Sentences with phrase «film venture»

AND it should be a fantastic film... for not many films venture into the world of dreams.

Whenever characters in a horror film venture into the woods, bad stuff happens.

Christopher Nolan is preparing to kick start his next film venture with Matthew McConaughey in mind to lead.

Christopher Nolan is preparing to kick start his next film venture with Matthew McConaughey in mind...

A handful of U.S. - China film ventures have fallen apart due to cultural clashes.

Ermenegildo Zegna has launched its most ambitious film venture yet, collaborating with actors Jack Huston (of Martin Scorsese's television series Boardwalk Empire) and Daniel Wu (from Blood Brothers and American Hustle) on a film called «A Rose Reborn,» directed by acclaimed South Korean filmmaker Park Chan - Wook.

Run by chairman and former journalist Jennifer Dong, the company makes this its third partnership with a U.S. film venture, following one with James Schamus's Symbolic Exchange and another with Jason Blum's Blumhouse.

Two new directors of feature films venture off in two independent directions; STEVE MCQUEEN, acclaimed visual artist, captured the award for best first feature at last year's Cannes Film Festival The Boston Globe (Boston, MA); March 29, 2009; Christopher Wallenberg; 700 + words NEW YORK - 1981 is a year that British artist Steve McQueen will never forget, with the Brixton riots erupting in... nothing new.

Cuban's holdings are varied and his media personality is huge, ranging from his role on ABC's Shark Tank, to film ventures to his ownership of the National Basketball Association's Dallas Mavericks.

I'll spare the details, but the film ventures into torture porn territory with little to no warning.

Seth MacFarlane introduced footage from Ted, his film venture, that tells the story of a man (Mark Wahlberg) and his childhood gift, a Teddy bear, that comes to life.

The last act slows down and the tone of the film is thrown off entirely — and rather suddenly, the film ventures out of dark comedy and into the realm of something else entirely.

However, despite the unlikely (or likely path) the film ventures down, the characters remain consistently engaging, grounded and relatable, and despite there being six roles on screen at any one time, each character is given equal time to grow and evolve.

Though the film ventures one too many times into melodramatic territory, Farmiga and Rosenfield keep you invested in their story.

Unfolding in his signature long takes — the opener is a candidate for shot of the year — the film ventures to the driver's single - room home in a windswept prairie, where he and his daughter subsist on potatoes and wait out a storm of apocalyptic proportions.

The tone of the first part of the film ventures into the realm of sex comedy, whether it be Clara's befuddlement at the inability of a ruler to measure her husband's «stature» or the expression of shock and amusement students show at a series of photographs showing an up - close look at intercourse (how these passed the MPAA untouched is surprising but encouraging; maybe they aren't as prudish as we thought).

This time around, however, Kinberg appears to have more creative freedom, as the film ventures to space within its opening minutes.

From there the film ventures into a dark and twisted joy ride of murders and manipulations.

Much, much later, the film ventures towards Mumbai as the world is collapsing only to show a distraught slum boy trying to save a street dog (where have you seen that before?).