to the heavens, the
film seems Hell bent on questioning their existence entirely.
Without the benefit of context that extends beyond the events of the
day, the
film's ability to address more general questions as to why such inexcusable violence could occur is limited.
It's a simple but extraordinarily effective trailer, selling the
film's creeping sense of dread
without revealing a single thing about where it comes from — other than the time of
day, of course.
Disney's approach to restoration was witchcraft in those early
days of the format: Regarding celluloid as a transitory delivery system for animation, Disney archivists (somehow) managed to leach the image of
film grain
without harming fine detail.
Most of his working - class ensemble pieces are set very much in the present
day, but following the success of his Gilbert and Sullivan biopic «Topsy Turvy» (1999)-- which was inevitably set in the past — Leigh has once again turned to period drama with his latest work, «Vera Drake» —
without ever abandoning the ideological concerns of his more contemporary
films.
The core
film lineup is not announced until the
day before the festival begins, so attendees have to commit to the fest
without knowing any of the movies that will definitely play.
After three and a half years
without a directorial release, Spielberg ended up with two
films scheduled to open within four
days of each other and Christmas 2011.
It's not every director who can show three kids (including an infant wrapped in swaddling clothes) perforated by bullets
without so much as flinching, but that's Cooper's M.O., refined over the three
films since his relatively marshmallowy «Crazy Heart»: As in «Black Mass» before this, violence packs more punch if depicted matter - of - factly, which somehow registers as «realistic» these
days (although one suspects that it would be far more horrifying if his victims suffered slow, agonizing deaths after being shot).
This could have been done on purpose, as there are deeper meanings with that idea, in itself, but at the end of the
day, this is a horror
film without the horror.
Seven
Days Sunday is a necessarily bleak retelling of an horrific real - life occurrence, that like many
films of its nature raises several possible explanations
without ever being able to settle on one.
Every week, no, nearly every other
day, does it seem like the news churns out for The Batman, and the latest is the possibility that the
film's new course could sail
without the villain -LSB-...]
After all the controversy over Jane Got a Gun — the Natalie Portman western that Ramsay was supposed to direct until she dropped out on the first
day of
filming — the mere fact of this movie making it to the finish line
without any kind of drama would be a victory.
The
film follows the gang as they attempt to return to the present
day without causing too much upset in as they run into old flames, friends, and enemies...
It is the kind of
film that can not be replicated in this
day and age,
without coming across as a B - Movie.
Robin Campillo himself was a participant in ACT UP - Paris in his younger
days, and the easy jockeying between strategy and action in the
film would likely have been near impossible
without his insider perspective.
Again only one
film... but no list would be complete
without Terrence Malick - Nestor Almendros» work on «
Days of Heaven».
Without giving much consideration to the context that breed such an environment, bar a couple of fleeting scenes where one of the
Day's gang attempts to find work as a farm hand, it begs the question as to what the
film is trying to accomplish by focusing on the gang; especially when the
film's ephemeral style distances the action from reality, laying blame on the gangs for
Day's downward spiral into a life of crime and not the faulty idealism behind the myth of American opportunity.
Likewise, LaBute's direction never rises above «competent,» and the noticeable lack of art direction makes the movie look cheap (it was clearly
filmed in ordinary locations around Albuquerque, and one imagines the city rues the
day it gave LaBute whatever tax breaks convinced him to shoot there, since he depicts the locals, almost
without exception, as rubes).
In her new
film, My Life
Without Me, acclaimed Canadian actress Sarah Polley (The Sweet Hereafter) plays Ann, a young mother secretly dying of cancer who decides to make the most of her remaining
days.
One feels like this is how the
film looked and sounded in opening
day exhibitions, only
without any perceivable technical flaws.
At the
film's recent press
day in Los Angeles, Waugh and stunt coordinator Lance Gilbert talked about their longtime friendship and professional relationship, what it was like growing up together on the sets of «Smokey and the Bandit,» «Vanishing Point,» «The Blues Brothers» and «Bullitt,» why Waugh considers Gilbert one of the best stunt coordinators in the world, the challenges they faced pulling off practical stunts and capturing amazing action sequences realistically in - camera
without CGI enhancement, and the entertaining Easter eggs they included as a homage to the classic car - culture movies of another era.
RIFF OF SCANDAL Can't recognize the players in Scandal, the new
film about the granddaddy of modern -
day sexploits, the 1963 Profumo Affair,
without our team giving you their numbers Graham Fuller on the deep threat Gavin Smith grills John Hurt Marlaine Glicksman unwraps Roland Gift
The
film begins as A wakes up in the body of bullish jock Justin (Justice Smith) and attempts to live that
day for him,
without leaving a trace.
Yet after
filming was completed,
Day - Lewis, 60, shocked the movie world in June by announcing,
without explanation, that he was retiring as an actor.
OPENING THIS WEEK Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun by Kam Williams For movies opening June 5, 2009 BIG BUDGET
FILMS The Hangover (R for sexuality, nudity, drug and alcohol abuse and pervasive profanity) «What Happens in Vegas» comedy about three friends (Bradley Cooper, Ed Helms and Zach Galifianakis) of the groom - to - be (Justin Bartha) who throw a wild bachelor party in a suite at Caesar's Palace only to have their pal disappear
without a trace the
day before the wedding.
Even
without taking under account the evident, constant battle between both characters» «little angels and demons,» there are indeed several religious images throughout «Changing Lanes» and my guess is that Michell tried to make a not so subtle parallel between both characters escalating wrong - doings and Christ's dying for our transgressions, not unlike the ones depicted here, only for them to end the
film by actually achieving a redemption of sorts similar to Christ's resurrection, which for both characters in the
film seemed so elusive throughout this
day, even in moments such as the one when the movie manages to casually place the character played by Affleck (a non-Catholic, I think) inside a confessional with a priest, no less.
Headlined by Kiss Me Deadly, Ordet, Mr. Arkadin, All That Heaven Allows and Lola Montes, there are at least 17
films from this year I really liked (Street Of Shame, Rebel
Without A Cause, Bad
Day At Black Rock, The Big Combo, Smile's Of A Summer Night, The Seven - Year Itch, It's Always Fair Weather, etc etc) leaving out at least one wherein I'm of the minority opinion that it's not all that good (Guys And Dolls).
One
day, we'll be able to watch the
film without associating it with voter identification laws, a Supreme Court decision that put an arbitrary expiration date on racial discrimination, and a string of highly publicized and questionable police killings.
The
film revolves around Copley's character who wakes up one
day in a pit of dead bodies
without any memory of how he got there.
Tod Browning's controversial revenge thriller is a horror
film that could never be made, remade, or even replicated these
days without all sorts of people getting really angry.
Somewhat reminiscent of Emmerich's biggest hit - 1996's Independence
Day - this
film stands as Emmerich's first movie
without long - time partner producer Dean Devlin.
Nim's Island isn't
without a few moments of over-familiarity, and in some ways it's actually demure when compared to a lot of other movies aimed these
days chiefly at kids — which may be a bit of a strike for those raised on the Harry Potter
films and The Chronicles of Narnia.
Everyone is still peeved at the way Liam ditched high school sweetheart Josie (Jessica Rothe, from Happy Death
Day) on their wedding day — without explanation (an ambiguity that turns out to be preferable to the soapy, here's - why - I - drink monologue we get from Liam in the closing moments of the fil
Day) on their wedding
day — without explanation (an ambiguity that turns out to be preferable to the soapy, here's - why - I - drink monologue we get from Liam in the closing moments of the fil
day —
without explanation (an ambiguity that turns out to be preferable to the soapy, here's - why - I - drink monologue we get from Liam in the closing moments of the
film).
Roland - François Lack hunts down the locations for Holy Motors, incidentally revealing
without comment what's likely another of the
film's intertextual links: The home Lavant emerges from to start his
day is the Villa Paul Poiret, built for the early 20th - century fashion designer who, Wikipedia informs, required guests at his parties to dress in costume and himself went from riches to an impoverished street artist.
A biopic about the last
days of the actor Sal Mineo, the onetime teen idol who appeared in such
films as «Rebel
Without a Cause» and «Exodus.»
It appears that it might be a stunt double under the armor instead of Robert Downey Jr., who was spotted on set the
day before
filming a similar scene, though
without his superhero character's famous costume.
The fine veteran actor Christopher Plummer would take on the role, complete ten
days» new
filming at breakneck speed, the
film would be re-edited... all
without changing its release date.
And in sidestepping many of the pitfalls that come with continuing a beloved franchise, the
film invites viewers to revel in the old glory
days without simply trying to recreate them.
Escape From Tomorrow (D +)-- «Employing guerrilla - style filmmaking (
filming on location
without permission), Randy Moore's audacious debut
film chronicles the last
day of the White's vacation at the serene Disney World.
There is no more fitting
film to end on, no more fitting Easter viewing, than
without question the most powerful, all be it controversial, depiction of Jesus» final
days in The Passion of the Christ.
Eerie and understated in equal measure, the
film follows a party of girls from a strict boarding school, who go on an outing to nearby landmark Hanging Rock on a St. Valentine's
Day — only for part of the group vanish
without explanation.