I look at
film with a different eye, now that I have a degree in film.
Not exact matches
The network has unleashed trailers for a slew of new shows they're hoping will catch your
eye, including a
different kind of superhero show (MacGyver), another
film - to - TV remake (Training Day), a new Jason Katims drama (Pure Genius), a new Joel McHale comedy (The Great Indoors), and two separate, unrelated comedies about working - class men forced to spend time at home (Kevin James «Kevin Can Wait and Matt LeBlanc «s Man
With a Plan).
What follows in both Gibson's
film and Fulci's is a period fantasy leaking blood and viscera, scored
with drama and shot in operatic slow - motion: tales of martyrs and heroes, of battles against the unclean (more suggested in Gibson's
film as a steely -
eyed, newly - risen saviour gets ready to rock), and, in their
different / same ways, reduced to the barest elements of conflict - action - resolution, repeat.
Feige talks about Doctor Strange's origin story, how the movie will be
different from the comics, rooting crazy concepts in real science, does Steven Strange know about The Avengers, how the
film is more respectful to other cultures than the original source material may have been, how this movie was inspired by The Oath, which characters might connect
with the Runaways, Mads Mikkelsen «s character Kaecilius, multiple dimensions, the trouble
with writing magic action, how Mordo is
different in the movie, Rachel McAdams «character Christine Palmer, is the
eye of agamotto an infinity stone, the genre of the
film, how this
film will defy expectations, Steven Strange's role in the larger MCU, will we see cameos from the other Marvel characters, and much more.
Instead, I read it
with an agent's
eye, thinking about all the
different ways I could market it — to book publishers, audio publishers, for translation and for
film.