Sentences with phrase «filmed kill scenes»

There should be a little more horror than a couple of shots in the first hour and then a few poorly filmed kill scenes at the end.

Not exact matches

Her iconic Princess Leia is set to appear in the next two «Star Wars» films, and insiders tell The Hollywood Reporter that at least two key scenes are planned for «Episode VIII» (Dec. 15) and «Episode IX» (2019): a Leia reunion with Luke Skywalker (Mark Hamill) and a confrontation with Kylo Ren (Adam Driver), her son who killed Harrison Ford's Han Solo in 2015's «The Force Awakens.»

The antipornography fight gained its greatest momentum in 1975 with the appearance of «snuff» films in the U.S. Claiming to depict the actual killing and dismembering of female actors during explicitly sexual scenes, these films highlighted the link between sex and violence that frequently characterizes pornography.

This approach would call foul on all sorts of things: Moses wielding a sword but not a staff; Moses being chatty but Aaron having almost no lines; Moses killing lots of people and fighting in the Egyptian army; no «staff - to - snake» scene; no repeated utterances of «let my people go»; no «baby Moses in the Nile» scene; and every other deviation the film takes from the narrative in Exodus 1 - 14.

Little more than boring extended battle scenes between the two, framed by the killing of teenagers who usually deserve their demises, Freddy vs. Jason is one of the year's worst films.

We know from the film's shocking opening scene that people want to kill him.

While filming his documentary of Dal Dong Nae, the poverty - stricken neighborhood in Seoul, Su - man witnesses a murder scene where three men in masks killing a woman.

But given that it's easy to predict what comes next once you realize how the film's timelines work, Killing Ground is virtually suspenseless for the duration of its most harrowing scenes, as the people you suspected were going to die in terrible ways die in terrible ways, with some subtle, gut - churning intimations of sexual assault for extra impact.

A climactic encounter in a swimming pool, underscored by «Total Eclipse of the Heart,» provides arguably the film's most iconic kill, while an exceptional, near - wordless scene between Henderson and the Man in the Mask dances delightfully along the border between dread and farce.

While Divergent had plenty of big scene skirmishes that resulted in massive numbers of casualties, the killings in this film are even more disturbing.

All of these short films — along with a half - hour documentary called If It Bleeds We Can Kill It — have been strung together in this hour - long video, offering an especially absorbing dose of behind - the - scenes material.

He burst onto the scene in 2013 with Fruitvale Station, a low budget independent film that premiered at Sundance and told the true story of a 22 - year - old African American who was killed by police in Oakland.

An entirely underwhelming horror sequel, The Pact II follows crime - scene cleaner June Abbott (Camilla Luddington) as she begins experiencing nightmares involving the recently - killed Judas killer (Mark Steger)- with certain revelations about June's own past forcing her to reach out to the first film's protagonist (Caity Lotz's Annie).

Glenn Ford is the bland family man cop driven over the edge when the mob violently kills his wife in a hit meant for him (the scene is the first of the film's explosive eruptions of violence that tear through the placid poise of normalcy).

Given that this film starts right away on a note that combines the macabre with the impish, in a scene where Ed Gein — the inspiration for Norman Bates — kills his brother while Hitchcock (who was not present at the actual crime scene) looks on, it is clear that the filmmaker is out to give us a good ride rather than to actually probe the depths of the great director's psyche.

An extended scene from the action crime thriller, «Machete Kills,» has been released, in anticipation of the film's Blu - ray and DVD release on Tuesday.

But the one that kills Brad is Craig (Michael Sheen), an influential author and political pundit who teaches at Harvard — and who he finds he needs a favor from, leading to the film's most exquisitely acted scene.

Directed by Fritz Lang on a modest budget, the 1953 crime drama stars Glenn Ford as the workaday family - man cop driven over the edge when the mob violently kills his wife in a hit meant for him (the scene is the first of the film's explosive eruptions of violence that tear through the poise of normalcy).

Extras: Audio commentary from writer - director John DeBello, writer / co-star Steve Peace and «creator» Costa Dillon; deleted scenes; six exclusive featurettes: «Legacy of a Legend,» a collection of interviews, including comments from John DeBello, Costa Dillon, film critic Kevin Thomas, fans Kevin Sharp and Bruce Vilanch, future «Tomatoes» mainstay John Astin and actors Steve Peace, Jack Riley, and D.J. Sullivan, «Crash and Burn,» a discussion about the famous helicopter crash that could have killed everyone because the pilot was late on his cue, «Famous Foul,» about the San Diego Chicken and his role in the climatic tomato stomping ending, «Killer Tomatomania,» a smattering of interviews with random people on the streets of Hollywood about the movie, «Where Are They Now?»

Given, Two - Face's arc in TDK is swift (some fans have said too swift) and his final scene in the film is dubiously played (so is The Joker's), but I feel that infection would have set in and killed him if a character ultimately did not.

While the killing of animals is never pleasant to watch, this film was, as mentioned, in black - and - white, and «stylised» in its approach, and the scene in question was as far as possible from a gratuitous gore-fest.

Yes, it will make you occasionally laugh (and Wendi McLendon - Covey, as the token white gal, absent from the first film, is a big reason why — she kills it in the «Poison» scene).

There are only a few action scenes in this drama but the first two films were often too graphic in their depiction of children being killed (something that often grew tiresome) so this film feels like a nice departure.

Deadpool 2 is the sort of movie where the heroes kill a guy — after spending the last act of the film saving that guy so one of the characters will learn a moral lesson — all in the hopes of scoring a quick laugh derived from the joys of knocking off religious zealots, while also using time travel during the mid-credits scene to erase a death that took place earlier in the film so as to avoid outraged howls from Internet folks about the wickedness of «fridging» tertiary female characters.

Some interesting twists and fairly well done action scenes (surprising since the film was directed by Louis Morneau, who made the hellish Bats) follow, but what kills this otherwise polished piece of pulp are the painfully unfunny wisecracks delivered by Belushi's character.

If McConaughey's role sounds familiar, it should — he is playing no more than a variation on his starmaking role in A Time to Kill, which just adds to the routine quality of the courtroom scenes, which are the meat and potatoes of the film.

Deep Red is the film which unites the two camps, combining propulsive narrative intrigue with a series of kill scenes more elaborate and expressionistic than anything the director had yet attempted.

Gangster Squad (2013)-- «Max Kennard» RP: You probably already know this, but because of the idiot in Colorado who went into the theater and killed those poor people... We had a trailer for the film that had a scene that took place in Grauman's Chinese Theater, which was a big action sequence in our movie, and we had to scrap the trailer, they had to reposition the movie and put it out later.

Check out the latest action - packed behind the scenes videos from the set of the upcoming film «The Avengers» by director Joss Whedon (The Cabin in the Woods, Buffy the Vampire Slayer) and starring Chris Evans (Captain America: The First Avenger), Chris Hemsworth (Thor, Red Dawn), Mark Ruffalo (Date Night, Shutter Island), Robert Downey Jr. (Iron Man 3), Scarlett Johansson (Nick Fury), Jeremy Renner (The Raven, The Hurt Locker) and Samuel L. Jackson (The Killing Game, Iron Man).

** relieved sigh ** With the rumor that Malone was Babs and that she'd only be in the R version of the film, I was kind of freaking out that her only scene was going to be an R - rated Killing Joke flashback...

The other scene which was shot, but then removed, follows on from a joke thread early on in the film and considers the classic time travel paradox — if you could go back in time and kill Hitler, would you?

What follows is the film's most harrowing scene, as Don and Alice run through the house, the Infected chasing them and killing off everyone else.

(It's worth noting that prominent layer change / abrupt scene change kind of kills what could be one of the film's funnier moments, an airport exchange with TSA.)

Their film features perhaps the first action scene we've ever seen where we cared more about what was happening in a character's relationship than how many kills he was about to rack up — and then, once it was done, felt simultaneously exhilarated by the visceral power of what was happening immediately, and the emotional stakes of what that set piece took him (and us) away from.

The resort to cliché in the early scenes of Essential Killing knocks politics out of the film, along with ideology and nation, advising us that we should respond to the film on a different level, where, eventually, politics returns.

THE JUDGE has high - minded goals beyond making itself Oscar ™ - bait, but issues of justice, rule of law, and the simple joys of small - town life don't stand a chance against writing that relentlessly panders to Academy ™ voters, particularly when they run smack up against a courtroom scene that is deliberately staged to look like something out of TO KILL A MOCKINGBIRD, a film we are put in mind of when Hank mentions Atticus Finch.

Actress Uma Thurman is shown in a scene from director Quentin Tarantino's new film «Kill Bill Vol.

Gleeson's big scene with Wilmot, who proposes to kill him but (of course) finds himself outsmarted by the beguiling big fella, is the film's strongest moment (Mark Strong as Clive Cornell, pictured below).

A film still provided by the Cannes Film Festival organisation on 22 May 2012 shows US actor James Gandolfini in a scene of «Killing Them Softly».

T'Chaka speaks of a «difficult choice» he had to make, which is likely referring to the opening scene of the film, where T'Chaka is forced to kill his own brother, N'Jobu (Sterling K. Brown)-- father of Killmonger (Michael B. Jordan).

Director Angelina Jolie explains how she was mindful of the emotions that could be evoked by the scenes she was re-creating to film «First They Killed My Father» in Cambodia.

Comparing the international and U.S. trailers offers some insight into the changes wrought on the version that washed up on Yankee shores; an extensive and vaguely repetitive posters and still gallery reminds that the film's original title was Kiss & Kill; a long essay on the life and times of Sax Rohmer offers sustenance for the pulp geek (and who ain't); and extensive biographies of Lee and Franco illuminate not only their subjects, but the strong connection behind the scenes between Blue Underground and Anchor Bay.

Nancy Allen (The Philadelphia Experiment, Dressed to Kill) returns, but only for the first few scenes, and though she plays a significant role in determining how the film plays out, her character is given short shrift in the development department.

Due to an apparent conflict in George P. Wilbur's schedule, A. Michael Lerner was hired to play Myers for these additional scenes, meaning the Myers you see on screen during this kill is not portrayed by the same actor as in the first 2/3 of the film.

There is currently a crowd funding campaign ongoing at Indiegogo to help raise the funds to make the film happen in exchange for some killer perks, including being featured in the film itself, getting a Michael Myers mask signed by Tony Moran, or a special $ 10 raffle - style perk in which a lucky contributor's name will be drawn at the end of the campaign and they will actually be put in a scene playing a neighbor who gets killed by Michael Myers.

Torn over whether they should kill the herders or let them go, the characters face off in the film's rare scene of verbal battle.

The overblown cartoonish delivery of his lines seemed out of step with the rest of the film, and often killed any scene in which he was a major component.

They go deep on the shocking nature of killing your star in the opening scene, the rules and tropes of horror film, and the killers» ridiculous plan to stab each other at the end.

In addition to the Human Torch scene, the film included a scene in which Deadpool went back in time to kill baby Hitler.

There's also a driver-less smart car that attempts to kill Lou, and a scene in which Adam Scott's character repeatedly vomits all over himself (which, admittedly, was the lone funny sequence in the film).