Sentences with phrase «film work on view»

In the work of New York - based artist Alejandro Cesarco, I am reminded of his most recent film work on view as part of his exhibition, Song, at the Renaissance Society at the University of Chicago, which was revisited, restaged, and recomposed.

The film work on view in Caída libre explores this link through a real life character, a falconer known as Chameleon.

Not exact matches

It worked: Dollar Shave Club's YouTube pitch, which Dubin wrote himself and filmed with the help of director friend Lucia Aniello, racked up nearly 10 million views on YouTube.

The university is also working to host an awareness week in which it will host activities throughout the week, including a public viewing of the documentary «The Hunting Ground,» a film about rape culture on college campuses, she added.

Kate Winslet has made the shock confession that she never actually fancied her Titanic co-star Leonardo DiCaprio, as the film approaches its 20th anniversary Kate Winslet talks about relationship with Leonardo DiCaprio - and shares her views on working Hollywood mums

When viewed on their own, the stunning sequences documenting the beginnings of life on earth might have worked, and the same goes for the gritty, dysfunctional family drama segments that form the core of the film.

Her luck began to change for the better in the late 1990s, when she started garnering luminous reviews for her work both on Broadway — where she earned a Tony nomination for her role in 1998's A View from the Bridge — and onscreen in such films as Big Night (1996) and Mike Nichols» Primary Colors (1998).

What made the first film work as well as it did was the way Hirst took and reworked historical facts to suit the rise (or decline, depending on your point of view) of an innocent, love - hungry young woman into a cold, sometimes cruel statue of a queen.

Viewed as a stream - of - consciousness reaction to a rich, established, older man's fear that he might lose everything he has worked his entire life to attain, however, the film takes on a more illuminating meaning.

Andie Redwine was honored with The Hoosier Award for her work on «Paradise Recovered,» a film about a woman from a cloistered religious sect forced to view her community from a new perspective, which was partially shot in southern Indiana.

On a third viewing of «Milk», one of the best films of they year and a major accomplishment for director Gus Van Sant, I was again struck, no, blown away by the brilliance, the joy, the remarkably loving work of Sean Penn as the doomed politician.

Like much of Hong Sang - soo's work, this film plays with time, doubling back on itself like a Mobius strip to give us the entire story from a different point of view.

Considered through Doane's work on film, time and archive, mashup can be viewed as collection of fragments and symbols of media, memory, sound, image and time.

At first I assumed that this was going to be one of Clooney's films in which he pushes his moral and political views to the fore (think Good Night, and Good Luck, Michael Clayton or Up in the Air) and whilst Governor Morris» policies are clearly left wing wet dreams, the film's portrayal of what goes on behind the scenes is so negative that it practically negates all the good work Morris hopes to do when in office.

Though as early as 1996 she was reportedly at work on a film adaptation of Patricia Highsmith's novel The Price of Salt, later adapted by Todd Haynes into 2015's Carol, Macdonald has worked exclusively in television ever since, and has been back in view lately for directing the acclaimed new miniseries adaptation of Howards End, scripted by Kenneth Lonergan.

At the recent press day, Core, Ramirez, Bracey, wingsuit stunt pilot Jeb Corliss, professional free climber Chris Sharma, Alcon producers Andrew A. Kosove and Broderick Johnson, and 2nd unit director Philip Boston talked about how they went about creating the ultimate sports movie, how the actors viewed their characters and built the bro - mance, the challenges of coordinating a production that shot around the world in 11 countries and on 4 continents, why all the 2nd unit work was shot prior to the first unit work, why vision and authenticity were paramount, why the imagination, energy and focus required to shoot a film in camera is much greater than when visual effects are used everywhere, and why it took courage to make this film.

This film works best on the big screen, and at home a HD viewing on your TV is recommended.

and the film feels as though Anderson is taking her thought processes on a peripatetic ramble with no obvious destination in mind — although there's a circularity about the work that suggests she has a distinct path in view all along, despite appearances.

It's that rare film that works on every single level, to the extent that multiple viewings reveals multiple films.

For instance, I happen to know from a conversation I had with him while he was working on the film that he rejects the view of Turner presented in Styron's 1967 The Confessions of Nat Turner, but you wouldn't know it given the way he adapts several scenes from the novel.

You get real insight into the man, his work and his views on life, but Marguiles and Ponsoldt have used the source material (the dialogue is overwhelmingly from Lipsky's transcripts) to make a great conversation movie, in the mold of Richard Linklater's «Before» films, that happens to feature the acclaimed novelist.

It's another reason this film could work great on repeat viewings.

Lindsay Duncan enters the film in the second half as a close minded theater critic, much more interested in ruining Riggan's comeback on principle than bothering to view the work from an unbiased perspective.

THREE fantastic units of work that focus on basic literacy skills - listening, visuals, technology (1) SOUNDS & MUSIC is about recognising everyday sounds, listening mindfully, exploring music and songs (2) FILMS & DOCUMENTARIES focuses on viewing a variety of visual tools through films and documentaries and linking ideas (3) TECHNOLOGY & APPS helps students develop awareness around apps that help them explore ideas and themes and how technology has changed over yFILMS & DOCUMENTARIES focuses on viewing a variety of visual tools through films and documentaries and linking ideas (3) TECHNOLOGY & APPS helps students develop awareness around apps that help them explore ideas and themes and how technology has changed over yfilms and documentaries and linking ideas (3) TECHNOLOGY & APPS helps students develop awareness around apps that help them explore ideas and themes and how technology has changed over years.

If your students prepare digital booktalks or trailers, why not set aside class time on a few consecutive days for a film festival, and have students view the work of their peers and complete scoring sheets.

Apsara DiQuinzio, our Curator of Modern and Contemporary Art, and Phyllis C. Wattis, MATRIX Curator, has a number of wonderful small - scale MATRIX shows in the works, and we are doing several borrowed solo exhibitions that are emblematic of the kind of art that we love, such as a survey of Ana Mendieta's films [Covered in Time and History: The Films of Ana Mendieta, on view November 9, 2016, through February 12, 2017].

His film Pacific Sun is on view at the Los Angeles County Museum of Art through April 2015 and will run concurrently with a solo exhibition of new work opening in January at Matthew Marks Gallery, Los Angeles.

Sala's new work and film, The Last Resort, and If and Only If, respectively, will be on view at Marian Goodman Gallery New York beginning March 2.

Well, Jesus walks in Chelsea this month at Gladstone, where an early pair of videos that Barney filmed of 1991 performances at the gallery — which involved such «Cremaster» - era motifs as petroleum jelly, Houdini, and palindromic footballer Jim Otto — will be on view alongside other related pieces, bringing the work together for the first time in a quarter century.

Though the works on view vary in execution and are separated by several decades, these films possess a shared thematic concern: the disruption of the conventional interpretation of the language of desire, offering in its place an interpretation that is considerably more layered, ambivalent and complex.

Concurrently, Lehmann Maupin will present Tracey Emin: I Followed You To The Sun, a two - part exhibition featuring over 100 new works, including a series of new bronze sculptures, paintings and drawings, embroideries and a short film, on view from May 2 to June 22, 2013 at both of its New York galleries.

On view in Gallery two will be several black and white works including a large ballpoint pen drawing of a woman in her bedroom from Raffaello Mattarazzo's film «L'angelo bianco» (1955) and a drawing of the library at Civitella Ranieri Foundation in Umbertide, Italy.

SENSES OF TIME: VIDEO AND FILM - BASED WORKS OF AFRICA The films and videos of Yinka Shonibare MBE, Sammy Baloji, Berni Searle, Moataz Nasr, Theo Eshutu, Jim Chuchu and Sue Williamson feature dance, storytelling and postcolonial history, on view concurrently at three institutions.

The film was originally shown at the 2011 Venice Biennale, and this is the first time the work will be on view at the DMA since entering the collection in 2011.

One of the very best films on view in New York right now is «Fly Paper,» a lyrical 23 - minute tribute to life and culture in Harlem by Kahlil Joseph, a filmmaker who directed some of Beyoncé's «Lemonade» while also becoming known for his own lush, impressionistic short works.

The publication draws connections between recent works, including those on view at the SITElab exhibition, and earlier series including animated films The Simpson Verdict (2002) and The Unbearable Lightness of Being (2005), as well as his ongoing drawing series The History of Photography Remix.

Selected Works, 1942 - 1978,» currently on view at Foam in Amsterdam through Sept. 6, explores how Mr. Parks not only made television and Hollywood films, but also employed cinematic techniques when taking and sequencing photographs.

Campuzano has invited peers (including gallery artists and friends Kate Abercrombie and Jack Sloss), mentors, professors and other special guests to provide art instruction in various media, discuss past and current projects, screen favorite videos and films, and contribute work on view throughout the month.

The first two episodes of the film are presented alongside a new series of textile and sculptural works in the newly - restored Palazzina Canonica, the former headquarters of the Institute of Marine Sciences in Venice, on view till September 24th.

Currently on view at Lisa Cooley, New York is «We play at Paste,» a group exhibition that includes film, painting, and sculpture featuring works by Anthea Hamilton, Tamara Henderson, Lucy Kim, Ella Kruglyanskaya, and Alan...

This screening will showcase cameraless, abstract and handpainted films that resonate formally with the works on view in the Block Museum's current exhibition, Experiments in Form: Sam Gilliam, Alan Shields, Frank Stella.

Following the film, the artist will present a new body of work in her third solo show at CB1 Gallery titled In the Land of Entropic Beauty, on view June 15 through July 20, 2014.

Included among the more than 300 items on view — artworks, film clips, music scores, audio recordings, documentary photographs, snapshots, performance props and costumes, ephemera, and correspondence — are 5 cello - based sculptural works that Moorman herself created.

On view will be new works incorporating imperfect symmetry, organic lines and a consistent palette executed in acrylic on polyester filOn view will be new works incorporating imperfect symmetry, organic lines and a consistent palette executed in acrylic on polyester filon polyester film.

These works — on view in New Orleans for the first time — span a range of media including collage, drawing, architectural models, animation and short film, and collaborations with other artists on such materials as album covers and children's books.

Following a private viewing of Richardson's latest 3D video installation, «Rehearsal», on January 8, the artist - run gallery, headed by its founder and director Joe Madeira, will be showing an exhibition of the artist's new works, marked by his ventures into multiple mediums, including photography, sound, digital film, 3D animation and, of course, installation.

Filmed August 3, 2013 at The Amon Carter Museum of American Art We visited the Amon Carter Museum of American Art to hear the artist, Sedrick Huckaby, speak about his work, Hidden in Plain Site, on view at the museum.

A continuous showreel of films, the work on view spans hours accommodating the work of 18 conceptual artists, and it even extends behind the gallery space.

He was filming the whole time, as well as when he was later traveling between his home in London, New York, and his family's home in La Paella, Colombia, and the resulting 80 minutes of footage — showing behind - the - scenes banter at the Zwirner show, work at the residency, the artist goofing around — seems to be at least a distant relative of Sigmar Polke's extraordinary travelogue videos now on view in his survey at Tate Modern, or even, in its multichannel spread, to Dieter Roth's filmic account of the last year of his life.

Ranging from photographs, video, film installations, and feature films for the cinema, American artist Amie Siegel's work has been exhibited in solo exhibitions including Amie Siegel: Provenance, currently on view at the Metropolitan Museum of Art and at the University of Michigan Museum of Art, Ann Arbor, as well as recent solo and group exhibitions including Utopia for Sale?