Sentences with phrase «filmed collaborations between»

The movie is a continuation of filmed collaborations between Shawn and André Gregory, first seen in Louis Malle's My Dinner with Andre and Vanya on 42nd Street.

A film collaboration between Kiki gatekeeper, Twiggy Pucci Garçon, and Swedish filmmaker Sara Jordenö, we're granted exclusive access into this high stakes world, where tough competitions act as a gateway into the daily lives of LGBTQ youth of color in NYC.

marks the eighth film collaboration between the Coen Brothers and Working Title following A Serious Man, Burn After Reading, The Man Who Wasn't There, O Brother, Where Art Thou?

It marks the fifth film collaboration between Spielberg and Tom Hanks - after 1998's «Saving Private Ryan», 2002's «Catch Me If You Can», 2004's «The Terminal» and 2015's «Bridge of Spies» - which makes him the actor that Spielberg has directed most times.

He stormed the screen as Aragorn in Peter Jackson» epic Lord of the Rings trilogy, lead David Cronenberg's outstanding crime thriller A History of Violence (which lead to a three - film collaboration between the two) and thinned down to a troubling frame in John Hillcoat's adaptation of Cormac McCarthy's The Road and for all the variety Mortensen injects into his roles, the one consistent thread is his supreme dedication.

Not exact matches

«We have had films like Tunde Kelani's Abeni feature at the festival as well as Half of a Yellow Sun, which is a collaboration between Nigeria and the UK, but I think this is an opportunity to do more and to go bigger.

Thys also continues doing academic work through collaborations with people she knew from graduate school, mostly between films, which she admits is difficult.

«Love Me - The Documentary,» collaboration between Powershot and A Foreign Affair, (whose website, loveme.com, inspired the name of the film) will debut this month at the Toronto Film Festival.

I look forward to more collaborations between Hazanavicius and Dujardin, as they have now made at least three films together, all of which I have found light and captivating.

The first of the new OSS 117 films, this was the first ever collaboration between Michel Hazanivicius, his wife Berenice Bejo, and the impressive star, studly Jean Dujardin.

The film represents the first of many collaborations between Spielberg and Polish cinematographer Janusz Kaminski, who won an Academy Award for his work and was subsequently invited to join the ASC.

The film is the second collaboration between screenwriter Scott Z. Burns (Contagion) and Soderbergh.

It marked the director's first collaboration with Grégoire Colin, a dark - eyed, arresting young actor whom Denis would also employ to great effect in both Nénette et Boni and Beau Travail.The former film, made in 1996, was another coming - of - age drama that centered on the relationship between a lovelorn young man (Colin) and his rebellious, pregnant 15 - year - old sister (Alice Houri).

This film, a collaboration between two of the all - time greats in George Romero and Stephen King, ticks all of my boxes and delivers on all of its promise.

The feminist serial killer road movie Butterfly Kiss, the Bosnian war pic «Welcome to Sarajevo», the period property drama «The Claim» and the Manchester docu - comedy 24 Hour Party People might appear to be films with nothing in common, but in fact all are collaborations between director Michael Winterbottom and writer Frank Cottrell Boyce, who together have shown an ability to produce consistently interesting works in any and every genre.

It would be the first collaboration between the Coens and Clooney, who described himself as a fan of all their films and accepted the role without even seeing a script.

Code 46 is the sixth collaboration between director Michael Winterbottom and writer Frank Cottrell Boyce, and the style and point of view of the film certainly suggest that the two felt they had a point to make here.

And even that, admittedly, stems perhaps more from the baity media angle it offers, being a collaboration between Palestinian and Israeli directors, than the content or quality of the film itself.

Since watching BLUE VALENTINE, all I've wanted is to see another collaboration between Ryan Gosling and the film's director Derek Cianfrance.

The action film is based on an original idea from «Deadpool» writers and executive producers Rhett Reese and Paul Wernick, and marks the first collaboration between Skydance and Netflix for an event level feature film.

It was the first of four collaborations between Thompson and composer Jerry Goldsmith, coming before The Reincarnation of Peter Proud, Caboblanco and King Solomon's Mines - none of them is a great movie but the quality of the scores go to show the affection Goldsmith must have had for the director (who also made films scored by Dimitri Tiomkin, Bernard Herrmann, Franz Waxman, Elmer Bernstein, John Williams and John Barry - an unbelievable fact which I doubt could be matched by any other director).

• NYT «The Shed,» a newperformance space in Manhattan is looking to mash art - forms up from film directors staging concerts to collaborations between actors, poets, and opera stars?

The Yuen is Snake in the Eagle's Shadow, one of two collaborations between Yuen, his father Yuen Siu - tien and Jackie Chan from 1978 (the other being the first Drunken Master, and yes, it sure would have made a lot more sense to play that one before Drunken Master II, as both of these Chan movies are playing on Friday) that revolutionized the kung fu film and rocketed Chan to superstardom.

I don't think it's an exaggeration to say this is shaping up to be a very important partnership between director and actor, already having produced one film — the fiery, apocalyptic «Take Shelter» — nearly as impressive as any collaboration between, for example, Martin Scorsese and Robert De Niro.

Casino marks the eighth and most recent collaboration between two of the best of their generation (Scorsese and Robert De Niro), but the film is more than just bookend material for some sophomore film studies class.

These collaborations between the film and music world keep classic films alive.

With such a competent cast and crew, including a second collaboration between Allen and legendary cinematographer Vittorio Storaro, certain aspects of Wonder Wheel, when taken in isolation from the rest of the film, quite literally shine.

It's nice to see collaboration between foreign and domestic companies and actors, but I had hoped this film would be a bit better.

And indeed, the film is a collaboration between a hip, highly talented L.A. comedy star (Rogen) and a revelatory Southern director and friends.

The film is a collaboration between writer Diablo Cody and director Jason Reitman, and bears a family resemblance to their other two films, «Juno» (also about pregnancy) and «Young Adult.»

Similarly premised on a tipping point between synthesis and disarray was the Kiwi anthology Waru, an unprecedented collaboration among eight Maori women filmmakers, each contributing a 10 - minute short film linked in more and less obvious ways to the funeral of the title character, a young boy who died amid dubious circumstances.

The film will mark the fourth collaboration between George and the Coen brothers following O Brother, Where Art Thou?

One of the years greatest tragedies for us film fans, is that we will no longer be able to see another collaboration between Tony...

The third of the three film thriller collaborations between writer Graham Greene and director Carol Reed.

«Incidentally, the film is the first such collaboration between actor Akshay Kumar and director R. Balki and we are glad it happened with us.»

This is the third collaboration between the pair and they could easily turn into one of film's most consistent and necessary pairings.

Abounding with its director's trademark rich imagery and expressive style, «Orchestra Rehearsal» marks the last collaboration between Fellini and the legendary composer Nino Rota (due to the latter's death in 1979) who provides one of his most beautiful themes in the film's conclusion.

Killer Joe, William Friedkin's new film, is another collaboration between the famed director and playwright Tracey Letts; you might remember the intensely claustrophobic Bug from a few years ago.

Extras: Audio commentary with film producer and historian Bruce Block; new appreciation of the film and select scene commentary by film historian Philip Kemp; «The Flawed Couple,» a new video essay by filmmaker David Cairns on the collaborations between Billy Wilder and Jack Lemmon; «Billy Wilder ABC,» an overview by David Cairns on the life and career of the filmmaker, covering his films, collaborators and more; new interview with actress Hope Holiday; «Inside the Apartment,» a half - hour «making - of» featurette from 2007 including interviews with Shirley MacLaine, executive producer Walter Mirisch, and others; «Magic Time: The Art of Jack Lemmon,» an archive profile of the actor from 2007; original screenplay by Billy Wilder and I.A.L. Diamond (BD - ROM content); theatrical trailer; special collector's packaging featuring newly commissioned artwork by Ignatius Fitzpatrick; collector's 150 - page hardcover book featuring new writing by Neil Sinyard, Kat Ellinger, Travis Crawford and Heather Hyche, generously illustrated with rare stills and behind - the - scenes imagery.

Based on Dennis Lehane's novel of the same name, the film marks the second collaboration between the author and director following 2007's Gone Baby Gone and sees Affleck starring alongside Elle Fanning, Brendan Gleeson, Chris Messina, Sienna Miller, Zoe Saldana, -LSB-...]

The film, which Gerwig also wrote solo following several previous screenplay collaborations including two with Noah Baumbach on her starring films Frances Ha and Mistress America, is set in 2002 Sacramento, California where Christine attends a Catholic school while also dealing with the shaky bond between her and her domineering, impossible to please mother Marion (Laurie Metcalf) who is trying to hold the family together by working double shifts as a nurse after her husband Larry (Tracy Letts) has lost his job.

The film marks the third collaboration between co-directors Franco and Pamela Romanowsky.

The picture is a collaboration between Rough House, James Schamus» («Indignation») production company Symbolic Exchange and producer Lisa Muskat's («Joe,» «Compliance») Muskat Filmed Properties.

The film was made at the height of Hitchcock's collaboration with composer Bernard Herrmann - in between two films and scores usually given more attention, Vertigo and Psycho - and to me represents both of them at their peak.

There is always something magical in the collaboration between the two Swedes, filmmaker Bergsmark and writer / performer Eli Levén, as evidenced in their previous film together, Pojktanten (She Male Snails, 2012).

Spielberg showed masterful restraint in his portrait of our nation's 16th president with Lincoln, and the film really is a triumph of the collaboration between director, actor, and screenwriter.

Unlike before in films like Wild Reeds or The Witnesses (and perhaps the six other collaborations between Deneuve and Téchiné, none of which I have seen) his characters are horrifically hard to care about.

This film not only marks the final collaboration between Grant and Kerr, but also between Kerr and Mitchum (previously starred together in Heaven Knows, Mr. Allison [1957] and The Sundowners [1960]-RRB-, and Grant and director Stanley Donen.

It marks the third collaboration between Johnson, Peyton, Flynn and Garcia, following the international blockbuster hit San Andreas, Warner Bros.» highest grossing film of 2015, as well as 2012's global smash Journey 2: The Mysterious Island.

David Lynch's Mulholland Drive contends that the answer to the eternal struggle between what is real and what is fantasy comes in the form of a Keatsian confusion — it's the difference between Adam's dream and Eve rendered flesh, blurred in the mind of the creator and his audience.A film is a dream of the director made tangible, a conceit familiar from the fourth wall - breaking in Ingmar Bergman's Persona (banishing any mystery there might have been regarding the visual references to that film in Lynch's piece), and a movie's characters therefore become projections of its maker's sublimated longing (clarifying too the auteur's use of wardrobe and colour schemes from Hitchcock's meditation on objectification, Vertigo, as well as those of his first collaboration with inamorata Tippi Hedren, The Birds).