Sentences with phrase «film tracks the history»

After focusing on Wray, the film tracks the history of Indian music's integration into blues culture.

Not exact matches

Del Toro's commentary track finishes off the extras and, as expected, is filled with the director speaking about influences and inspirations for the film whether from art or film history.

The first disc includes the theatrical release of the film, along with an interesting feature commentary track by director Marshall and screenwriter Bill Condon, as well as the deleted musical number «Class,» and a 27 - minute documentary on bringing the musical to the big screen («From Stage to Screen: The History of Chicago»).

Twilight Time has made its own limited edition business plan work and started adding more supplements to their releases, including original commentary tracks from the company's film history brain trust.

The Apartment Year: 1960 Director: Billy Wilder Filmmaker Billy Wilder had perhaps one of the greatest, most diverse track records in film history from 1944 to 1960.

I'm unsure how the film plays for those who know everything about the mythic beginnings of that enigmatic Swedish star, all the gossip surrounding her banishment from Hollywood (and her triumphant return), and who can trace the history of cinema by tracking the star's own move from small national markets to Hollywood to Europe and back again, all the while gracing the stage in Italy, France, the West End and Broadway.

It's a lot to ask an audience to keep track of everything, and for the most part you can enjoy the films without a degree in comic book history.

• Limited Edition collection of the complete Blood Bath • High Definition Blu - ray (1080p) presentation of four versions of the film: Operation Titian, Portrait in Terror, Blood Bath and Track of the Vampire • Brand new 2K restorations of Portrait in Terror, Blood Bath and Track of the Vampire from original film materials • Brand new reconstruction of Operation Titian using original film materials and standard definition inserts • Optional English subtitles for the deaf and hard of hearing on all four versions • The Trouble with Titian Revisited — a brand new visual essay in which Tim Lucas returns to (and updates) his three - part Video Watchdog feature to examine the convoluted production history of Blood Bath and its multiple versions • Bathing in Blood with Sid Haig — a new interview with the actor, recorded exclusively for this release • Archive interview with producer - director Jack Hill • Stills gallery • Double - sided fold - out poster featuring original and newly commissioned artworks • Reversible sleeve featuring original and newly commissioned artwork by Dan Mumford • Limited edition booklet containing new writing on the film and its cast by Anthony Nield, Vic Pratt, Cullen Gallagher and Peter Beckman

Exclusive to the Blu - ray is a thorough and detailed commentary track by director / writer Richard Kelly, the featurette «The Box: Grounded in Reality» (about the real - life history of his parents that inspired the characters), three brief yet quite efficient snapshots of the film's digital effects, a trio of bonus mood piece shorts (more ominous suggestions of otherworldly surveillance) and a bonus digital copy of the film for portable media players.

The film focuses around washed - up history professor Lewis Birch (Griffin Dunne) who takes his teenage kids — Zoe (Madeleine Martin) and Jack (Devon Graye)-- on a road trip to a conference in hopes of putting his career back on track.

Speaking of tracking devices, «Furious 7» not only has one, it's the most powerful spy device in film history.

Extra features on this non-SE include: a comprehensive commentary by director Hoblit and co-screenwriter Billy Ray, with the occasional comment from Bruce Willis sandwiched in; another yak - track from producer David Foster, who concentrates on the film's background in WWII history; ten deleted scenes (in 16x9) that reveal that an even more structurally and politically complex film lies on the cutting room floor, with elective commentary from Ray and Hoblit — they're especially sorry to see go, as am I, a bit in which the American soldiers entertain their German captors by donning blackface; a 4 - part photo gallery — see Bruce make serious expressions for «The Poster Shoot»; and trailers for Hart's War, Windtalkers, and the TV shows «Jeremiah» and «Stargate SG - 1».

-- P.H. Heilbron tells the story of this little - known car which was made from 1906 until W.W. I. / l93l Talbot 105 — Mark Gillies drove «GO 53» on the road and on the track at Silverstone / Hillman early history — In Part 1 of this article Michael Worthington - Williams recounts the development of the company from 1907 - 1929 / Bentley performs for TV — How a 3 - litre Bentley took part in film - making for a TV series.

Siegel weaves a history of surveillance techniques and technologies through interviews with psychoanalysts, former Stasi employees and a former East German group of Native American sympathisers, excerpts from surveillance videos and GDR feature films, and lingering tracking shots of Stasi offices.

ANNANDALE - ON - HUDSON, NY, May 11, 2016 — Imponderable is an extensive research project, exhibition, film, and publication that investigates the personal collection of American artist Tony Oursler, a remarkable trove of more than 2,500 photographs, documents, publications, and unique objects, tracking a social, spiritual, and intellectual history of the paranormal dating back to the early eighteenth century.

«Imponderable» is a combination of a 90 - minute film with a exhibition of «findings» culled from Tony Oursler's extensive research (and personal collection) representing a trove of over 2,500 photographs, documents, publications and unique objects that track a social, spiritual, and intellectual history dating to the early 18th century.

Duncan Campbell's acclaimed film It for Others — shown here in the context of Lismore Heritage Centre — tracks the object, from African artefacts to cheap, mass - market commodities, while Gerard Byrne's series of museum paintings offers a view of historic paintings as objects — photographed from behind, where their making and history is most evident